℗ 2000 Chandos Records
| Released | 2000 |
| Duration | 1h 12m 15s |
| Record Label | Chandos |
| Catalogue No. | CHAN9784W |
| Genre | Classical |
Bruch: Symphony No. 1 & Violin Concerto No. 3
Richard Hickox, London Symphony Orchestra, Lydia Mordkovitch
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Symphony No. 1 in E-Flat Major, Op. 28
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1.1
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I. Allegro maestoso
Max Bruch; Richard Hickox; London Symphony Orchestra |
11:34 | |||
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1.2
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II. Scherzo. Presto
Max Bruch; Richard Hickox; London Symphony Orchestra |
5:01 | |||
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1.3
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III. Quasi Fantasia. Grave
Max Bruch; Richard Hickox; London Symphony Orchestra |
6:13 | |||
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1.4
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IV. Finale. Allegro guerriero
Max Bruch; Richard Hickox; London Symphony Orchestra |
8:07 | |||
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Violin Concerto No. 3 in D Minor, Op. 58
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1.5
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I. Allegro energico
Max Bruch; Richard Hickox; London Symphony Orchestra; Lydia Mordkovitch |
20:27 | |||
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1.6
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II. Adagio
Max Bruch; Richard Hickox; London Symphony Orchestra; Lydia Mordkovitch |
11:50 | |||
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1.7
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III. Finale. Allegro molto
Max Bruch; Richard Hickox; London Symphony Orchestra; Lydia Mordkovitch |
9:03 | |||
"Some composers are, unjustly, remembered for a single work in which they got everything spectacularly right: Max Bruch's First Violin Concerto has kept his name alive, but his other concerti, and his symphonies, are fine pieces too little played or recorded. Lydia Mordkovitch makes a stunning case for the Third Concerto as a virtuoso piece of real merit and considerable intellectual vigour; like Brahms, Bruch never gave up on the passion of his earlier, wilder work, just channelled it into more classical form. There is a strong family resemblance to the First Concerto, of course; Mordkovitch is so at home in this work that one wants to hear her in the other concertos and shorter concertante works. Bruch's Symphonies are less spectacular--Hickox brings out the solid construction and thoughtful orchestration of the First, and provides Mordkovitch in the concerto with a smooth accompaniment to bite against."
- Roz Kaveney
44.1 kHz / 24-bit PCM – Chandos Studio Masters
Track 2 – 44.1 kHz / 20-bit PCM
Track 2 – 44.1 kHz / 20-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.04 -11.42 to 0.00 | -24.86 -34.22 to -19.55 | -20.91 -30.90 to -16.30 | 14 13 to 16 | |
| 1 | I. Allegro maestoso | -0.10 | -22.32 | -17.6 | 14 |
| 2 | II. Scherzo. Presto | -1.33 | -22.29 | -18.5 | 13 |
| 3 | III. Quasi Fantasia. Grave | -5.01 | -26.71 | -22.3 | 13 |
| 4 | IV. Finale. Allegro guerriero | 0.00 | -19.55 | -16.3 | 13 |
| 5 | I. Allegro energico | 0.00 | -24.74 | -20.5 | 16 |
| 6 | II. Adagio | -11.42 | -34.22 | -30.9 | 14 |
| 7 | III. Finale. Allegro molto | -0.40 | -24.17 | -20.3 | 14 |