℗ 2019 Parlophone Records Limited, a Warner Music Group Company.
Released | February 22, 2019 |
Duration | 47m 14s |
Record Label | Warner Classics |
Genre | Classical |
Debussy: 12 Études
Anne Queffélec
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
12 Études, L. 143a, L. 136, Book 1
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1.1
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I. Pour les "cinq doigts"
Claude Debussy; Anne Queffélec |
3:03 | |||
1.2
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II. Pour les Tierces
Claude Debussy; Anne Queffélec |
3:33 | |||
1.3
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III. Pour les Quartes
Claude Debussy; Anne Queffélec |
5:28 | |||
1.4
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IV. Pour les Sixtes
Claude Debussy; Anne Queffélec |
4:18 | |||
1.5
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V. Pour les Octaves
Claude Debussy; Anne Queffélec |
2:43 | |||
1.6
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VI. Pour les huit doigts
Claude Debussy; Anne Queffélec |
1:46 | |||
12 Études, L. 143b, L. 136, Book 2
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1.7
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VII. Pour les degrés chromatiques
Claude Debussy; Anne Queffélec |
2:22 | |||
1.8
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VIII. Pour les agréments
Claude Debussy; Anne Queffélec |
5:18 | |||
1.9
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IX. Pour les notes répétées
Claude Debussy; Anne Queffélec |
3:27 | |||
1.10
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X. Pour les sonorités opposées
Claude Debussy; Anne Queffélec |
5:30 | |||
1.11
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XI. Pour les arpèges composés
Claude Debussy; Anne Queffélec |
4:38 | |||
1.12
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XII. Pour les accords
Claude Debussy; Anne Queffélec |
5:08 |
"The pianist sculpts silence within the flesh of the note. Her quest for meaning creates that rare feeling that music seems to know the interpreter better than she knows herself. The notes run free on the keyboard to reach the essence of music, which anyone can enjoy profoundly."
- Le Figaro
Anne Queffélec, unanimously considered as one of the most remarkable pianists of our time, enjoys international fame as well as an exceptional influence over musical life.
After graduating at the Paris Conservatoire, she studied in Vienna, where Paul Badura-Skoda, Jorg Demus and especially Alfred Brendel respectively became her teachers. The audiences of the world would soon discover the charm and musical smartness of this great performer when she successfully won the International competitions in Munich and in Leeds.
Claude Debussy's Études (L 136) are a set of 12 piano études composed in 1915. The pieces are extremely difficult to play, and Debussy described them as "a warning to pianists not to take up the musical profession unless they have remarkable hands". They are broadly considered his late masterpieces.
96 kHz / 24-bit PCM – Warner Classics Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.53 -4.20 to -0.10 | -24.64 -29.40 to -21.60 | -20.35 -24.30 to -16.30 | 14 12 to 19 | |
1 | I. Pour les "cinq doigts" | -0.93 | -21.60 | -17.8 | 13 |
2 | II. Pour les Tierces | -1.08 | -22.84 | -19.7 | 13 |
3 | III. Pour les Quartes | -1.76 | -26.94 | -20.5 | 15 |
4 | IV. Pour les Sixtes | -2.89 | -27.64 | -22.5 | 14 |
5 | V. Pour les Octaves | -1.74 | -21.71 | -18.2 | 13 |
6 | VI. Pour les huit doigts | -0.97 | -23.00 | -20.1 | 12 |
7 | VII. Pour les degrés chromatiques | -4.20 | -24.81 | -21.5 | 13 |
8 | VIII. Pour les agréments | -0.85 | -24.75 | -20.1 | 14 |
9 | IX. Pour les notes répétées | -1.66 | -25.26 | -21.6 | 14 |
10 | X. Pour les sonorités opposées | -0.10 | -29.40 | -24.3 | 19 |
11 | XI. Pour les arpèges composés | -1.96 | -25.79 | -21.6 | 14 |
12 | XII. Pour les accords | -0.21 | -21.96 | -16.3 | 13 |