℗ 2024 New York City Classical Guitar Society
| Released | September 13, 2024 |
| Duration | 2h 22m 42s |
| Record Label | ReEntrant |
| Catalogue No. | REN10 |
| Genre | Classical (Guitar) |
Spectra: New Music for Guitar Orchestra
New York City Guitar Orchestra, Jason Sagebiel
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Chorale
Frederic Hand; New York City Guitar Orchestra; Jason Sagebiel |
5:26 | |||
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1.2
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Medanales Morning
David Leisner; New York City Guitar Orchestra; Nicoletta Todesco |
9:35 | |||
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1.3
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Granada
Dave Hart; New York City Guitar Orchestra; Jason Sagebiel |
5:39 | |||
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Three Brazilian Pieces
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1.4
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Jogo de Roda (Capoeira)
João Luiz; Brooklyn Guitar Quartet |
2:35 | |||
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1.5
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Kirsten (Toada)
João Luiz; Brooklyn Guitar Quartet |
4:42 | |||
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1.6
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Alfaia e Mare (Maracatu)
João Luiz; Brooklyn Guitar Quartet |
5:47 | |||
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1.7
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Catwalk
Andrew York; New York City Guitar Orchestra; Nicoletta Todesco |
8:05 | |||
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1.8
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How Slowly, All of a Sudden
Joshua Eustis; Alfredo Nogueira; New York City Guitar Orchestra; Jason Sagebiel |
5:33 | |||
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1.9
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Magnetic Trance
Clarice Assad; New York City Guitar Orchestra; Jason Sagebiel |
5:44 | |||
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1.10
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Ambienspheres
Jonathan Pieslak; New York City Guitar Orchestra; Jason Sagebiel |
4:04 | |||
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1.11
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Unsung Hymn for a Friend
Pat Irwin; New York City Guitar Orchestra; Jason Sagebiel |
5:29 | |||
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Folksongs
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1.12
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I. The Wedding Dress
William Anderson; Jason Sagebiel; Daniel Conant; Stephen Griesgraber; David Alan Chidsey |
1:22 | |||
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1.13
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II. Scherzo—The Counterpoint of Supertonics
William Anderson; Jason Sagebiel; Daniel Conant; Stephen Griesgraber; David Alan Chidsey |
1:09 | |||
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1.14
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III. The Er-i-e
William Anderson; Jason Sagebiel; Daniel Conant; Stephen Griesgraber; David Alan Chidsey |
1:09 | |||
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1.15
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IV. Whistle, Daughter, Whistle
William Anderson; Jason Sagebiel; Daniel Conant; Stephen Griesgraber; David Alan Chidsey |
1:54 | |||
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1.16
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V. The Er-i-e II
William Anderson; Jason Sagebiel; Daniel Conant; Stephen Griesgraber; David Alan Chidsey |
1:14 | |||
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1.17
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VI. The Farmer is the Man (The Counterpoint of Supertonics)
William Anderson; Jason Sagebiel; Daniel Conant; Stephen Griesgraber; David Alan Chidsey |
2:43 | |||
|
1.18
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Bachirvanas
Jason Sagebiel; New York City Guitar Orchestra; Jason Sagebiel |
6:38 | |||
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1.19
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Mist
Takuma Tanikawa; Jason Sagebiel; New York City Guitar Orchestra |
9:01 | |||
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1.20
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The Landloper
Gyan Riley; New York City Guitar Orchestra; Jason Sagebiel |
16:05 | |||
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1.21
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Two of a Kind
Marco Oppedisano; Matthew Kaplan; Matthew Pidi; New York City Guitar Orchestra; Jason Sagebiel |
9:43 | |||
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Concerto for Four Guitars and Guitar Orchestra
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1.22
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I. Lento
David Loeb; Matthew Pidi; Adam Hug; Matthew Kaplan; John Olson; New York City Guitar Orchestra; Jason Sagebiel |
2:59 | |||
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1.23
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II. Grazioso
David Loeb; Matthew Pidi; Adam Hug; Matthew Kaplan; John Olson; New York City Guitar Orchestra; Jason Sagebiel |
1:11 | |||
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1.24
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III. Moderato
David Loeb; Matthew Pidi; Adam Hug; Matthew Kaplan; John Olson; New York City Guitar Orchestra; Jason Sagebiel |
2:08 | |||
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1.25
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IV. Allegretto
David Loeb; Matthew Pidi; Adam Hug; Matthew Kaplan; John Olson; New York City Guitar Orchestra; Jason Sagebiel |
1:18 | |||
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1.26
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V. Adagio
David Loeb; Matthew Pidi; Adam Hug; Matthew Kaplan; John Olson; New York City Guitar Orchestra; Jason Sagebiel |
1:36 | |||
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1.27
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VI. Allegro Spiritoso
David Loeb; Matthew Pidi; Adam Hug; Matthew Kaplan; John Olson; New York City Guitar Orchestra; Jason Sagebiel |
1:41 | |||
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Inner Voices
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1.28
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I. Misterioso
Richard Charlton; Peter Argondizza; New York City Guitar Orchestra; Jason Sagebiel |
3:35 | |||
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1.29
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II. Allegretto con Moto
Richard Charlton; Peter Argondizza; New York City Guitar Orchestra; Jason Sagebiel |
2:37 | |||
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Guitar Brigade
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1.30
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Movement 1
Joseph Parisi; Joseph Parisi; New York City Guitar Orchestra; Jason Sagebiel |
5:57 | |||
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1.31
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Movement 2
Joseph Parisi; Joseph Parisi; New York City Guitar Orchestra; Jason Sagebiel |
2:43 | |||
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1.32
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Movement 3
Joseph Parisi; Joseph Parisi; New York City Guitar Orchestra; Jason Sagebiel |
3:20 | |||
96 kHz / 24-bit PCM – ReEntrant Studio Masters
Tracks 9, 21 – contains material which utilizes a limited amount of the available bandwidth
Tracks 9, 21 – contains material which utilizes a limited amount of the available bandwidth
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.15 -1.51 to 0.00 | -19.67 -23.38 to -15.16 | -16.57 -20.00 to -12.10 | 12 8 to 15 | |
| 1 | Chorale | 0.00 | -19.82 | -16.6 | 13 |
| 2 | Medanales Morning | 0.00 | -20.95 | -17.4 | 13 |
| 3 | Granada | 0.00 | -19.41 | -16.7 | 13 |
| 4 | Jogo de Roda (Capoeira) | 0.00 | -18.69 | -16.1 | 13 |
| 5 | Kirsten (Toada) | -0.03 | -20.75 | -18.0 | 14 |
| 6 | Alfaia e Mare (Maracatu) | -0.02 | -19.76 | -16.9 | 13 |
| 7 | Catwalk | 0.00 | -15.91 | -13.6 | 11 |
| 8 | How Slowly, All of a Sudden | 0.00 | -17.00 | -14.6 | 12 |
| 9 | Magnetic Trance | 0.00 | -19.86 | -16.6 | 13 |
| 10 | Ambienspheres | -0.79 | -21.56 | -18.7 | 13 |
| 11 | Unsung Hymn for a Friend | 0.00 | -20.50 | -16.5 | 13 |
| 12 | I. The Wedding Dress | 0.00 | -21.14 | -18.5 | 13 |
| 13 | II. Scherzo—The Counterpoint of Supertonics | -0.02 | -17.73 | -15.0 | 12 |
| 14 | III. The Er-i-e | -0.83 | -17.70 | -15.0 | 11 |
| 15 | IV. Whistle, Daughter, Whistle | -1.23 | -20.60 | -17.7 | 11 |
| 16 | V. The Er-i-e II | -1.51 | -19.90 | -17.1 | 12 |
| 17 | VI. The Farmer is the Man (The Counterpoint of Supertonics) | 0.00 | -17.62 | -15.0 | 12 |
| 18 | Bachirvanas | 0.00 | -18.56 | -15.6 | 11 |
| 19 | Mist | -0.01 | -22.79 | -19.9 | 14 |
| 20 | The Landloper | 0.00 | -20.99 | -17.5 | 14 |
| 21 | Two of a Kind | 0.00 | -21.35 | -18.3 | 15 |
| 22 | I. Lento | 0.00 | -22.38 | -18.1 | 13 |
| 23 | II. Grazioso | 0.00 | -19.63 | -15.5 | 10 |
| 24 | III. Moderato | 0.00 | -20.48 | -16.0 | 12 |
| 25 | IV. Allegretto | 0.00 | -18.50 | -15.6 | 11 |
| 26 | V. Adagio | 0.00 | -21.62 | -17.9 | 13 |
| 27 | VI. Allegro Spiritoso | -0.04 | -19.70 | -16.2 | 12 |
| 28 | I. Misterioso | -0.31 | -23.38 | -20.0 | 13 |
| 29 | II. Allegretto con Moto | -0.01 | -19.87 | -17.0 | 13 |
| 30 | Movement 1 | 0.00 | -16.57 | -13.5 | 9 |
| 31 | Movement 2 | 0.00 | -19.41 | -17.0 | 12 |
| 32 | Movement 3 | 0.00 | -15.16 | -12.1 | 8 |