℗ 2024 The Leonardo Film Project, under exclusive license to Nonesuch Records Inc.
| Released | July 16, 2024 |
| Duration | 1h 18m 45s |
| Record Label | Nonesuch |
| Genre | Soundtrack |
Leonardo da Vinci (Original Score)
Caroline Shaw
Available in MQA and 48 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Intentions of the Mind
Caroline Shaw; Attacca Quartet; John Patitucci; Sō Percussion; Roomful of Teeth |
1:59 | |||
|
1.2
|
Ginevra de' Benci
Caroline Shaw; Attacca Quartet; John Patitucci |
3:44 | |||
|
1.3
|
Machine Drawings
Caroline Shaw; Attacca Quartet; John Patitucci; Sō Percussion; Roomful of Teeth |
1:36 | |||
|
1.4
|
Renaissance
Caroline Shaw; Attacca Quartet; Sō Percussion |
2:32 | |||
|
1.5
|
Atmosphere
Caroline Shaw; Attacca Quartet; John Patitucci; Sō Percussion; Roomful of Teeth |
2:22 | |||
|
1.6
|
Lady with an Ermine
Caroline Shaw; Attacca Quartet; Sō Percussion |
2:47 | |||
|
1.7
|
Pleasure and Pain
Caroline Shaw; Attacca Quartet; Sō Percussion; Roomful of Teeth |
2:52 | |||
|
1.8
|
Il Paradiso
Caroline Shaw; Attacca Quartet; John Patitucci; Sō Percussion |
1:09 | |||
|
1.9
|
Treatise on Painting
Caroline Shaw; Roomful of Teeth |
3:11 | |||
|
1.10
|
Optics, Light & Shadow
Caroline Shaw; Attacca Quartet |
3:56 | |||
|
1.11
|
Senso Comune
Caroline Shaw; Attacca Quartet; John Patitucci; Sō Percussion |
2:18 | |||
|
1.12
|
Virgin of the Rocks
Caroline Shaw; Attacca Quartet; John Patitucci; Sō Percussion; Roomful of Teeth |
2:11 | |||
|
1.13
|
The Grandchild of Nature
Caroline Shaw; Attacca Quartet; John Patitucci; Sō Percussion |
1:50 | |||
|
1.14
|
The Last Supper
Caroline Shaw; Attacca Quartet; John Patitucci; Sō Percussion; Roomful of Teeth |
4:16 | |||
|
1.15
|
Microcosm and Macrocosm
Caroline Shaw; Attacca Quartet; John Patitucci; Sō Percussion |
2:41 | |||
|
1.16
|
The Virgin and Child with Saint Anne
Caroline Shaw; Attacca Quartet; John Patitucci; Sō Percussion; Roomful of Teeth |
5:10 | |||
|
1.17
|
Notebooks
Caroline Shaw; Attacca Quartet; John Patitucci |
2:11 | |||
|
1.18
|
Blood Flow
Caroline Shaw; Attacca Quartet; Sō Percussion |
2:41 | |||
|
1.19
|
A Man Without Letters
Caroline Shaw; Attacca Quartet; John Patitucci; Sō Percussion; Roomful of Teeth |
2:20 | |||
|
1.20
|
La Pittura È Mentale
Caroline Shaw; Attacca Quartet |
2:57 | |||
|
1.21
|
Painter-Philosopher
Caroline Shaw; Sō Percussion; Roomful of Teeth |
1:40 | |||
|
1.22
|
Water Studies
Caroline Shaw; Attacca Quartet; Sō Percussion |
3:42 | |||
|
1.23
|
Body as Nature
Caroline Shaw; Attacca Quartet; Sō Percussion |
2:42 | |||
|
1.24
|
Guru of the Court
Caroline Shaw; Attacca Quartet; Sō Percussion; Roomful of Teeth |
1:11 | |||
|
1.25
|
Cesare Borgia
Caroline Shaw; Attacca Quartet; John Patitucci; Sō Percussion |
3:03 | |||
|
1.26
|
Flying Machines
Caroline Shaw; Attacca Quartet; John Patitucci; Sō Percussion; Roomful of Teeth |
6:04 | |||
|
1.27
|
Symbol of the Modern Idea
Caroline Shaw; Attacca Quartet; John Patitucci; Sō Percussion |
1:46 | |||
|
1.28
|
The Mona Lisa
Caroline Shaw; Attacca Quartet; John Patitucci; Sō Percussion; Roomful of Teeth |
3:54 |
The original score for Ken Burns’s two-part documentary LEONARDO da VINCI, with new compositions by Caroline Shaw, features performances by the composer’s longtime collaborators Attacca Quartet, Sō Percussion, and Roomful of Teeth as well as John Patitucci. Shaw wrote and recorded new music for LEONARDO da VINCI, marking the first time a Ken Burns film has featured an entirely original score. The film is directed by Ken Burns, Sarah Burns, and David McMahon, who says: “Caroline’s existing body of music—joyful, daring, at times transcendent, and wholly unique—seemed to speak directly to Leonardo, a seeking soul who, 500 years after his death, can come across as strikingly modern ... The music Caroline created is dynamic, enthralling and filled with wonder."
48 kHz / 24-bit PCM – Nonesuch Studio Masters
Tracks 1-28 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Tracks 1-28 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.28 -6.69 to -1.04 | -20.60 -24.77 to -17.20 | -17.38 -21.90 to -14.20 | 11 9 to 14 | |
| 1 | Intentions of the Mind | -1.04 | -18.72 | -14.7 | 11 |
| 2 | Ginevra de' Benci | -1.04 | -19.11 | -16.8 | 11 |
| 3 | Machine Drawings | -1.04 | -18.42 | -15.2 | 11 |
| 4 | Renaissance | -1.81 | -21.73 | -19.1 | 11 |
| 5 | Atmosphere | -1.04 | -20.33 | -16.2 | 11 |
| 6 | Lady with an Ermine | -1.11 | -21.15 | -18.0 | 11 |
| 7 | Pleasure and Pain | -1.04 | -19.23 | -15.9 | 11 |
| 8 | Il Paradiso | -1.04 | -17.79 | -14.7 | 11 |
| 9 | Treatise on Painting | -1.04 | -19.27 | -15.6 | 11 |
| 10 | Optics, Light & Shadow | -3.40 | -24.64 | -21.4 | 14 |
| 11 | Senso Comune | -4.56 | -19.71 | -17.1 | 10 |
| 12 | Virgin of the Rocks | -1.04 | -17.86 | -14.2 | 10 |
| 13 | The Grandchild of Nature | -4.68 | -21.42 | -18.8 | 11 |
| 14 | The Last Supper | -1.04 | -18.96 | -15.2 | 11 |
| 15 | Microcosm and Macrocosm | -2.36 | -19.70 | -15.6 | 10 |
| 16 | The Virgin and Child with Saint Anne | -1.04 | -21.00 | -16.9 | 12 |
| 17 | Notebooks | -1.16 | -22.35 | -19.5 | 12 |
| 18 | Blood Flow | -1.23 | -22.67 | -19.7 | 14 |
| 19 | A Man Without Letters | -1.04 | -17.20 | -14.7 | 11 |
| 20 | La Pittura È Mentale | -1.44 | -18.22 | -15.0 | 9 |
| 21 | Painter-Philosopher | -1.04 | -17.70 | -15.1 | 11 |
| 22 | Water Studies | -6.12 | -24.20 | -21.0 | 11 |
| 23 | Body as Nature | -6.69 | -24.77 | -21.9 | 12 |
| 24 | Guru of the Court | -5.88 | -24.57 | -20.6 | 12 |
| 25 | Cesare Borgia | -3.56 | -23.81 | -21.5 | 13 |
| 26 | Flying Machines | -1.04 | -19.09 | -15.8 | 11 |
| 27 | Symbol of the Modern Idea | -5.26 | -24.75 | -21.6 | 11 |
| 28 | The Mona Lisa | -1.04 | -18.52 | -14.9 | 11 |