℗ 2000 Chandos
| Released | August 1, 2000 |
| Duration | 1h 07m 02s |
| Record Label | Chandos |
| Catalogue No. | CHAN0661 |
| Genre | Classical (Concertos) |
Telemann: Ouverture Comique
Collegium Musicum 90, Simon Standage
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Concerto for Recorder and Flute in E Minor, TWV 52:e1
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1.1
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I. Largo
Georg Philipp Telemann; Peter Holtslag; Rachel Brown; Collegium Musicum 90; Simon Standage |
3:37 | |||
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1.2
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II. Allegro
Georg Philipp Telemann; Peter Holtslag; Rachel Brown; Collegium Musicum 90; Simon Standage |
4:02 | |||
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1.3
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III. Largo
Georg Philipp Telemann; Peter Holtslag; Rachel Brown; Collegium Musicum 90; Simon Standage |
3:01 | |||
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1.4
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IV. Presto
Georg Philipp Telemann; Peter Holtslag; Rachel Brown; Collegium Musicum 90; Simon Standage |
2:26 | |||
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Violin Concerto in B-Flat Major, TWV 51:B1
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1.5
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I. Largo
Georg Philipp Telemann; Simon Standage; Collegium Musicum 90 |
3:27 | |||
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1.6
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II. Vivace
Georg Philipp Telemann; Simon Standage; Collegium Musicum 90 |
3:27 | |||
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1.7
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III. [Andante]
Georg Philipp Telemann; Simon Standage; Collegium Musicum 90 |
2:33 | |||
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1.8
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IV. Allegro
Georg Philipp Telemann; Simon Standage; Collegium Musicum 90 |
1:32 | |||
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Overture (Suite) in F-Sharp Minor, TWV 55:fis1
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1.9
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I. Ouverture
Georg Philipp Telemann; Collegium Musicum 90; Simon Standage |
5:24 | |||
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1.10
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II. Les Plaisirs
Georg Philipp Telemann; Collegium Musicum 90; Simon Standage |
2:25 | |||
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1.11
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III. Angloise. Vivement
Georg Philipp Telemann; Collegium Musicum 90; Simon Standage |
1:28 | |||
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1.12
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IV. La Badinerie italienne. Viste
Georg Philipp Telemann; Collegium Musicum 90; Simon Standage |
1:22 | |||
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1.13
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V. Loure
Georg Philipp Telemann; Collegium Musicum 90; Simon Standage |
1:42 | |||
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1.14
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VI. Menuet I - Menuet II. Doucement
Georg Philipp Telemann; Collegium Musicum 90; Simon Standage |
2:28 | |||
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1.15
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VII. Courante
Georg Philipp Telemann; Collegium Musicum 90; Simon Standage |
1:51 | |||
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1.16
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VIII. Le Batelage
Georg Philipp Telemann; Collegium Musicum 90; Simon Standage |
0:44 | |||
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Concerto for 2 Oboes d'amore in A Major, TWV 52:A1
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1.17
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I. Andante
Georg Philipp Telemann; Anthony Robson; John Eastaway; Collegium Musicum 90; Simon Standage |
2:02 | |||
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1.18
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II. Vivace
Georg Philipp Telemann; Anthony Robson; John Eastaway; Collegium Musicum 90; Simon Standage |
1:41 | |||
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1.19
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III. Siciliana
Georg Philipp Telemann; Anthony Robson; John Eastaway; Collegium Musicum 90; Simon Standage |
3:48 | |||
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1.20
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IV. Allegro
Georg Philipp Telemann; Anthony Robson; John Eastaway; Collegium Musicum 90; Simon Standage |
2:16 | |||
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Overture (Suite) in D Major TWV 55:D22, "Ouverture, jointes d'une Suite tragi-comique"
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1.21
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I. [Ouverture]. Lentement - Vite - Lentement
Georg Philipp Telemann; Collegium Musicum 90; Simon Standage |
5:17 | |||
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1.22
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II. Le Podagre. Loure
Georg Philipp Telemann; Collegium Musicum 90; Simon Standage |
2:42 | |||
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1.23
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III. Remède expérimenté: La Poste et la danse. Menuet en rondeau
Georg Philipp Telemann; Collegium Musicum 90; Simon Standage |
0:51 | |||
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1.24
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IV. L'Hypocondre. Sarabande - Gigue - Sarabande - Bourrée - Sarabande - Hornpipe - Sarabande - La Suave
Georg Philipp Telemann; Collegium Musicum 90; Simon Standage |
2:45 | |||
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1.25
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V. Remède: Souffrance héroïque. Marche
Georg Philipp Telemann; Collegium Musicum 90; Simon Standage |
1:10 | |||
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1.26
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VI. Le Petit-maître. Rondeau
Georg Philipp Telemann; Collegium Musicum 90; Simon Standage |
2:00 | |||
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1.27
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VII. Remède: Petite-maison. Furies
Georg Philipp Telemann; Collegium Musicum 90; Simon Standage |
1:01 | |||
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Digital Booklet
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Simon Standage and his early music ensemble Collegium Musicum 90 devote this album to Georg Philipp Telemann, a composer who derived particular pleasure from the French dance suite or "ouverture." Its flexible, multi-movement scheme was an ideal outlet for the character pieces and vignettes with which he proved himself among the greatest masters outside France. He wrote many such pieces during a short period, two of which are included here alongside three of his concertos.
96 kHz / 24-bit PCM – Chandos Studio Masters
96 kHz / 24-bit PCM – Chandos Studio Masters Recording venue All Saints’ Church, East Finchley, London N2; 27–29 September 1999 Recording producer: Nicholas Anderson Sound engineer: Jonathan Cooper Assistant engineer: Richard Smoker Editor: Rachel Smith Front cover: Digital montage including coloured etching, A man suffering from gout; represented by a group of blue demons dancing around him (1795), by R. Newton, Wellcome Library, London Back cover: Photograph of Simon Standage and Collegium Musicum 90 by Jonathan Rose Design: Sean Coleman Booklet typeset by Michael White-Robinson Booklet editor: Finn S. Gundersen
96 kHz / 24-bit PCM – Chandos Studio Masters Recording venue All Saints’ Church, East Finchley, London N2; 27–29 September 1999 Recording producer: Nicholas Anderson Sound engineer: Jonathan Cooper Assistant engineer: Richard Smoker Editor: Rachel Smith Front cover: Digital montage including coloured etching, A man suffering from gout; represented by a group of blue demons dancing around him (1795), by R. Newton, Wellcome Library, London Back cover: Photograph of Simon Standage and Collegium Musicum 90 by Jonathan Rose Design: Sean Coleman Booklet typeset by Michael White-Robinson Booklet editor: Finn S. Gundersen
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.33 -14.61 to -0.09 | -28.07 -36.00 to -21.31 | -24.86 -32.60 to -17.80 | 13 11 to 14 | |
| 1 | I. Largo | -7.59 | -28.02 | -25.0 | 12 |
| 2 | II. Allegro | -6.47 | -27.14 | -24.2 | 13 |
| 3 | III. Largo | -12.89 | -31.05 | -27.9 | 11 |
| 4 | IV. Presto | -6.31 | -26.65 | -23.3 | 12 |
| 5 | I. Largo | -7.00 | -27.80 | -24.3 | 12 |
| 6 | II. Vivace | -4.74 | -26.50 | -23.2 | 13 |
| 7 | III. [Andante] | -14.61 | -36.00 | -32.6 | 13 |
| 8 | IV. Allegro | -5.64 | -26.24 | -22.9 | 13 |
| 9 | I. Ouverture | -7.88 | -27.93 | -24.9 | 12 |
| 10 | II. Les Plaisirs | -12.11 | -31.15 | -28.3 | 13 |
| 11 | III. Angloise. Vivement | -8.20 | -27.64 | -24.9 | 13 |
| 12 | IV. La Badinerie italienne. Viste | -7.89 | -27.85 | -25.0 | 12 |
| 13 | V. Loure | -7.24 | -28.94 | -25.4 | 14 |
| 14 | VI. Menuet I - Menuet II. Doucement | -6.74 | -29.23 | -26.3 | 12 |
| 15 | VII. Courante | -10.93 | -29.48 | -26.7 | 12 |
| 16 | VIII. Le Batelage | -8.97 | -30.99 | -27.5 | 12 |
| 17 | I. Andante | -9.35 | -29.10 | -26.0 | 11 |
| 18 | II. Vivace | -7.23 | -26.88 | -23.7 | 12 |
| 19 | III. Siciliana | -9.21 | -28.11 | -24.9 | 12 |
| 20 | IV. Allegro | -7.90 | -26.98 | -23.8 | 12 |
| 21 | I. [Ouverture]. Lentement - Vite - Lentement | -1.78 | -24.98 | -21.6 | 14 |
| 22 | II. Le Podagre. Loure | -12.27 | -34.41 | -31.2 | 14 |
| 23 | III. Remède expérimenté: La Poste et la danse. Menuet en rondeau | -0.36 | -21.54 | -18.4 | 12 |
| 24 | IV. L'Hypocondre. Sarabande - Gigue - Sarabande - Bourrée - Sarabande - Hornpipe - Sarabande - La Suave | -11.79 | -33.84 | -30.2 | 14 |
| 25 | V. Remède: Souffrance héroïque. Marche | -1.16 | -22.18 | -18.5 | 13 |
| 26 | VI. Le Petit-maître. Rondeau | -1.67 | -26.02 | -22.7 | 14 |
| 27 | VII. Remède: Petite-maison. Furies | -0.09 | -21.31 | -17.8 | 14 |