℗ 2024 Parlophone Records Limited; A Warner Classics release
Released | October 30, 2024 |
Duration | 7h 26m 37s |
Record Label | Warner Classics |
Genre | Classical |
Romantic Composers: Dvořák, Tchaikovsky, Brahms...
Sir John Barbirolli, Various Artists
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale"
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1.1
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Thema. Chorale St. Antoni
Johannes Brahms; Sir John Barbirolli; Wiener Philharmoniker |
2:04 | |||
1.2
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Variation I. Poco più animato
Johannes Brahms; Sir John Barbirolli; Wiener Philharmoniker |
1:19 | |||
1.3
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Variation II. Più vivace
Johannes Brahms; Sir John Barbirolli; Wiener Philharmoniker |
0:59 | |||
1.4
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Variation III. Con moto
Johannes Brahms; Sir John Barbirolli; Wiener Philharmoniker |
1:38 | |||
1.5
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Variation IV. Andante con moto
Johannes Brahms; Sir John Barbirolli; Wiener Philharmoniker |
2:03 | |||
1.6
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Variation V. Vivace
Johannes Brahms; Sir John Barbirolli; Wiener Philharmoniker |
0:56 | |||
1.7
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Variation VI. Vivace
Johannes Brahms; Sir John Barbirolli; Wiener Philharmoniker |
1:28 | |||
1.8
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Variation VII. Grazioso
Johannes Brahms; Sir John Barbirolli; Wiener Philharmoniker |
2:50 | |||
1.9
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Variation VIII. Presto non troppo
Johannes Brahms; Sir John Barbirolli; Wiener Philharmoniker |
1:00 | |||
1.10
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Finale
Johannes Brahms; Sir John Barbirolli; Wiener Philharmoniker |
4:01 | |||
1.11
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España
Emmanuel Chabrier; Sir John Barbirolli; Hallé Orchestra |
6:12 | |||
La Damnation de Faust, Op. 24, H 111
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1.12
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Menuet des follets
Hector Berlioz; Sir John Barbirolli; Hallé Orchestra |
5:43 | |||
1.13
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Danse des sylphes
Hector Berlioz; Sir John Barbirolli; Hallé Orchestra |
2:39 | |||
1.14
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Marche hongroise
Hector Berlioz; Sir John Barbirolli; Hallé Orchestra |
4:45 | |||
Variations on an Original Theme, Op. 36 "Enigma"
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1.15
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Theme
Sir Edward Elgar; Sir John Barbirolli; Philharmonia Orchestra |
1:38 | |||
1.16
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Introduction - Variation I. L'istesso tempo "C.A.E."
Sir Edward Elgar; Sir John Barbirolli; Philharmonia Orchestra |
1:39 | |||
1.17
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Variation II. Allegro "H.D.S-P."
Sir Edward Elgar; Sir John Barbirolli; Philharmonia Orchestra |
0:49 | |||
1.18
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Variation III. Allegretto "R.B.T."
Sir Edward Elgar; Sir John Barbirolli; Philharmonia Orchestra |
1:28 | |||
1.19
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Variation IV. Allegro di molto "W.M.B."
Sir Edward Elgar; Sir John Barbirolli; Philharmonia Orchestra |
0:30 | |||
1.20
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Variation V. Moderato "R.P.A."
Sir Edward Elgar; Sir John Barbirolli; Philharmonia Orchestra |
2:16 | |||
1.21
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Variation VI. Andantino "Ysobel"
Sir Edward Elgar; Sir John Barbirolli; Philharmonia Orchestra |
1:16 | |||
1.22
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Variation VII. Presto "Troyte"
Sir Edward Elgar; Sir John Barbirolli; Philharmonia Orchestra |
1:04 | |||
1.23
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Variation VIII. Allegretto "W.N."
Sir Edward Elgar; Sir John Barbirolli; Philharmonia Orchestra |
1:51 | |||
1.24
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Variation IX. Adagio "Nimrod"
Sir Edward Elgar; Sir John Barbirolli; Philharmonia Orchestra |
3:30 | |||
1.25
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Variation X. Intermezzo. Allegretto "Dorabella"
Sir Edward Elgar; Sir John Barbirolli; Philharmonia Orchestra |
2:24 | |||
1.26
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Variation XI. Allegro di molto "G.R.S."
Sir Edward Elgar; Sir John Barbirolli; Philharmonia Orchestra |
0:59 | |||
1.27
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Variation XII. Andante "B.G.N."
Sir Edward Elgar; Sir John Barbirolli; Philharmonia Orchestra |
2:53 | |||
1.28
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Variation XIII. Romanza. Moderato. "* * *"
Sir Edward Elgar; Sir John Barbirolli; Philharmonia Orchestra |
2:47 | |||
1.29
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Variation XIV. Finale. Allegro "E.D.U."
Sir Edward Elgar; Sir John Barbirolli; Philharmonia Orchestra |
5:35 | |||
Spanish Capriccio, Op. 34
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1.30
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I. Alborada
Nikolai Rimsky-Korsakov; Sir John Barbirolli; Hallé Orchestra |
1:11 | |||
1.31
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II. Variazioni
Nikolai Rimsky-Korsakov; Sir John Barbirolli; Hallé Orchestra |
4:09 | |||
1.32
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III. Alborada
Nikolai Rimsky-Korsakov; Sir John Barbirolli; Hallé Orchestra |
1:10 | |||
1.33
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IV. Scena e canto gitano
Nikolai Rimsky-Korsakov; Sir John Barbirolli; Hallé Orchestra |
4:39 | |||
1.34
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V. Fandango asturiano
Nikolai Rimsky-Korsakov; Sir John Barbirolli; Hallé Orchestra |
3:21 | |||
Suite No. 1 from Peer Gynt, Op. 46
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1.35
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I. Morning Mood
Edvard Grieg; Sir John Barbirolli; Hallé Orchestra |
4:00 | |||
1.36
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II. Death of Åse
Edvard Grieg; Sir John Barbirolli; Hallé Orchestra |
5:14 | |||
1.37
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III. Anitra's Dance
Edvard Grieg; Sir John Barbirolli; Hallé Orchestra |
3:21 | |||
1.38
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IV. In the Hall of the Mountain King
Edvard Grieg; Sir John Barbirolli; Hallé Orchestra |
2:16 | |||
Serenade for Strings in E Minor, Op. 20
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1.39
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I. Allegro piacevole
Sir Edward Elgar; Sir John Barbirolli; Sinfonia of London |
3:58 | |||
1.40
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II. Larghetto
Sir Edward Elgar; Sir John Barbirolli; Sinfonia of London |
5:59 | |||
1.41
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III. Allegretto - Come prima
Sir Edward Elgar; Sir John Barbirolli; Sinfonia of London |
3:17 | |||
Variations on a Theme of Tchaikovsky, Op. 35a
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1.42
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Theme. Moderato
Anton Arensky; Sir John Barbirolli; London Symphony Orchestra |
1:17 | |||
1.43
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Variation I. Un poco più mosso
Anton Arensky; Sir John Barbirolli; London Symphony Orchestra |
1:40 | |||
1.44
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Variation II. Allegro non troppo
Anton Arensky; Sir John Barbirolli; London Symphony Orchestra |
1:06 | |||
1.45
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Variation III. Andantino tranquillo
Anton Arensky; Sir John Barbirolli; London Symphony Orchestra |
1:56 | |||
1.46
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Variation IV. Vivace
Anton Arensky; Sir John Barbirolli; London Symphony Orchestra |
1:38 | |||
1.47
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Variation V. Andante
Anton Arensky; Sir John Barbirolli; London Symphony Orchestra |
3:02 | |||
1.48
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Variation VI. Allegro con spirito
Anton Arensky; Sir John Barbirolli; London Symphony Orchestra |
1:15 | |||
1.49
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Variation VII. Andante con moto
Anton Arensky; Sir John Barbirolli; London Symphony Orchestra |
1:30 | |||
1.50
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Coda. Moderato
Anton Arensky; Sir John Barbirolli; London Symphony Orchestra |
2:04 | |||
Serenade for Wind Instruments in D Minor, Op. 44, B. 77
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1.51
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I. Moderato, quasi marcia
Antonín Dvořák; Sir John Barbirolli; Hallé Orchestra |
4:13 | |||
1.52
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II. Minuetto
Antonín Dvořák; Sir John Barbirolli; Hallé Orchestra |
7:34 | |||
1.53
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III. Andante con moto
Antonín Dvořák; Sir John Barbirolli; Hallé Orchestra |
7:48 | |||
1.54
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IV. Finale. Allegro molto
Antonín Dvořák; Sir John Barbirolli; Hallé Orchestra |
7:15 | |||
Symphonic Variations for Piano and Orchestra, FWV 46
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1.55
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I. Poco allegro (feat. John Ogdon)
César Franck; Sir John Barbirolli; John Ogdon; Philharmonia Orchestra |
4:13 | |||
1.56
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II. Allegretto quasi andante (feat. John Ogdon)
César Franck; Sir John Barbirolli; John Ogdon; Philharmonia Orchestra |
3:56 | |||
1.57
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III. Molto piu lento (feat. John Ogdon)
César Franck; Sir John Barbirolli; John Ogdon; Philharmonia Orchestra |
3:45 | |||
1.58
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IV. Allegro non troppo (feat. John Ogdon)
César Franck; Sir John Barbirolli; John Ogdon; Philharmonia Orchestra |
4:18 | |||
Petite Symphonie in B-Flat for 9 Wind Instruments
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1.59
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I. Adagio et allegretto
Charles Gounod; Sir John Barbirolli; Hallé Orchestra |
5:41 | |||
1.60
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II. Andante cantabile
Charles Gounod; Sir John Barbirolli; Hallé Orchestra |
4:52 | |||
1.61
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III. Scherzo
Charles Gounod; Sir John Barbirolli; Hallé Orchestra |
4:03 | |||
1.62
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IV. Finale
Charles Gounod; Sir John Barbirolli; Hallé Orchestra |
5:22 | |||
1.63
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The Hebrides, Op. 26, MWV P7 "Fingal's Cave"
Felix Mendelssohn; Sir John Barbirolli; Hallé Orchestra |
8:56 | |||
Introduction and Allegro, Op. 47
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1.64
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I. Moderato (feat. Allegri Quartet)
Sir Edward Elgar; Sir John Barbirolli; Allegri Quartet; Sinfonia of London |
3:14 | |||
1.65
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II. Allegro (feat. Allegri Quartet)
Sir Edward Elgar; Sir John Barbirolli; Allegri Quartet; Sinfonia of London |
3:38 | |||
1.66
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III. Fugue. Allegro (feat. Allegri Quartet)
Sir Edward Elgar; Sir John Barbirolli; Allegri Quartet; Sinfonia of London |
7:09 | |||
Serenade for Strings in C Major, Op. 48
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1.67
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I. Pezzo in forma de sonatina
Pyotr Ilyich Tchaikovsky; Sir John Barbirolli; London Symphony Orchestra |
10:10 | |||
1.68
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II. Valse. Moderato
Pyotr Ilyich Tchaikovsky; Sir John Barbirolli; London Symphony Orchestra |
3:51 | |||
1.69
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III. Élégie. Larghetto elegiaco
Pyotr Ilyich Tchaikovsky; Sir John Barbirolli; London Symphony Orchestra |
9:23 | |||
1.70
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IV. Finale. Tema russo
Pyotr Ilyich Tchaikovsky; Sir John Barbirolli; London Symphony Orchestra |
7:37 | |||
Lohengrin, Act 1
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1.71
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Prelude
Richard Wagner; Sir John Barbirolli; Hallé Orchestra |
7:57 | |||
Der fliegende Holländer
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1.72
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Overture
Richard Wagner; Sir John Barbirolli; Hallé Orchestra |
10:32 | |||
Euryanthe, Op. 81, J. 291
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1.73
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Overture
Carl Maria von Weber; John Barbirolli; Hallé Orchestra; Sir John Barbirolli |
8:03 | |||
1.74
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Havanaise, Op. 83 (feat. Jascha Heifetz)
Camille Saint-Saëns; Sir John Barbirolli; Jascha Heifetz; London Symphony Orchestra |
9:12 | |||
Symphony No. 5 in C Minor, Op. 67
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1.75
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I. Allegro con brio
Ludwig van Beethoven; John Barbirolli; Hallé Orchestra; Sir John Barbirolli |
8:11 | |||
1.76
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II. Andante con moto
Ludwig van Beethoven; John Barbirolli; Hallé Orchestra; Sir John Barbirolli |
10:25 | |||
1.77
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III. Scherzo. Allegro
Ludwig van Beethoven; John Barbirolli; Hallé Orchestra; Sir John Barbirolli |
5:09 | |||
1.78
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IV. Finale. Allegro
Ludwig van Beethoven; John Barbirolli; Hallé Orchestra; Sir John Barbirolli |
8:41 | |||
Violin Concerto in D Minor, WoO 23
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1.79
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I. In kräftigem, nicht zu schnellem Tempo (feat. Yehudi Menuhin)
Robert Schumann; Sir John Barbirolli; Yehudi Menuhin; Philharmonic Symphony Orchestra of New York |
12:34 | |||
1.80
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II. Langsam (feat. Yehudi Menuhin)
Robert Schumann; Sir John Barbirolli; Yehudi Menuhin; Philharmonic Symphony Orchestra of New York |
5:53 | |||
1.81
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III. Lebhaft doch nicht schnell (feat. Yehudi Menuhin)
Robert Schumann; Sir John Barbirolli; Yehudi Menuhin; Philharmonic Symphony Orchestra of New York |
9:03 | |||
Symphony No. 5 in C-Sharp Minor
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1.82
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I. Trauermarsch. In gemessenem Schritt
Gustav Mahler; Sir John Barbirolli; New Philharmonia Orchestra |
13:46 | |||
1.83
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II. Stürmisch bewegt. Mit grösster Vehemenz
Gustav Mahler; Sir John Barbirolli; New Philharmonia Orchestra |
15:14 | |||
1.84
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III. Scherzo. Kräftig, nicht zu schnell
Gustav Mahler; Sir John Barbirolli; New Philharmonia Orchestra |
18:03 | |||
1.85
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IV. Adagietto. Sehr langsam
Gustav Mahler; Sir John Barbirolli; New Philharmonia Orchestra |
9:50 | |||
1.86
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V. Rondo-Finale. Allegro
Gustav Mahler; Sir John Barbirolli; New Philharmonia Orchestra |
17:32 | |||
Piano Concerto No. 1 in E Minor, Op. 11
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1.87
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I. Allegro maestoso risoluto (feat. Artur Rubinstein)
Frédéric Chopin; Sir John Barbirolli; Artur Rubinstein; London Symphony Orchestra |
15:35 | |||
1.88
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II. Romanza. Larghetto (feat. Artur Rubinstein)
Frédéric Chopin; Sir John Barbirolli; Artur Rubinstein; London Symphony Orchestra |
9:22 | |||
1.89
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III. Rondo. Vivace (feat. Artur Rubinstein)
Frédéric Chopin; Sir John Barbirolli; Artur Rubinstein; London Symphony Orchestra |
8:18 |
In Romantic Composers, legendary conductor Sir John Barbirolli leads a superb collection of performances by various orchestras, capturing the passionate spirit of the Romantic era. The album features masterworks from beloved composers like Dvořák, Tchaikovsky, and Brahms, each performed with Barbirolli’s signature emotional depth and meticulous attention to detail. From lush melodies to soaring lyricism and majestic orchestration, this collection showcases the full range of Romantic expression.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Warner Classics Studio Masters
Tracks 1-89 – contains high-resolution digital transfers of material originating from an analogue master source Tracks 79-81 – 48 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit; 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 73 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; 44.1 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit
Tracks 1-89 – contains high-resolution digital transfers of material originating from an analogue master source Tracks 79-81 – 48 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit; 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 73 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; 44.1 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.41 -18.03 to -0.25 | -24.52 -40.09 to -16.19 | -20.65 -37.20 to -11.80 | 12 8 to 16 | |
1 | Thema. Chorale St. Antoni | -8.13 | -27.62 | -24.2 | 11 |
2 | Variation I. Poco più animato | -5.87 | -24.31 | -21.4 | 10 |
3 | Variation II. Più vivace | -3.75 | -23.36 | -20.3 | 13 |
4 | Variation III. Con moto | -9.70 | -28.00 | -25.2 | 11 |
5 | Variation IV. Andante con moto | -6.46 | -26.78 | -23.9 | 11 |
6 | Variation V. Vivace | -6.15 | -27.27 | -24.3 | 13 |
7 | Variation VI. Vivace | -0.74 | -17.63 | -13.7 | 11 |
8 | Variation VII. Grazioso | -6.09 | -25.06 | -22.3 | 11 |
9 | Variation VIII. Presto non troppo | -12.86 | -30.48 | -27.4 | 10 |
10 | Finale | -1.17 | -19.60 | -15.3 | 11 |
11 | España | -0.60 | -19.31 | -14.9 | 10 |
12 | Menuet des follets | -4.83 | -27.93 | -23.8 | 14 |
13 | Danse des sylphes | -18.03 | -40.09 | -37.2 | 11 |
14 | Marche hongroise | -3.68 | -19.76 | -15.3 | 8 |
15 | Theme | -11.66 | -31.44 | -27.7 | 11 |
16 | Introduction - Variation I. L'istesso tempo "C.A.E." | -2.72 | -23.76 | -19.5 | 11 |
17 | Variation II. Allegro "H.D.S-P." | -5.91 | -29.60 | -25.7 | 10 |
18 | Variation III. Allegretto "R.B.T." | -5.01 | -26.35 | -22.4 | 13 |
19 | Variation IV. Allegro di molto "W.M.B." | -1.13 | -16.19 | -11.8 | 9 |
20 | Variation V. Moderato "R.P.A." | -5.03 | -25.18 | -22.0 | 11 |
21 | Variation VI. Andantino "Ysobel" | -5.42 | -27.57 | -24.1 | 12 |
22 | Variation VII. Presto "Troyte" | -0.55 | -16.98 | -13.9 | 10 |
23 | Variation VIII. Allegretto "W.N." | -3.96 | -25.88 | -22.0 | 12 |
24 | Variation IX. Adagio "Nimrod" | -2.05 | -19.95 | -15.8 | 9 |
25 | Variation X. Intermezzo. Allegretto "Dorabella" | -12.66 | -35.59 | -33.3 | 13 |
26 | Variation XI. Allegro di molto "G.R.S." | -1.99 | -20.43 | -16.8 | 10 |
27 | Variation XII. Andante "B.G.N." | -9.26 | -30.15 | -26.0 | 11 |
28 | Variation XIII. Romanza. Moderato. "* * *" | -3.95 | -28.48 | -23.9 | 13 |
29 | Variation XIV. Finale. Allegro "E.D.U." | -0.94 | -18.60 | -15.3 | 10 |
30 | I. Alborada | -2.99 | -19.93 | -13.6 | 9 |
31 | II. Variazioni | -4.77 | -23.62 | -19.5 | 10 |
32 | III. Alborada | -2.24 | -20.30 | -17.2 | 10 |
33 | IV. Scena e canto gitano | -2.09 | -22.11 | -17.5 | 11 |
34 | V. Fandango asturiano | -0.50 | -17.81 | -13.8 | 9 |
35 | I. Morning Mood | -10.17 | -31.30 | -27.1 | 12 |
36 | II. Death of Åse | -5.80 | -28.54 | -24.6 | 13 |
37 | III. Anitra's Dance | -7.43 | -31.20 | -28.0 | 14 |
38 | IV. In the Hall of the Mountain King | -0.71 | -22.15 | -14.4 | 12 |
39 | I. Allegro piacevole | -2.53 | -24.87 | -21.3 | 12 |
40 | II. Larghetto | -3.59 | -26.01 | -22.0 | 13 |
41 | III. Allegretto - Come prima | -2.92 | -22.95 | -19.4 | 11 |
42 | Theme. Moderato | -6.12 | -25.46 | -21.6 | 10 |
43 | Variation I. Un poco più mosso | -6.04 | -25.32 | -21.4 | 10 |
44 | Variation II. Allegro non troppo | -6.49 | -22.81 | -19.0 | 10 |
45 | Variation III. Andantino tranquillo | -6.80 | -24.60 | -21.1 | 10 |
46 | Variation IV. Vivace | -5.32 | -25.34 | -22.1 | 13 |
47 | Variation V. Andante | -9.92 | -29.64 | -26.1 | 12 |
48 | Variation VI. Allegro con spirito | -2.96 | -21.12 | -17.8 | 12 |
49 | Variation VII. Andante con moto | -8.33 | -27.85 | -24.4 | 11 |
50 | Coda. Moderato | -8.62 | -31.25 | -26.8 | 13 |
51 | I. Moderato, quasi marcia | -4.72 | -25.19 | -21.9 | 12 |
52 | II. Minuetto | -4.40 | -25.05 | -22.0 | 12 |
53 | III. Andante con moto | -2.88 | -25.07 | -22.2 | 12 |
54 | IV. Finale. Allegro molto | -2.63 | -24.36 | -20.9 | 13 |
55 | I. Poco allegro (feat. John Ogdon) | -3.95 | -27.92 | -23.0 | 15 |
56 | II. Allegretto quasi andante (feat. John Ogdon) | -2.53 | -22.95 | -18.7 | 11 |
57 | III. Molto piu lento (feat. John Ogdon) | -13.32 | -34.52 | -31.7 | 13 |
58 | IV. Allegro non troppo (feat. John Ogdon) | -2.81 | -23.24 | -19.9 | 13 |
59 | I. Adagio et allegretto | -2.22 | -21.86 | -18.8 | 12 |
60 | II. Andante cantabile | -2.53 | -21.62 | -18.4 | 10 |
61 | III. Scherzo | -1.86 | -20.57 | -17.6 | 12 |
62 | IV. Finale | -3.27 | -23.72 | -20.1 | 13 |
63 | The Hebrides, Op. 26, MWV P7 "Fingal's Cave" | -2.40 | -19.47 | -14.9 | 8 |
64 | I. Moderato (feat. Allegri Quartet) | -2.80 | -21.92 | -17.2 | 10 |
65 | II. Allegro (feat. Allegri Quartet) | -2.76 | -20.49 | -16.3 | 11 |
66 | III. Fugue. Allegro (feat. Allegri Quartet) | -2.08 | -20.33 | -16.6 | 11 |
67 | I. Pezzo in forma de sonatina | -3.79 | -18.67 | -14.8 | 9 |
68 | II. Valse. Moderato | -5.75 | -22.75 | -18.6 | 10 |
69 | III. Élégie. Larghetto elegiaco | -4.96 | -22.44 | -17.9 | 9 |
70 | IV. Finale. Tema russo | -3.17 | -19.01 | -14.8 | 9 |
71 | Prelude | -0.30 | -26.14 | -20.8 | 15 |
72 | Overture | -1.88 | -19.28 | -14.7 | 9 |
73 | Overture | -1.95 | -22.51 | -17.5 | 13 |
74 | Havanaise, Op. 83 (feat. Jascha Heifetz) | -3.66 | -26.37 | -22.3 | 15 |
75 | I. Allegro con brio | -0.29 | -21.64 | -17.2 | 13 |
76 | II. Andante con moto | -3.19 | -25.30 | -20.6 | 13 |
77 | III. Scherzo. Allegro | -1.65 | -25.12 | -19.4 | 13 |
78 | IV. Finale. Allegro | -0.46 | -20.68 | -16.8 | 13 |
79 | I. In kräftigem, nicht zu schnellem Tempo (feat. Yehudi Menuhin) | -0.25 | -23.98 | -20.4 | 15 |
80 | II. Langsam (feat. Yehudi Menuhin) | -9.35 | -30.49 | -27.4 | 13 |
81 | III. Lebhaft doch nicht schnell (feat. Yehudi Menuhin) | -0.84 | -25.11 | -21.3 | 16 |
82 | I. Trauermarsch. In gemessenem Schritt | -0.62 | -24.46 | -19.1 | 14 |
83 | II. Stürmisch bewegt. Mit grösster Vehemenz | -1.14 | -22.21 | -17.9 | 13 |
84 | III. Scherzo. Kräftig, nicht zu schnell | -2.92 | -24.90 | -20.5 | 13 |
85 | IV. Adagietto. Sehr langsam | -11.78 | -33.23 | -29.7 | 12 |
86 | V. Rondo-Finale. Allegro | -1.41 | -22.95 | -19.0 | 13 |
87 | I. Allegro maestoso risoluto (feat. Artur Rubinstein) | -1.07 | -20.38 | -17.1 | 12 |
88 | II. Romanza. Larghetto (feat. Artur Rubinstein) | -6.15 | -26.88 | -23.6 | 12 |
89 | III. Rondo. Vivace (feat. Artur Rubinstein) | -1.77 | -21.77 | -18.5 | 13 |