℗ 2024 San Francisco Classical Recording Company
| Released | September 27, 2024 |
| Duration | 43m 33s |
| Record Label | EuroArts Music International |
| Genre | Classical (Classical Crossover) |
Mis amores son las flores - Zarzuela Arias
Lisette Oropesa, Orquesta Sinfónica De Madrid, Óliver Díaz, Coro De La Comunidad De Madrid
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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María la O
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1.1
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"Mulata infeliz"
Ernesto Lecuona; Lisette Oropesa; Orquesta Sinfónica De Madrid; Óliver Díaz |
4:48 | |||
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El barberillo de Lavapiés
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1.2
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"Canción de Paloma"
Francisco Asenjo Barbieri; Lisette Oropesa; Coro De La Comunidad De Madrid; Orquesta Sinfónica De Madrid; Óliver Díaz |
2:56 | |||
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El húsar de la guardia
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1.3
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"Un pobre nido"
Gerónimo Giménez; Amadeo Vives; Lisette Oropesa; Orquesta Sinfónica De Madrid; Óliver Díaz; Coro De La Comunidad De Madrid |
3:38 | |||
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Don Gil de Alcalá
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1.4
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"Bendita cruz"
Manuel Penella; Lisette Oropesa; Orquesta Sinfónica De Madrid; Óliver Díaz |
3:29 | |||
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El niño judío
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1.5
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"De España vengo"
Pablo Luna; Lisette Oropesa; Orquesta Sinfónica De Madrid; Óliver Díaz |
5:51 | |||
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La tabernera del puerto
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1.6
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"En un país de fábula"
Pablo Sorozábal; Lisette Oropesa; Orquesta Sinfónica De Madrid; Óliver Díaz; Coro De La Comunidad De Madrid |
4:24 | |||
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Las hijas del Zebedeo
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1.7
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"Carceleras"
Ruperto Chapí; Lisette Oropesa; Orquesta Sinfónica De Madrid; Óliver Díaz |
4:30 | |||
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Monte Carmelo
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1.8
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"Madre de mis amores"
Federico Moreno Torroba; Lisette Oropesa; Orquesta Sinfónica De Madrid; Óliver Díaz |
4:42 | |||
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María la O
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1.9
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"Eschucha al ruisenor"
Ernesto Lecuona; Lisette Oropesa; Orquesta Sinfónica De Madrid; Óliver Díaz |
4:15 | |||
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Cecilia Valdés
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1.10
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"Salida de Cecilia"
Gonzalo Roig; Lisette Oropesa; Orquesta Sinfónica De Madrid; Óliver Díaz; Coro De La Comunidad De Madrid |
5:00 | |||
This album is introduced by the Cuban zarzuela, "María la O" (1930) by Ernesto Lecuona. Cuba, with more than 2500 zarzuelas composed, is the second great homeland of the genre, and Ernesto Lecuona and Gonzalo Roig are two true pillars of Cuban zarzuela. It also has a more dramatic profile, bringing to the stage the harsh social problems of slavery, racism, etc. The album concludes with the Catalan-born composer Gonzalo Roig (1890-1970) with the mythical Cecilia Valdés, which the anthropologist Fernando Ortiz defined as the zarzuela of "Cubanness, full, heartfelt, conscious and desired". Cecilia Valdés is a zarzuela with a strong racial content, with slavery as one of its central themes. Roig reaffirms in it the symbiosis of black music, Creole peasant music and Spanish music.
96 kHz / 24-bit PCM – EuroArts Music International Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.32 -8.75 to -0.75 | -24.74 -27.75 to -21.57 | -21.22 -24.60 to -18.20 | 12 11 to 14 | |
| 1 | "Mulata infeliz" | -4.29 | -23.97 | -20.4 | 11 |
| 2 | "Canción de Paloma" | -1.51 | -24.19 | -20.7 | 12 |
| 3 | "Un pobre nido" | -2.42 | -21.57 | -18.2 | 11 |
| 4 | "Bendita cruz" | -8.75 | -27.11 | -23.3 | 11 |
| 5 | "De España vengo" | -5.92 | -26.35 | -22.9 | 13 |
| 6 | "En un país de fábula" | -6.71 | -27.75 | -24.6 | 14 |
| 7 | "Carceleras" | -2.00 | -24.98 | -21.6 | 14 |
| 8 | "Madre de mis amores" | -4.44 | -24.45 | -20.9 | 12 |
| 9 | "Eschucha al ruisenor" | -6.39 | -24.82 | -21.0 | 11 |
| 10 | "Salida de Cecilia" | -0.75 | -22.19 | -18.6 | 14 |