℗ 2018 Warner Chappell Production Music
Released | October 25, 2024 |
Duration | 41m 25s |
Record Label | Warner Chappell Production Music |
Genre | Instrumental |
1.1
|
StrikeZone
Glory Oath + Blood; Ross Crispin |
1:55 | |||
1.2
|
I Am War
Glory Oath + Blood; Flaviu Ciocan; Marton Horvath |
1:17 | |||
1.3
|
Rammed and Sunk
Glory Oath + Blood; Martin Cap |
1:23 | |||
1.4
|
Invader Alert
Glory Oath + Blood; Mattia Turzo |
1:34 | |||
1.5
|
Onslaught
Glory Oath + Blood; Jaroslav Beck |
1:11 | |||
1.6
|
Panic Stations
Glory Oath + Blood; Ciarán Birch |
1:36 | |||
1.7
|
Dark Horizon
Glory Oath + Blood; Jaroslav Beck |
1:18 | |||
1.8
|
Containment Breach
Glory Oath + Blood; Audio Android |
1:34 | |||
1.9
|
Threat Level Red
Glory Oath + Blood; Daniel Lenz |
1:08 | |||
1.10
|
Duck and Cover
Glory Oath + Blood; Charlie Chien Lin |
1:05 | |||
1.11
|
Next Assault
Glory Oath + Blood; Nick Road |
0:54 | |||
1.12
|
Lord of Chaos
Glory Oath + Blood; Flaviu Ciocan; Marton Horvath |
1:42 | |||
1.13
|
Zombie Alarm
Glory Oath + Blood; Audio Android |
1:27 | |||
1.14
|
Operation Destroy
Glory Oath + Blood; Hybrid Chronicles; Salvador Casais; Nicolas Felix |
1:59 | |||
1.15
|
Heist Countdown
Glory Oath + Blood; Martin Cap |
1:21 | |||
1.16
|
Tension Points
Glory Oath + Blood; Mattia Turzo |
2:08 | |||
1.17
|
Enemy Approach
Glory Oath + Blood; Kevin Sargent |
1:51 | |||
1.18
|
Maffia Alarm
Glory Oath + Blood; Flaviu Ciocan; Marton Horvath |
1:35 | |||
1.19
|
We Brought Blasters
Glory Oath + Blood; Yohann Zvieg |
2:16 | |||
1.20
|
Eyes on Target
Glory Oath + Blood; Mattia Turzo |
1:48 | |||
1.21
|
Defcon Eleven
Glory Oath + Blood; Or Chausha; Itay Steinberg; Harel Tsemah |
1:15 | |||
1.22
|
OK to Panic
Glory Oath + Blood; Daniel Lenz |
1:46 | |||
1.23
|
Warfield Beat
Glory Oath + Blood; Mattia Turzo |
1:59 | |||
1.24
|
Mothership Down
Glory Oath + Blood; Audio Android |
1:53 | |||
1.25
|
Trepidator
Glory Oath + Blood; Mattia Turzo |
2:17 | |||
1.26
|
There is No Escape
Glory Oath + Blood; Charlie Chien Lin |
1:13 |
48 kHz / 24-bit PCM – Warner Chappell Production Music Studio Masters
Track 23 – contains material which has been processed by a perceptual audio coding algorithm Track 21 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track 23 – contains material which has been processed by a perceptual audio coding algorithm Track 21 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.13 -0.19 to 0.00 | -11.08 -12.98 to -9.37 | -8.53 -11.80 to -6.50 | 5 4 to 6 | |
1 | StrikeZone | 0.00 | -9.78 | -6.6 | 4 |
2 | I Am War | -0.12 | -11.25 | -8.1 | 5 |
3 | Rammed and Sunk | -0.08 | -11.85 | -9.3 | 6 |
4 | Invader Alert | -0.14 | -10.86 | -8.6 | 4 |
5 | Onslaught | -0.13 | -9.81 | -7.6 | 4 |
6 | Panic Stations | -0.14 | -10.37 | -8.7 | 5 |
7 | Dark Horizon | -0.19 | -11.67 | -9.0 | 4 |
8 | Containment Breach | -0.17 | -12.30 | -9.5 | 5 |
9 | Threat Level Red | -0.14 | -10.48 | -8.0 | 5 |
10 | Duck and Cover | -0.03 | -10.85 | -7.9 | 6 |
11 | Next Assault | -0.15 | -10.59 | -7.9 | 4 |
12 | Lord of Chaos | -0.15 | -11.01 | -7.9 | 4 |
13 | Zombie Alarm | -0.13 | -11.12 | -9.0 | 5 |
14 | Operation Destroy | -0.17 | -11.43 | -8.2 | 5 |
15 | Heist Countdown | -0.16 | -10.22 | -8.3 | 4 |
16 | Tension Points | 0.00 | -9.37 | -7.5 | 4 |
17 | Enemy Approach | -0.03 | -11.10 | -7.7 | 4 |
18 | Maffia Alarm | -0.13 | -10.01 | -6.5 | 4 |
19 | We Brought Blasters | -0.12 | -12.64 | -11.8 | 6 |
20 | Eyes on Target | -0.17 | -12.12 | -9.4 | 6 |
21 | Defcon Eleven | -0.18 | -11.93 | -8.9 | 6 |
22 | OK to Panic | -0.18 | -10.10 | -7.6 | 5 |
23 | Warfield Beat | -0.18 | -12.20 | -10.1 | 5 |
24 | Mothership Down | -0.08 | -11.84 | -9.8 | 5 |
25 | Trepidator | -0.18 | -12.98 | -10.0 | 5 |
26 | There is No Escape | -0.14 | -10.31 | -7.8 | 5 |