℗ 2004 PentaTone
| Released | 2004 |
| Duration | 1h 03m 20s |
| Record Label | PentaTone |
| Catalogue No. | PTC5186031 |
| Genre | Classical (Concertos) |
Arcangelo Corelli: Concerti grossi
New Dutch Academy Chamber Orchestra, Simon Murphy
Available in 96 kHz / 24-bit AIFF, FLAC and 2.8224 MHz DSD high resolution audio formats
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Concerto da camera in B-Flat Major, Op. 6, No. 11
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1.1
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I. Preludio. Andante Largo
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
2:39 | |||
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1.2
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II. Allemande
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
2:28 | |||
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1.3
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III. Adagio. Andante Largo
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
2:31 | |||
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1.4
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IV. Sarabanda
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
1:41 | |||
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1.5
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V. Giga
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
1:21 | |||
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Sonata a Quattro in G Minor
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1.6
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I. Adagio. Andante Largo
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
1:35 | |||
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1.7
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II. Allegro
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
1:14 | |||
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1.8
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III. Grave. Presto
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
2:30 | |||
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1.9
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IV. Vivace
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
3:20 | |||
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Concerto da camera in F Major, Op. 6, No. 12
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1.10
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I. Preludio. Adagio
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
5:41 | |||
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1.11
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II. Allegro
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
2:36 | |||
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1.12
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III. Adagio
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
2:05 | |||
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1.13
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IV. Sarabanda
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
1:45 | |||
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1.14
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V. Giga
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
2:52 | |||
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Concerto da chiesa in D Major, Op. 6, No. 4
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1.15
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I. Adagio. Allegro
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
3:46 | |||
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1.16
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II. Adagio. Vivace
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
4:27 | |||
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1.17
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III. Allegro
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
3:19 | |||
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Concerto da chiesa in G Minor, Op. 6, No. 8, "Christmas Concerto"
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1.18
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I. Vivace. Grave
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
1:15 | |||
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1.19
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II. Allegro
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
2:21 | |||
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1.20
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III. Adagio. Allegro. Adagio
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
3:22 | |||
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1.21
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IV. Vivace
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
1:04 | |||
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1.22
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V. Allegro. Largo. Pastorale
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
4:41 | |||
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Fuga a Quattro Voci
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1.23
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Allegro
Arcangelo Corelli; New Dutch Academy Chamber Orchestra; Simon Murphy |
4:47 | |||
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Digital Booklet
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"These accounts by the New Dutch Academy, a big band playing on period instruments, reflect the best of both worlds. Its sound is sumptuous, but textures are sufficiently transparent to allow details to cut through and the historically informed approach includes stylish ornamentation and a battery of continuo instruments which would surely have delighted the composer ... Murphy infuses these accounts with subtle jazz-like touches: swinging rhythms, inventive extemporizations and vigorous guitar strumming effects."
- BBC Music Magazine
This album of Corelli's Concerti grossi from Simon Murphy and his award-winning orchestra, the New Dutch Academy (playing authentic instruments) is the first ever recording to use Corelli's own large scale orchestra, rich Italiante improvisation and extemporization along with a full and varied continuo section, including Baroque guitars and lutes, archlutes, theorbos, harpsichords and organs. The production was enthusiastically received by the world's music press; Murphy's groundbreaking performance and recording presenting Corelli in a completely new light.
96 kHz / 24-bit PCM and 2.8224 MHz DSD – PentaTone Studio Masters
The recording was made in the Vredenburg, Utrecht on 7, 9 and 10 September, 2003, also as part of the season celebrating 25 years of the Vredenburg Producer: Carl Schuurbiers Recording engineer: Erdo Groot Editing: Carl Schuurbiers Photography: Sofie Knijff Recording facility: Polyhymnia International BV Microphones: Neumann KM 130, DPA 4006 & DPA 4011 with Polyhymnia microphone buffer electronics Microphone preamps: custom built by Polyhymnia International BV and outputs directly connected to Meitner DSD AD converter DSD recording, editing and mixing: Pyramix Virtual Studio by Merging Technologies 5.0 Monitored on B&W Nautilus loudspeakers Microphone, interconnect and loudspeaker cables by van den Hul
The recording was made in the Vredenburg, Utrecht on 7, 9 and 10 September, 2003, also as part of the season celebrating 25 years of the Vredenburg Producer: Carl Schuurbiers Recording engineer: Erdo Groot Editing: Carl Schuurbiers Photography: Sofie Knijff Recording facility: Polyhymnia International BV Microphones: Neumann KM 130, DPA 4006 & DPA 4011 with Polyhymnia microphone buffer electronics Microphone preamps: custom built by Polyhymnia International BV and outputs directly connected to Meitner DSD AD converter DSD recording, editing and mixing: Pyramix Virtual Studio by Merging Technologies 5.0 Monitored on B&W Nautilus loudspeakers Microphone, interconnect and loudspeaker cables by van den Hul
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.93 -13.79 to -1.62 | -24.62 -33.42 to -21.53 | -21.80 -31.20 to -18.60 | 12 10 to 14 | |
| 1 | I. Preludio. Andante Largo | -5.03 | -23.90 | -21.1 | 12 |
| 2 | II. Allemande | -1.93 | -22.27 | -19.5 | 12 |
| 3 | III. Adagio. Andante Largo | -7.36 | -24.67 | -22.0 | 12 |
| 4 | IV. Sarabanda | -8.61 | -26.57 | -24.0 | 11 |
| 5 | V. Giga | -4.06 | -24.35 | -21.0 | 13 |
| 6 | I. Adagio. Andante Largo | -8.32 | -24.75 | -21.8 | 10 |
| 7 | II. Allegro | -2.75 | -23.77 | -21.0 | 14 |
| 8 | III. Grave. Presto | -5.36 | -24.07 | -21.4 | 12 |
| 9 | IV. Vivace | -2.01 | -23.34 | -20.6 | 14 |
| 10 | I. Preludio. Adagio | -7.46 | -27.51 | -25.0 | 12 |
| 11 | II. Allegro | -5.04 | -25.45 | -22.6 | 13 |
| 12 | III. Adagio | -13.79 | -33.42 | -31.2 | 10 |
| 13 | IV. Sarabanda | -5.64 | -24.14 | -21.5 | 12 |
| 14 | V. Giga | -6.15 | -25.53 | -22.7 | 12 |
| 15 | I. Adagio. Allegro | -2.69 | -22.04 | -19.0 | 13 |
| 16 | II. Adagio. Vivace | -4.10 | -26.63 | -22.4 | 14 |
| 17 | III. Allegro | -1.62 | -21.53 | -18.6 | 12 |
| 18 | I. Vivace. Grave | -2.84 | -23.02 | -20.4 | 12 |
| 19 | II. Allegro | -4.88 | -22.90 | -20.2 | 12 |
| 20 | III. Adagio. Allegro. Adagio | -2.58 | -25.64 | -23.2 | 14 |
| 21 | IV. Vivace | -5.06 | -24.69 | -22.0 | 12 |
| 22 | V. Allegro. Largo. Pastorale | -2.87 | -24.06 | -21.0 | 13 |
| 23 | Allegro | -3.28 | -21.93 | -19.2 | 12 |