℗ 2006 PentaTone
Released | 2006 |
Duration | 1h 00m 22s |
Record Label | PentaTone |
Catalogue No. | PTC5186088 |
Genre | Classical (Chamber Music) |
Wolfgang Amadeus Mozart: Donaueschingen Harmoniemusik of the Abduction from the Seraglio, K. 384
Wind Ensemble of the Academy of St. Martin in the Fields, Bastiaan Blomhert
Available in 96 kHz / 24-bit AIFF, FLAC and 2.8224 MHz DSD high resolution audio formats
Donaueschingen Harmoniemusik of the Abduction from the Seraglio K. 384
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1.1
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I. Overture
Wolfgang Amadeus Mozart; Wind Ensemble of the Academy of St. Martin in the Fields; Bastiaan Blomhert |
3:57 | |||
1.2
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II. Hier soll ich dich denn sehen
Wolfgang Amadeus Mozart; Wind Ensemble of the Academy of St. Martin in the Fields; Bastiaan Blomhert |
2:26 | |||
1.3
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III. Solche hergelauf'ne Laffen
Wolfgang Amadeus Mozart; Wind Ensemble of the Academy of St. Martin in the Fields; Bastiaan Blomhert |
3:30 | |||
1.4
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IV. O wie ängstlich, o wie feurig
Wolfgang Amadeus Mozart; Wind Ensemble of the Academy of St. Martin in the Fields; Bastiaan Blomhert |
2:53 | |||
1.5
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V. Doch wie schnell schwand meine Freude
Wolfgang Amadeus Mozart; Wind Ensemble of the Academy of St. Martin in the Fields; Bastiaan Blomhert |
3:13 | |||
1.6
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VI. Durch Zärtlichkeit und Schmeicheln
Wolfgang Amadeus Mozart; Wind Ensemble of the Academy of St. Martin in the Fields; Bastiaan Blomhert |
2:45 | |||
1.7
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VII. Ich gehe doch rate ich dir
Wolfgang Amadeus Mozart; Wind Ensemble of the Academy of St. Martin in the Fields; Bastiaan Blomhert |
2:42 | |||
1.8
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VIII. Martern aller Arten
Wolfgang Amadeus Mozart; Wind Ensemble of the Academy of St. Martin in the Fields; Bastiaan Blomhert |
7:55 | |||
1.9
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IX. Welche Wonne, welche Lust
Wolfgang Amadeus Mozart; Wind Ensemble of the Academy of St. Martin in the Fields; Bastiaan Blomhert |
2:22 | |||
1.10
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X. Frisch zum Kampfe!
Wolfgang Amadeus Mozart; Wind Ensemble of the Academy of St. Martin in the Fields; Bastiaan Blomhert |
2:43 | |||
1.11
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XI. Vivat Bacchus! Bacchus lebe!
Wolfgang Amadeus Mozart; Wind Ensemble of the Academy of St. Martin in the Fields; Bastiaan Blomhert |
1:53 | |||
1.12
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XII. Wenn der Freude Tranen fließen
Wolfgang Amadeus Mozart; Wind Ensemble of the Academy of St. Martin in the Fields; Bastiaan Blomhert |
4:17 | |||
1.13
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XIII. Ach, Belmonte! Ach, mein Leben
Wolfgang Amadeus Mozart; Wind Ensemble of the Academy of St. Martin in the Fields; Bastiaan Blomhert |
2:34 | |||
1.14
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XIV. Ich baue ganz auf deine Stärke
Wolfgang Amadeus Mozart; Wind Ensemble of the Academy of St. Martin in the Fields; Bastiaan Blomhert |
4:51 | |||
1.15
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XV. Ha, wie will ich triumphieren
Wolfgang Amadeus Mozart; Wind Ensemble of the Academy of St. Martin in the Fields; Bastiaan Blomhert |
2:45 | |||
1.16
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XVI. Adagio recitativo. Welch ein Geschick!
Wolfgang Amadeus Mozart; Wind Ensemble of the Academy of St. Martin in the Fields; Bastiaan Blomhert |
7:26 | |||
1.17
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XVII. Finale. Nie werd'ich deine Huld verkennen
Wolfgang Amadeus Mozart; Wind Ensemble of the Academy of St. Martin in the Fields; Bastiaan Blomhert |
2:10 | |||
Digital Booklet
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"Five Stars ... (Blomhert's) performance with the expert ASMF wind players is beautifully paced and thoroughly enjoyable."
- BBC Music Magazine
"Four Stars ... delightful arrangement for eight winds, now felt to be Mozart's own arrangement ... the players contribute a lively and precise interpretation and the acoustics are well-captured ..."
- Audiophile Audition
Bastiaan Blomhert conducts the Wind Ensemble of the Academy of St. Martin in the Fields on this performance of Mozart's Donaueschingen Harmoniemusik, now thought to be Mozart's own arrangement as discovered during Blomhert's research.
96 kHz / 24-bit PCM and 2.8224 MHz DSD – PentaTone Studio Masters
Recording venue: Henry Wood Hall, London, December 2005 Executive Producer: Job Maarse Recording Producer: Hein Dekker Balance Engineer: Erdo Groot Recording Engineer: Erdo Groot Editing: Ientje Mooij Recording facility: Polyhymnia International BV Microphones: Neumann KM 130, B&K 4006 &B&K 4011 with Polyhymnia microphone buffer electronics. Microphone pre-amps: Custom build by Polyhymnia International BV and outputs directly connected to Meitner DSD AD converter. DSD recording, editing and mixing: Pyramix Virtual Studio by Merging Technologies 5.0 Monitored on B&W Nautilus loudspeakers. Microphone, interconnect and loudspeaker cables by van den Hul.
Recording venue: Henry Wood Hall, London, December 2005 Executive Producer: Job Maarse Recording Producer: Hein Dekker Balance Engineer: Erdo Groot Recording Engineer: Erdo Groot Editing: Ientje Mooij Recording facility: Polyhymnia International BV Microphones: Neumann KM 130, B&K 4006 &B&K 4011 with Polyhymnia microphone buffer electronics. Microphone pre-amps: Custom build by Polyhymnia International BV and outputs directly connected to Meitner DSD AD converter. DSD recording, editing and mixing: Pyramix Virtual Studio by Merging Technologies 5.0 Monitored on B&W Nautilus loudspeakers. Microphone, interconnect and loudspeaker cables by van den Hul.
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.39 -6.54 to -0.54 | -22.94 -26.24 to -20.76 | -19.69 -23.00 to -17.00 | 12 11 to 13 | |
1 | I. Overture | -1.88 | -22.87 | -19.5 | 13 |
2 | II. Hier soll ich dich denn sehen | -6.17 | -24.93 | -21.5 | 12 |
3 | III. Solche hergelauf'ne Laffen | -1.77 | -22.69 | -19.4 | 12 |
4 | IV. O wie ängstlich, o wie feurig | -6.54 | -26.24 | -23.0 | 12 |
5 | V. Doch wie schnell schwand meine Freude | -2.39 | -23.49 | -20.3 | 12 |
6 | VI. Durch Zärtlichkeit und Schmeicheln | -3.29 | -23.90 | -20.6 | 12 |
7 | VII. Ich gehe doch rate ich dir | -1.21 | -22.88 | -19.6 | 13 |
8 | VIII. Martern aller Arten | -1.74 | -23.71 | -20.5 | 13 |
9 | IX. Welche Wonne, welche Lust | -2.13 | -22.02 | -18.8 | 13 |
10 | X. Frisch zum Kampfe! | -0.60 | -20.76 | -17.0 | 12 |
11 | XI. Vivat Bacchus! Bacchus lebe! | -0.78 | -21.85 | -18.5 | 12 |
12 | XII. Wenn der Freude Tranen fließen | -3.55 | -24.52 | -21.3 | 13 |
13 | XIII. Ach, Belmonte! Ach, mein Leben | -0.81 | -20.94 | -18.0 | 12 |
14 | XIV. Ich baue ganz auf deine Stärke | -0.54 | -22.26 | -19.4 | 12 |
15 | XV. Ha, wie will ich triumphieren | -1.75 | -21.22 | -18.1 | 12 |
16 | XVI. Adagio recitativo. Welch ein Geschick! | -2.93 | -23.42 | -20.4 | 13 |
17 | XVII. Finale. Nie werd'ich deine Huld verkennen | -2.48 | -22.19 | -18.9 | 11 |