℗ 2024 Musou Records, a Musou Music Group Co
Released | October 18, 2024 |
Duration | 1h 13m 23s |
Record Label | Musou Records |
Catalogue No. | MR018 |
Genre | Soundtracks (Film Soundtracks) |
Nychterinos Ekfonitis (Original Motion Picture Soundtrack)
Various Artists
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
The Pearl Fishers (Vibraphone)
Kostas Seremetis |
1:01 | |||
1.2
|
Danse De La Decadanse
Maria Karetsou; Ioannis Papadopoulos |
3:41 | |||
1.3
|
It's Me I'm Alive
Viktoras |
3:22 | |||
1.4
|
Sas Milaei O Nychterinos Ekfonitis
Renos Haralambidis |
0:06 | |||
1.5
|
Nocturne in E-Flat Major Op. 9 (Theme from Athens Midnight Radio)
Ioannis Papadopoulos; Kostas Patsiotis; Panagiotis Kostopoulos |
3:30 | |||
1.6
|
Stelno Ta Radiokymata Mou
Renos Haralambidis; Margarita Amarantidi |
0:33 | |||
1.7
|
Nocturne in C-Sharp Minor Op. Posth
Ioannis Papadopoulos; Kostas Patsiotis; Panagiotis Kostopoulos |
4:49 | |||
1.8
|
Orimotita Simainei Na Paixeis To Idio Ergo Choris Lathi
Renos Haralambidis; Margarita Amarantidi |
0:39 | |||
1.9
|
The Pearl Fishers Je crois entendre encore
Yannis Christopoulos |
3:03 | |||
1.10
|
Danse De La Decadanse (Le point de vue masculin)
Yannis Christopoulos; Margarita Amarantidi |
1:34 | |||
1.11
|
Tilefonise Mou
Margarita Amarantidi |
0:31 | |||
1.12
|
Claire De Blues l Last train to Mississippi
Kostas Vlahopoulos; Yorgos Klapsis; Panos Odinsson Karananos |
2:49 | |||
1.13
|
Tha Sou Xanatilefoniso Evzona
Margarita Amarantidi |
0:34 | |||
1.14
|
Crystal Echoes
Antonis Georgou |
2:11 | |||
1.15
|
Ego Kai Ta Xechasmena Vinylia
Renos Haralambidis |
0:57 | |||
1.16
|
Danse Avec Moi
Maria Karetsou; Panos Odinsson Karananos |
2:27 | |||
1.17
|
Na Xereis, Otan Chorevo Se Skeftome Synecheia
Margarita Amarantidi |
1:00 | |||
1.18
|
Concerto in D Minor, Adagio BWV 974 Vibraphone
Kostas Seremetis |
1:06 | |||
1.19
|
Follow The Yellow Line
Antonios Georgou; Manos Skalidakis |
1:56 | |||
1.20
|
Concerto in D Minor, Adagio BWV 974 Piano
Thanos Margetis |
5:22 | |||
1.21
|
I Neotita Fevgei Prota Apo Ta Cheria Sou
Renos Haralambidis; Margarita Amarantidi |
0:33 | |||
1.22
|
Czardas
Dionysis Pylarinos; Panos Odinsson Karananos |
2:49 | |||
1.23
|
Nactural Waves
Thanos Margetis; Kostas Seremetis |
1:36 | |||
1.24
|
To Tsekouri Tis Erotikis Ekdikisis
Renos Haralambidis |
0:13 | |||
1.25
|
Nocturne in C-Sharp Minor Op. Posth (Part B)
Ioannis Papadopoulos; Kostas Patsiotis |
1:47 | |||
1.26
|
Ola Eginan Opos Itheles
Renos Haralambidis |
1:13 | |||
1.27
|
Colours
Antonios Georgou; Manos Skalidakis |
3:47 | |||
1.28
|
Danse De La Decadanse (Le point de vue feminine)
Maria Karetsou; Renos Haralambidis; Margarita Amarantidi |
1:21 | |||
1.29
|
Pearl Fishers Acapella (Male)
Yannis Christopoulos |
2:55 | |||
1.30
|
Ximeronei
Renos Haralambidis |
0:32 | |||
1.31
|
Moro Mou Faltso (End Credits)
Renos Haralambidis; Margarita Amarantidi |
3:20 | |||
1.32
|
Danse De La Decadanse (Pt. 2)
Yannis Christopoulos; Ioannis Papadopoulos |
3:47 | |||
1.33
|
Clair de Lune
Thanos Margetis |
4:06 | |||
1.34
|
Anatoli
Viktoras |
4:13 |
48 kHz / 24-bit PCM – Musou Records Studio Masters
Tracks 13, 14, 17 – contains material which utilizes a limited amount of the available bandwidth Tracks 3, 11, 24 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit Track 3 – contains material which has been processed by a perceptual audio coding algorithm
Tracks 13, 14, 17 – contains material which utilizes a limited amount of the available bandwidth Tracks 3, 11, 24 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit Track 3 – contains material which has been processed by a perceptual audio coding algorithm
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.26 -0.49 to -0.01 | -16.22 -22.31 to -11.76 | -12.66 -16.60 to -9.50 | 10 6 to 16 | |
1 | The Pearl Fishers (Vibraphone) | -0.27 | -17.18 | -14.3 | 11 |
2 | Danse De La Decadanse | -0.25 | -14.91 | -11.4 | 7 |
3 | It's Me I'm Alive | -0.16 | -11.76 | -10.1 | 7 |
4 | Sas Milaei O Nychterinos Ekfonitis | -0.49 | -22.31 | -16.6 | 15 |
5 | Nocturne in E-Flat Major Op. 9 (Theme from Athens Midnight Radio) | -0.25 | -13.87 | -12.0 | 9 |
6 | Stelno Ta Radiokymata Mou | -0.27 | -20.03 | -15.5 | 15 |
7 | Nocturne in C-Sharp Minor Op. Posth | -0.25 | -14.28 | -12.2 | 8 |
8 | Orimotita Simainei Na Paixeis To Idio Ergo Choris Lathi | -0.28 | -20.82 | -16.0 | 15 |
9 | The Pearl Fishers Je crois entendre encore | -0.25 | -13.80 | -10.1 | 8 |
10 | Danse De La Decadanse (Le point de vue masculin) | -0.25 | -14.99 | -10.6 | 8 |
11 | Tilefonise Mou | -0.25 | -18.47 | -13.9 | 14 |
12 | Claire De Blues l Last train to Mississippi | -0.28 | -13.21 | -9.5 | 8 |
13 | Tha Sou Xanatilefoniso Evzona | -0.01 | -17.97 | -12.9 | 12 |
14 | Crystal Echoes | -0.25 | -11.92 | -9.5 | 7 |
15 | Ego Kai Ta Xechasmena Vinylia | -0.27 | -18.47 | -14.0 | 13 |
16 | Danse Avec Moi | -0.25 | -13.17 | -11.0 | 9 |
17 | Na Xereis, Otan Chorevo Se Skeftome Synecheia | -0.27 | -19.79 | -14.1 | 14 |
18 | Concerto in D Minor, Adagio BWV 974 Vibraphone | -0.25 | -18.90 | -16.0 | 13 |
19 | Follow The Yellow Line | -0.25 | -14.65 | -11.5 | 8 |
20 | Concerto in D Minor, Adagio BWV 974 Piano | -0.25 | -17.52 | -14.4 | 10 |
21 | I Neotita Fevgei Prota Apo Ta Cheria Sou | -0.28 | -21.12 | -16.2 | 16 |
22 | Czardas | -0.25 | -15.18 | -12.1 | 9 |
23 | Nactural Waves | -0.25 | -15.89 | -12.1 | 9 |
24 | To Tsekouri Tis Erotikis Ekdikisis | -0.27 | -19.44 | -15.0 | 13 |
25 | Nocturne in C-Sharp Minor Op. Posth (Part B) | -0.27 | -14.55 | -11.7 | 8 |
26 | Ola Eginan Opos Itheles | -0.27 | -14.98 | -12.4 | 8 |
27 | Colours | -0.27 | -11.81 | -9.7 | 6 |
28 | Danse De La Decadanse (Le point de vue feminine) | -0.27 | -16.19 | -12.9 | 9 |
29 | Pearl Fishers Acapella (Male) | -0.28 | -14.70 | -10.0 | 7 |
30 | Ximeronei | -0.27 | -18.35 | -13.7 | 13 |
31 | Moro Mou Faltso (End Credits) | -0.27 | -12.96 | -10.4 | 7 |
32 | Danse De La Decadanse (Pt. 2) | -0.27 | -16.76 | -12.6 | 9 |
33 | Clair de Lune | -0.27 | -18.27 | -14.8 | 11 |
34 | Anatoli | -0.27 | -13.28 | -11.1 | 7 |