℗ 2024 ECM Records, under exclusive license to Deutsche Grammophon, Berlin
Released | October 18, 2024 |
Duration | 1h 05m 17s |
Record Label | ECM New Series |
Genre | Classical |
Bach – Abel – Hume
Anja Lechner
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
A Question
Tobias Hume; Anja Lechner |
2:06 | |||
1.2
|
An Answer
Tobias Hume; Anja Lechner |
2:46 | |||
1.3
|
Harke, Harke
Tobias Hume; Anja Lechner |
2:34 | |||
1.4
|
Arpeggio in D Minor, AbelWV A1:A26
Carl Friedrich Abel; Anja Lechner |
3:37 | |||
1.5
|
Adagio in D Minor, AbelWV A1:A30
Carl Friedrich Abel; Anja Lechner |
4:52 | |||
Cello Suite No. 1 in G Major, BWV 1007
|
|||||
1.6
|
I. Prelude
Johann Sebastian Bach; Anja Lechner |
2:34 | |||
1.7
|
II. Allemande
Johann Sebastian Bach; Anja Lechner |
4:38 | |||
1.8
|
III. Courante
Johann Sebastian Bach; Anja Lechner |
2:52 | |||
1.9
|
IV. Sarabande
Johann Sebastian Bach; Anja Lechner |
3:15 | |||
1.10
|
V. Menuet I – Menuet II
Johann Sebastian Bach; Anja Lechner |
3:31 | |||
1.11
|
VI. Gigue
Johann Sebastian Bach; Anja Lechner |
1:44 | |||
Cello Suite No. 2 in D Minor, BWV 1008
|
|||||
1.12
|
I. Prelude
Johann Sebastian Bach; Anja Lechner |
4:01 | |||
1.13
|
II. Allemande
Johann Sebastian Bach; Anja Lechner |
3:56 | |||
1.14
|
III. Courante
Johann Sebastian Bach; Anja Lechner |
2:13 | |||
1.15
|
IV. Sarabande
Johann Sebastian Bach; Anja Lechner |
5:00 | |||
1.16
|
V. Menuet I – Menuet II
Johann Sebastian Bach; Anja Lechner |
3:16 | |||
1.17
|
VI. Gigue
Johann Sebastian Bach; Anja Lechner |
2:59 | |||
1.18
|
Hit It in the Middle
Tobias Hume; Anja Lechner |
1:33 | |||
1.19
|
Tom and Mistresse Fine
Tobias Hume; Anja Lechner |
1:51 | |||
1.20
|
The New Cut
Tobias Hume; Anja Lechner |
1:35 | |||
1.21
|
A Pollish Ayre
Tobias Hume; Anja Lechner |
1:32 | |||
1.22
|
Touch Me Lightly
Tobias Hume; Anja Lechner |
2:52 | |||
Digital Booklet
|
For her first solo-violoncello album on ECM’s New Series, Anja Lechner devotes herself to a particularly unique convergence of three composers from vastly different contexts: JS Bach, Carl Friedrich Abel and Tobias Hume. In the past, her extensive discography has captured the cellist as part of the renowned Rosamunde Quartett, as well as alongside seminal artists from both trans-idiomatic sound worlds and the realm of classical music, gracing her with rare musical farsightedness. With her distinct perspective on works composed for both violoncello and viola da gamba, Lechner sheds a fresh light on music written within a span of two centuries. Framing the first two solo suites from the famous group of six Bach wrote for the violoncello at its heart, the programme encompasses Abel and Hume compositions, originally conceived for viola da gamba, which are given new colour and breadth through Lechner’s interpretation on cello – In parts newly arranged by herself. And at the end, as Kristina Maidt-Zinke notes in the album-accompanying liner notes, “one marvels at the lightness and inner logic with which three worlds have ever so gently touched one another”. The album was recorded at the Himmelfahrtskirche in Munich and produced by Manfred Eicher.
96 kHz / 24-bit PCM – ECM New Series Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.37 -11.17 to -1.51 | -26.37 -31.49 to -23.63 | -23.35 -27.30 to -20.30 | 12 11 to 14 | |
1 | A Question | -4.44 | -24.54 | -20.9 | 12 |
2 | An Answer | -1.51 | -23.63 | -20.3 | 12 |
3 | Harke, Harke | -10.81 | -31.49 | -27.3 | 12 |
4 | Arpeggio in D Minor, AbelWV A1:A26 | -9.16 | -28.81 | -25.9 | 11 |
5 | Adagio in D Minor, AbelWV A1:A30 | -6.17 | -30.82 | -27.1 | 14 |
6 | I. Prelude | -5.78 | -24.40 | -21.7 | 12 |
7 | II. Allemande | -6.81 | -25.66 | -23.1 | 12 |
8 | III. Courante | -6.27 | -25.85 | -23.3 | 13 |
9 | IV. Sarabande | -7.55 | -27.13 | -24.2 | 13 |
10 | V. Menuet I – Menuet II | -6.06 | -26.10 | -23.3 | 12 |
11 | VI. Gigue | -6.65 | -24.65 | -21.8 | 12 |
12 | I. Prelude | -5.21 | -24.48 | -21.9 | 13 |
13 | II. Allemande | -4.98 | -25.18 | -22.7 | 13 |
14 | III. Courante | -4.50 | -23.92 | -21.4 | 12 |
15 | IV. Sarabande | -7.66 | -27.57 | -24.8 | 12 |
16 | V. Menuet I – Menuet II | -4.02 | -25.36 | -22.6 | 14 |
17 | VI. Gigue | -5.89 | -24.25 | -21.7 | 12 |
18 | Hit It in the Middle | -7.82 | -27.53 | -24.0 | 12 |
19 | Tom and Mistresse Fine | -11.17 | -29.44 | -26.0 | 11 |
20 | The New Cut | -5.93 | -26.66 | -23.7 | 13 |
21 | A Pollish Ayre | -3.88 | -24.81 | -21.2 | 12 |
22 | Touch Me Lightly | -7.79 | -27.95 | -24.7 | 13 |