℗ 1979, 2017 Jones/Tintoretto Entertainment Company under exclusive license to Parlophone Records Ltd, a Warner Music Group Company
Released | December 1, 2017 |
Duration | 34m 55s |
Record Label | Parlophone UK |
Genre | Pop |
Lodger (2017 Remastered Version)
David Bowie
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Fantastic Voyage (2017 Remaster)
David Bowie; Adrian Belew; Brian Eno; David Richards; Dennis Davis; Eugene Chaplin; George Murray; Greg Caruso; Ray Staff; Rod O'Brien; Sean Mayes; Simon House; Tony Visconti |
2:55 | |||
1.2
|
African Night Flight (2017 Remaster)
David Bowie; Brian Eno; Carlos Alomar; David Richards; Dennis Davis; Eugene Chaplin; George Murray; Greg Caruso; Ray Staff; Rod O'Brien; Sean Mayes; Tony Visconti |
2:56 | |||
1.3
|
Move On (2017 Remaster)
David Bowie; Adrian Belew; Carlos Alomar; David Richards; Dennis Davis; Eugene Chaplin; George Murray; Greg Caruso; Ray Staff; Rod O'Brien; Sean Mayes; Tony Visconti |
3:20 | |||
1.4
|
Yassassin (Turkish For: Long Live; 2017 Remaster)
David Bowie; Carlos Alomar; David Richards; Dennis Davis; Eugene Chaplin; George Murray; Greg Caruso; Ray Staff; Rod O'Brien; Simon House; Tony Visconti |
4:13 | |||
1.5
|
Red Sails (2017 Remaster)
David Bowie; Adrian Belew; Brian Eno; Carlos Alomar; David Richards; Dennis Davis; Eugene Chaplin; George Murray; Greg Caruso; Ray Staff; Rod O'Brien; Sean Mayes; Simon House; Stan Harrison; Tony Visconti |
3:45 | |||
1.6
|
D.J. (2017 Remaster)
David Bowie; Adrian Belew; Carlos Alomar; David Richards; Dennis Davis; Eugene Chaplin; George Murray; Greg Caruso; Ray Staff; Rod O'Brien; Tony Visconti |
4:01 | |||
1.7
|
Look Back in Anger (2017 Remaster)
David Bowie; Brian Eno; Carlos Alomar; David Richards; Dennis Davis; Eugene Chaplin; George Murray; Greg Caruso; Ray Staff; Rod O'Brien; Sean Mayes; Tony Visconti |
3:08 | |||
1.8
|
Boys Keep Swinging (2017 Remaster)
David Bowie; Adrian Belew; Brian Eno; Carlos Alomar; David Richards; Dennis Davis; Eugene Chaplin; Greg Caruso; Ray Staff; Rod O'Brien; Simon House; Tony Visconti |
3:18 | |||
1.9
|
Repetition (2017 Remaster)
David Bowie; Adrian Belew; Carlos Alomar; David Richards; Dennis Davis; Eugene Chaplin; George Murray; Greg Caruso; Ray Staff; Rod O'Brien; Roger Powell; Simon House; Tony Visconti |
3:00 | |||
1.10
|
Red Money (2017 Remaster)
David Bowie; Adrian Belew; Carlos Alomar; David Richards; Dennis Davis; Eugene Chaplin; George Murray; Greg Caruso; Ray Staff; Rod O'Brien; Roger Powell; Tony Visconti |
4:19 |
- UK Albums Chart - #4 (1979)
Lodger is the 13th studio album by English singer-songwriter David Bowie. It was originally released in May, 1979 by RCA Records. The last of the Berlin Trilogy, it was recorded in Switzerland and New York City with collaborator Brian Eno and producer Tony Visconti. Unlike Bowie's previous two albums, Lodger contained no instrumentals and a somewhat more pop-oriented style while experimenting with elements of world music and recording techniques inspired by Eno's Oblique Strategies cards.
The album was not, by Bowie's standards, a major commercial success. Indifferently received by critics on its initial release, it is now widely considered to be among Bowie's most underrated albums. It was accompanied by several singles, including the UK Top 10 hit "Boys Keep Swinging."
It is one of Bowie's most influential works, particularly to the 1990s Britpop movement, with two major Britpop bands, Oasis, who named their 1996 number-one hit "Don't Look Back in Anger" after Lodger's "Look Back in Anger" and Blur, who used the same chord sequence as "Fantastic Voyage" and "Boys Keep Swinging" in their 1997 hit single "M.O.R.".
The 2017 remaster was overseen by Tony Visconti as part of the A New Career In A New Town (1977–1982) box-set.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Parlophone UK Studio Masters
Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.29 -0.30 to -0.29 | -14.33 -15.64 to -13.56 | -11.61 -12.70 to -10.50 | 10 9 to 11 | |
1 | Fantastic Voyage (2017 Remaster) | -0.30 | -13.80 | -11.1 | 9 |
2 | African Night Flight (2017 Remaster) | -0.29 | -15.02 | -12.4 | 10 |
3 | Move On (2017 Remaster) | -0.30 | -14.05 | -11.5 | 10 |
4 | Yassassin (Turkish For: Long Live; 2017 Remaster) | -0.29 | -15.64 | -12.7 | 11 |
5 | Red Sails (2017 Remaster) | -0.30 | -14.18 | -11.6 | 9 |
6 | D.J. (2017 Remaster) | -0.30 | -13.92 | -11.1 | 9 |
7 | Look Back in Anger (2017 Remaster) | -0.30 | -13.56 | -10.8 | 9 |
8 | Boys Keep Swinging (2017 Remaster) | -0.29 | -13.72 | -10.5 | 9 |
9 | Repetition (2017 Remaster) | -0.30 | -14.85 | -12.5 | 10 |
10 | Red Money (2017 Remaster) | -0.29 | -14.54 | -11.9 | 10 |