℗ 2024 ECM Records, under exclusive license to Deutsche Grammophon, Berlin
| Released | October 11, 2024 |
| Duration | 43m 33s |
| Record Label | ECM Records |
| Genre | Jazz |
Ashes to Gold
Avishai Cohen, Yonathan Avishai, Barak Mori, Ziv Ravitz
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Ashes to Gold (Pt. 1)
Avishai Cohen; Yonathan Avishai; Barak Mori; Ziv Ravitz |
9:17 | |||
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1.2
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Ashes to Gold (Pt. 2)
Avishai Cohen; Yonathan Avishai; Barak Mori; Ziv Ravitz |
6:44 | |||
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1.3
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Ashes to Gold (Pt. 3)
Avishai Cohen; Yonathan Avishai; Barak Mori; Ziv Ravitz |
3:34 | |||
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1.4
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Ashes to Gold (Pt. 4)
Avishai Cohen; Yonathan Avishai; Barak Mori; Ziv Ravitz |
2:11 | |||
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1.5
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Ashes to Gold (Pt. 5)
Avishai Cohen; Yonathan Avishai; Barak Mori; Ziv Ravitz |
10:28 | |||
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1.6
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Adagio assai (from Ravel’s Piano Concerto in G Major)
Avishai Cohen; Yonathan Avishai; Barak Mori; Ziv Ravitz |
7:56 | |||
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1.7
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The Seventh
Avishai Cohen; Yonathan Avishai; Barak Mori; Ziv Ravitz |
3:23 | |||
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Digital Booklet
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In blazing form, the trumpeter from Tel Aviv responds to the turbulent spirit of a troubled time, leading his dedicated band through a five-part suite that runs the gamut of emotions, by turns hopeful, despairing, outraged and profoundly melancholic. The melodic directness of the concluding “The Seventh”, composed by Avishai Cohen’s teenaged daughter Amalia, offers consoling contrast to the suite’s intensity. In between, Cohen turns his attention to the haunting Adagio assai from Ravel’s G major piano concerto, which has long been a highlight of the quartet’s concerts. Ashes to Gold was recorded in November 2023, at Studios La Buissonne, in the South of France.
88.2 kHz / 24-bit PCM – ECM Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.48 -3.54 to -0.82 | -21.53 -26.35 to -19.10 | -18.36 -23.30 to -16.00 | 12 11 to 13 | |
| 1 | Ashes to Gold (Pt. 1) | -0.82 | -19.10 | -16.0 | 11 |
| 2 | Ashes to Gold (Pt. 2) | -0.82 | -20.23 | -16.8 | 11 |
| 3 | Ashes to Gold (Pt. 3) | -0.87 | -20.72 | -18.0 | 12 |
| 4 | Ashes to Gold (Pt. 4) | -3.54 | -26.35 | -23.3 | 12 |
| 5 | Ashes to Gold (Pt. 5) | -0.86 | -20.87 | -17.8 | 13 |
| 6 | Adagio assai (from Ravel’s Piano Concerto in G Major) | -0.85 | -19.81 | -16.9 | 12 |
| 7 | The Seventh | -2.58 | -23.61 | -19.7 | 13 |