|
1.1
|
Celos
DORA |
2:16 | |||
|
1.2
|
Dulce Puñalada
DORA |
3:04 | |||
|
1.3
|
Play
DORA |
3:20 | |||
|
1.4
|
Marceline
DORA |
2:52 | |||
|
1.5
|
Cuando No Estás
DORA |
2:58 | |||
|
1.6
|
Confesión
DORA |
3:21 | |||
|
1.7
|
Lonely
DORA |
1:18 | |||
|
1.8
|
La Noche
DORA |
1:54 | |||
|
1.9
|
Nada Que Perder
DORA |
3:10 | |||
|
1.10
|
Después de La Lluvia
DORA |
0:31 | |||
|
1.11
|
Última Llamada
DORA |
2:04 | |||
|
1.12
|
Interludio Roma
DORA |
1:05 | |||
|
1.13
|
Camino a Roma
DORA; Maria Arnal |
1:57 | |||
|
1.14
|
Autoboicot
DORA |
4:15 |
48 kHz / 24-bit PCM – Dora Records Studio Masters
Tracks 1-14 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Tracks 1-14 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.30 -0.30 to -0.30 | -11.28 -13.41 to -9.42 | -9.30 -10.90 to -7.50 | 5 3 to 7 | |
| 1 | Celos | -0.30 | -11.11 | -9.0 | 5 |
| 2 | Dulce Puñalada | -0.30 | -9.42 | -8.2 | 4 |
| 3 | Play | -0.30 | -10.95 | -9.8 | 5 |
| 4 | Marceline | -0.30 | -11.85 | -9.9 | 5 |
| 5 | Cuando No Estás | -0.30 | -9.88 | -7.9 | 5 |
| 6 | Confesión | -0.30 | -9.73 | -8.3 | 5 |
| 7 | Lonely | -0.30 | -11.59 | -9.7 | 3 |
| 8 | La Noche | -0.30 | -9.75 | -7.5 | 4 |
| 9 | Nada Que Perder | -0.30 | -13.12 | -10.9 | 7 |
| 10 | Después de La Lluvia | -0.30 | -12.05 | -9.6 | 7 |
| 11 | Última Llamada | -0.30 | -11.46 | -9.6 | 6 |
| 12 | Interludio Roma | -0.30 | -13.41 | -10.3 | 7 |
| 13 | Camino a Roma | -0.30 | -11.84 | -9.5 | 6 |
| 14 | Autoboicot | -0.30 | -11.85 | -10.0 | 6 |