℗ 2024 TACET
| Released | October 15, 2024 |
| Duration | 1h 17m 35s |
| Record Label | TACET Musikproduktion |
| Catalogue No. | TACET266CD |
| Genre | Classical (Piano) |
The Koroliov Series Vol. XXIV. J. S. Bach: Partitas Part 2
Evgeni Koroliov
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Partita 4 D major BWV 828
|
|||||
|
1.1
|
Ouverture
Johann Sebastian Bach; Evgeni Koroliov |
7:15 | |||
|
1.2
|
Allemande
Johann Sebastian Bach; Evgeni Koroliov |
8:21 | |||
|
1.3
|
Courante
Johann Sebastian Bach; Evgeni Koroliov |
3:45 | |||
|
1.4
|
Aria
Johann Sebastian Bach; Evgeni Koroliov |
2:11 | |||
|
1.5
|
Sarabande
Johann Sebastian Bach; Evgeni Koroliov |
5:01 | |||
|
1.6
|
Menuet
Johann Sebastian Bach; Evgeni Koroliov |
1:48 | |||
|
1.7
|
Gigue
Johann Sebastian Bach; Evgeni Koroliov |
3:44 | |||
|
Partita 3 a minor BWV 827
|
|||||
|
1.8
|
Fantasia
Johann Sebastian Bach; Evgeni Koroliov |
2:31 | |||
|
1.9
|
Allemande
Johann Sebastian Bach; Evgeni Koroliov |
4:09 | |||
|
1.10
|
Corrente
Johann Sebastian Bach; Evgeni Koroliov |
3:18 | |||
|
1.11
|
Sarabande
Johann Sebastian Bach; Evgeni Koroliov |
4:40 | |||
|
1.12
|
Burlesca
Johann Sebastian Bach; Evgeni Koroliov |
2:23 | |||
|
1.13
|
Scherzo
Johann Sebastian Bach; Evgeni Koroliov |
1:13 | |||
|
1.14
|
Gigue
Johann Sebastian Bach; Evgeni Koroliov |
3:50 | |||
|
Partita 5 G major BWV 829
|
|||||
|
1.15
|
Praeambulum
Johann Sebastian Bach; Evgeni Koroliov |
2:37 | |||
|
1.16
|
Allemande
Johann Sebastian Bach; Evgeni Koroliov |
6:09 | |||
|
1.17
|
Corrente
Johann Sebastian Bach; Evgeni Koroliov |
1:46 | |||
|
1.18
|
Sarabande
Johann Sebastian Bach; Evgeni Koroliov |
4:23 | |||
|
1.19
|
Tempo di Minuetta
Johann Sebastian Bach; Evgeni Koroliov |
2:25 | |||
|
1.20
|
Passepied
Johann Sebastian Bach; Evgeni Koroliov |
1:44 | |||
|
1.21
|
Gigue
Johann Sebastian Bach; Evgeni Koroliov |
4:22 | |||
|
Digital Booklet
|
|||||
It's been a long time coming for this second part of Johann Sebastian Bach's partitas played by Evgeni Koroliov. The Steinway D grand piano from the first volume is now permanently installed in a beautiful church in Wernigerode. The recordings of Partitas 3 and 5 were made there. Other issues also delayed progress, including the relocation of TACET's premises. And finally, we're all not getting any younger. Who could say otherwise? This takes its toll in the form of slower work. Only a few things are timeless, and that includes the music of Johann Sebastian Bach. The way in which Evgeni Koroliov immerses himself in this ‘eternal’ music, elevating it to a timeless presence, as if it were created in this very moment, changes my perception of time. I absorb its flow. I agree with its passing...
96 kHz / 24-bit PCM – TACET Musikproduktion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.62 -11.15 to -0.71 | -24.00 -29.97 to -19.04 | -21.30 -27.10 to -16.50 | 12 11 to 14 | |
| 1 | Ouverture | -0.71 | -20.83 | -18.1 | 13 |
| 2 | Allemande | -7.38 | -25.71 | -23.0 | 12 |
| 3 | Courante | -2.50 | -21.62 | -19.0 | 12 |
| 4 | Aria | -1.87 | -19.43 | -16.8 | 11 |
| 5 | Sarabande | -11.15 | -29.02 | -26.1 | 11 |
| 6 | Menuet | -4.98 | -22.91 | -20.2 | 11 |
| 7 | Gigue | -0.80 | -19.04 | -16.5 | 12 |
| 8 | Fantasia | -5.58 | -24.20 | -21.4 | 11 |
| 9 | Allemande | -5.36 | -26.70 | -24.0 | 13 |
| 10 | Corrente | -3.20 | -21.42 | -18.9 | 11 |
| 11 | Sarabande | -7.20 | -29.26 | -26.3 | 13 |
| 12 | Burlesca | -1.92 | -20.86 | -18.3 | 11 |
| 13 | Scherzo | -4.70 | -22.87 | -20.1 | 12 |
| 14 | Gigue | -2.12 | -21.80 | -19.2 | 12 |
| 15 | Praeambulum | -3.42 | -23.82 | -20.9 | 14 |
| 16 | Allemande | -9.29 | -29.27 | -26.7 | 12 |
| 17 | Corrente | -5.26 | -23.33 | -20.6 | 11 |
| 18 | Sarabande | -8.31 | -29.97 | -27.1 | 13 |
| 19 | Tempo di Minuetta | -5.67 | -27.05 | -24.2 | 12 |
| 20 | Passepied | -4.68 | -22.86 | -20.3 | 12 |
| 21 | Gigue | -0.96 | -22.11 | -19.5 | 13 |