℗ 2024 Atoll Ltd
| Released | June 9, 2024 |
| Duration | 1h 34m 37s |
| Record Label | atoll records |
| Catalogue No. | ACD636 |
| Genre | World |
|
The All-Seeing Sky
|
|||||
|
1.1
|
I. The Portals of Dis
Marc Taddei; Fabian Ziegler; Luca Staffelbach; Orchestra Wellington |
6:27 | |||
|
1.2
|
II. The Upper World
Marc Taddei; Fabian Ziegler; Luca Staffelbach; Orchestra Wellington |
7:21 | |||
|
1.3
|
III. The All-Seeing Sky
Marc Taddei; Fabian Ziegler; Luca Staffelbach; Orchestra Wellington |
8:12 | |||
|
Call of the Wild
|
|||||
|
1.4
|
I. She Stands at the Edge of the Incomprehensible
Marc Taddei; Adam Page; Orchestra Wellington |
11:45 | |||
|
1.5
|
II. He Can Worship It Without Believing It
Marc Taddei; Adam Page; Orchestra Wellington |
6:17 | |||
|
1.6
|
III. Tramontane
Marc Taddei; Adam Page; Orchestra Wellington |
6:42 | |||
|
Leviathan
|
|||||
|
1.7
|
I. Hightailin' to Hell
Marc Taddei; Alexej Gerassimez; Orchestra Wellington |
7:32 | |||
|
1.8
|
II. The Final Brook
Marc Taddei; Alexej Gerassimez; Orchestra Wellington |
8:28 | |||
|
1.9
|
III. Soon We'll All Walk on Water
Marc Taddei; Alexej Gerassimez; Orchestra Wellington |
3:21 | |||
|
1.10
|
IV. A Falcon, a Storm, or a Great Song?
Marc Taddei; Alexej Gerassimez; Orchestra Wellington |
7:47 | |||
|
Djinn
|
|||||
|
1.11
|
I. Pandora
Marc Taddei; Yoshiko Tsuruta; Orchestra Wellington |
3:01 | |||
|
1.12
|
II. Labyrinth
Marc Taddei; Orchestra Wellington; Yoshiko Tsuruta |
8:35 | |||
|
1.13
|
III. Outdreaming the Genie
Marc Taddei; Orchestra Wellington; Yoshiko Tsuruta |
9:09 | |||
|
Digital Booklet
|
|||||
Orchestra Wellington, with conductor Marc Taddei, presents a magnificent double-length download and streaming release of music by Greek-New Zealand composer John Psathas. @LEVIATHAN@ - four modern concertos for soloists and orchestra. This album is the result of four years of planning, performance, and production, and the results are extraordinary.
48 kHz / 24-bit PCM – atoll records Studio Masters
Tracks 4-6 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit; contains material which has been processed by a perceptual audio coding algorithm
Tracks 4-6 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit; contains material which has been processed by a perceptual audio coding algorithm
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.77 -16.73 to -1.07 | -28.62 -39.05 to -22.86 | -24.44 -35.10 to -19.50 | 15 11 to 24 | |
| 1 | I. The Portals of Dis | -1.99 | -26.94 | -21.4 | 14 |
| 2 | II. The Upper World | -2.35 | -28.52 | -24.8 | 15 |
| 3 | III. The All-Seeing Sky | -1.34 | -24.09 | -20.5 | 14 |
| 4 | I. She Stands at the Edge of the Incomprehensible | -3.41 | -23.78 | -19.9 | 12 |
| 5 | II. He Can Worship It Without Believing It | -10.29 | -33.52 | -26.7 | 14 |
| 6 | III. Tramontane | -1.07 | -23.20 | -19.6 | 15 |
| 7 | I. Hightailin' to Hell | -1.28 | -22.86 | -19.8 | 14 |
| 8 | II. The Final Brook | -1.90 | -31.45 | -27.4 | 19 |
| 9 | III. Soon We'll All Walk on Water | -4.27 | -39.05 | -34.4 | 24 |
| 10 | IV. A Falcon, a Storm, or a Great Song? | -1.48 | -24.67 | -19.5 | 14 |
| 11 | I. Pandora | -16.73 | -37.30 | -35.1 | 11 |
| 12 | II. Labyrinth | -1.08 | -28.42 | -23.4 | 16 |
| 13 | III. Outdreaming the Genie | -1.76 | -28.28 | -25.2 | 17 |