℗ 2024 Zefirrecords
Released | March 29, 2024 |
Duration | 41m 52s |
Record Label | Zefir |
Catalogue No. | ZEF 9700 |
Genre | Classical (Contemporary Era) |
Project Paloma III. - Second World War Masterpieces for Flute & Piano: The Netherlands
Emily Beynon, Andrew West
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Sonata da camera per flauto e pianoforte
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1.1
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I. Cadenza
Marius Flothuis; Emily Beynon; Andrew West |
1:41 | |||
1.2
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II. Sonatina
Marius Flothuis; Emily Beynon; Andrew West |
3:29 | |||
1.3
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III. Lamento
Marius Flothuis; Emily Beynon; Andrew West |
2:06 | |||
1.4
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IV. Rondo alla Francese
Marius Flothuis; Emily Beynon; Andrew West |
2:43 | |||
1.5
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Andriessen Praeludium
Willem Andriessen; Andrew West |
3:09 | |||
1.6
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Flothuis Aubade
Marius Flothuis; Emily Beynon |
3:17 | |||
1.7
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Escher Habanera
Rudolf Escher; Andrew West |
3:55 | |||
Sonata for Flute and Piano
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1.8
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I. Allegro
Leo Smit; Emily Beynon; Andrew West |
3:15 | |||
1.9
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II. Lento
Leo Smit; Emily Beynon; Andrew West |
4:37 | |||
1.10
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III. Allegro moderato
Leo Smit; Emily Beynon; Andrew West |
4:55 | |||
1.11
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Osieck Varsovi Accuse
hans osieck; Andrew West |
4:36 | |||
1.12
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Kattenburg Piece pour flute et piano
Dick Kattenburg; Emily Beynon; Andrew West |
4:09 | |||
Digital Booklet
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The darkness of the Second World War affected composers in different ways; this collection of works from the Netherlands shows some confronting it head-on, and others choosing musical forms that appear to look aslant at its horror - though none remained untouched by it. Smit and Kattenburg both died in the camps, just two of the 102,000 Jewish, Sinti and Roma victims from the Netherlands who are known to have been killed. Marius Flothuis wrote both his Sonata da Camera (1943) and Aubade (1944) in Nazi camps. Much of the Sonata retains a neo-Classical detachment, but the Lamento at its heart shows the composer’s pain, while the purity of the Aubade offers the hope of a new dawn. Begun in 1939, the three movements of Leo Smit’s powerful Sonata reflect the increasing despair of his own experience; the tragic slow movement from February 1943, shortly before he was deported. Hans Osieck’s mazurka, Varsovie accuse (1946), marked “slow, sorrowful and sinister”, is heavy with the misery of the Warsaw Ghetto; it casts the youthful exuberance of Dick Kattenburg’s Pièce (1939) in a terrible new light, for by the time Osieck wrote this work, the 24 year old Kattenburg had been murdered in Auschwitz. Even the lush Romanticism of Andriessen’s Praeludium (1942) is marked “with sadness”, and Escher’s haunting Habanera (1945) is but a ghostly flicker of how it might have sounded before the war.
96 kHz / 24-bit PCM – Zefir Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.01 -12.68 to -3.50 | -29.76 -33.84 to -26.02 | -25.63 -29.70 to -22.40 | 13 11 to 15 | |
1 | I. Cadenza | -12.68 | -32.83 | -29.0 | 11 |
2 | II. Sonatina | -7.15 | -29.08 | -25.4 | 12 |
3 | III. Lamento | -9.46 | -31.84 | -28.4 | 13 |
4 | IV. Rondo alla Francese | -7.87 | -28.13 | -24.4 | 13 |
5 | Andriessen Praeludium | -10.65 | -31.94 | -28.9 | 12 |
6 | Flothuis Aubade | -12.44 | -33.54 | -25.5 | 11 |
7 | Escher Habanera | -9.37 | -33.84 | -29.7 | 15 |
8 | I. Allegro | -5.41 | -27.12 | -23.2 | 13 |
9 | II. Lento | -8.11 | -28.78 | -24.7 | 12 |
10 | III. Allegro moderato | -4.14 | -26.02 | -22.6 | 12 |
11 | Osieck Varsovi Accuse | -5.31 | -27.14 | -23.4 | 12 |
12 | Kattenburg Piece pour flute et piano | -3.50 | -26.91 | -22.4 | 14 |