℗ 2019 Dacapo Records
| Released | January 18, 2019 |
| Duration | 1h 04m 30s |
| Record Label | Dacapo Records |
| Catalogue No. | 8.226145 |
| Genre | Classical (Modern Era) |
Riisager: Violin Concerto & Etudes
Ian van Rensburg, Aarhus Symphony Orchestra, Andreas Delfs
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Violin Concerto in A Minor, Op. 54
|
|||||
|
1.1
|
I. Tranquillo
Knudåge Riisager; Ian van Rensburg; Aarhus Symphony Orchestra; Andreas Delfs |
11:47 | |||
|
1.2
|
II. Vivo
Knudåge Riisager; Ian van Rensburg; Aarhus Symphony Orchestra; Andreas Delfs |
10:57 | |||
|
Etudes
|
|||||
|
1.3
|
No. 1, Overture (Exercices à la barre)
Knudåge Riisager; Aarhus Symphony Orchestra; Andreas Delfs |
1:55 | |||
|
1.4
|
No. 2, Tendus - Grands battements - Fondus - Frappes
Knudåge Riisager; Aarhus Symphony Orchestra; Andreas Delfs |
2:22 | |||
|
1.5
|
No. 3, Ronds de jambe
Knudåge Riisager; Aarhus Symphony Orchestra; Andreas Delfs |
2:00 | |||
|
1.6
|
No. 4, Silhouettes - Au milieu
Knudåge Riisager; Aarhus Symphony Orchestra; Andreas Delfs |
1:19 | |||
|
1.7
|
No. 5, Adagio
Knudåge Riisager; Aarhus Symphony Orchestra; Andreas Delfs |
4:47 | |||
|
1.8
|
No. 6, Port de bras et pas de badin
Knudåge Riisager; Aarhus Symphony Orchestra; Andreas Delfs |
3:03 | |||
|
1.9
|
No. 7, Mirror Dance
Knudåge Riisager; Aarhus Symphony Orchestra; Andreas Delfs |
1:26 | |||
|
1.10
|
No. 8, Ensemble
Knudåge Riisager; Aarhus Symphony Orchestra; Andreas Delfs |
1:31 | |||
|
1.11
|
No. 9, Pas de deux romantique
Knudåge Riisager; Aarhus Symphony Orchestra; Andreas Delfs |
2:30 | |||
|
1.12
|
No. 10, Sortie
Knudåge Riisager; Aarhus Symphony Orchestra; Andreas Delfs |
1:00 | |||
|
1.13
|
No. 11, Conclusion
Knudåge Riisager; Aarhus Symphony Orchestra; Andreas Delfs |
0:56 | |||
|
1.14
|
No. 12, Pirouettes
Knudåge Riisager; Aarhus Symphony Orchestra; Andreas Delfs |
1:48 | |||
|
1.15
|
No. 13, Relevés
Knudåge Riisager; Aarhus Symphony Orchestra; Andreas Delfs |
1:33 | |||
|
1.16
|
No. 14, Piques et grands pirouettes
Knudåge Riisager; Aarhus Symphony Orchestra; Andreas Delfs |
1:57 | |||
|
1.17
|
No. 15, Sola prima ballerina
Knudåge Riisager; Aarhus Symphony Orchestra; Andreas Delfs |
1:04 | |||
|
1.18
|
No. 16, Coda
Knudåge Riisager; Aarhus Symphony Orchestra; Andreas Delfs |
0:33 | |||
|
1.19
|
No. 17, Small Leaps
Knudåge Riisager; Aarhus Symphony Orchestra; Andreas Delfs |
4:17 | |||
|
1.20
|
No. 18, Mazurka
Knudåge Riisager; Aarhus Symphony Orchestra; Andreas Delfs |
2:36 | |||
|
1.21
|
No. 19, Tarantel
Knudåge Riisager; Aarhus Symphony Orchestra; Andreas Delfs |
1:43 | |||
|
1.22
|
No. 20, Broad Leaps
Knudåge Riisager; Aarhus Symphony Orchestra; Andreas Delfs |
3:26 | |||
|
Digital Booklet
|
|||||
Drawn to the ‘twinkle in the eye’ in Carl Czerny’s Etudes, Knudåge Riisager (1897–1974) wanted them to ‘sparkle like the fizz in mineral water’ when he made his orchestral renderings in the late 1940s. When those scores were refashioned for a ballet, Riisager invested them with even more of his trademark buoyancy and colour. But change was to come with the composer’s Violin Concerto of a few years later. The shift in style reveals the composer’s deep and developing thoughts on musical contrast, instrumental naturalness and concerto form and is realised vividly on this new recording from the Aarhus Symphony Orchestra and Ian van Rensburg.
88.2 kHz / 24-bit PCM – Dacapo Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.57 -11.62 to -0.33 | -24.83 -31.75 to -16.37 | -21.23 -28.30 to -13.50 | 13 10 to 17 | |
| 1 | I. Tranquillo | -1.46 | -28.05 | -23.8 | 17 |
| 2 | II. Vivo | -0.43 | -25.03 | -21.3 | 17 |
| 3 | No. 1, Overture (Exercices à la barre) | -0.36 | -27.85 | -24.3 | 17 |
| 4 | No. 2, Tendus - Grands battements - Fondus - Frappes | -0.76 | -22.41 | -18.4 | 13 |
| 5 | No. 3, Ronds de jambe | -0.41 | -24.96 | -20.8 | 16 |
| 6 | No. 4, Silhouettes - Au milieu | -7.50 | -25.74 | -22.9 | 11 |
| 7 | No. 5, Adagio | -5.19 | -27.10 | -22.9 | 13 |
| 8 | No. 6, Port de bras et pas de badin | -6.10 | -28.88 | -25.6 | 12 |
| 9 | No. 7, Mirror Dance | -11.62 | -31.75 | -28.3 | 10 |
| 10 | No. 8, Ensemble | -6.39 | -26.85 | -23.8 | 11 |
| 11 | No. 9, Pas de deux romantique | -5.48 | -27.42 | -23.3 | 14 |
| 12 | No. 10, Sortie | -8.23 | -26.97 | -23.5 | 11 |
| 13 | No. 11, Conclusion | -6.39 | -23.23 | -20.1 | 11 |
| 14 | No. 12, Pirouettes | -0.34 | -17.96 | -14.0 | 11 |
| 15 | No. 13, Relevés | -8.29 | -30.42 | -26.9 | 14 |
| 16 | No. 14, Piques et grands pirouettes | -2.39 | -26.42 | -22.7 | 15 |
| 17 | No. 15, Sola prima ballerina | -2.05 | -23.77 | -20.4 | 13 |
| 18 | No. 16, Coda | -0.33 | -18.52 | -15.2 | 10 |
| 19 | No. 17, Small Leaps | -3.73 | -26.17 | -22.4 | 12 |
| 20 | No. 18, Mazurka | -0.35 | -19.72 | -16.0 | 13 |
| 21 | No. 19, Tarantel | -0.33 | -20.71 | -17.0 | 12 |
| 22 | No. 20, Broad Leaps | -0.33 | -16.37 | -13.5 | 10 |