℗ 2015 PentaTone
| Released | April 7, 2015 |
| Duration | 1h 13m 19s |
| Record Label | PentaTone |
| Catalogue No. | PTC5186486 |
| Genre | Classical (Choral - Sacred) |
De Profundis: Compositions for Orchestra and Choir
Russian National Orchestra, Moscow Synodal Choir, Hilarion Alfeyev
Available in 96 kHz / 24-bit AIFF, FLAC and 2.8224 MHz DSD high resolution audio formats
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Stabat Mater
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1.1
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I. Stabat Mater
Hilarion Alfeyev; Moscow Synodal Choir; Russian National Orchestra; Hilarion Alfeyev |
5:59 | |||
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1.2
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II. Virgo virginum
Hilarion Alfeyev; Moscow Synodal Choir; Russian National Orchestra; Hilarion Alfeyev |
5:35 | |||
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1.3
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III. Sancta Mater
Hilarion Alfeyev; Svetlana Kasyan; Moscow Synodal Choir; Russian National Orchestra; Hilarion Alfeyev |
5:24 | |||
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1.4
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IV. Paradisi gloria
Hilarion Alfeyev; Moscow Synodal Choir; Russian National Orchestra; Hilarion Alfeyev |
5:27 | |||
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Concerto grosso
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1.5
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I. Adagio molto. Allegro
Hilarion Alfeyev; Tatiana Porshneva; Maxim Khokholkov; Sergei Dubov; Alexander Gotgelf; Russian National Orchestra; Hilarion Alfeyev |
4:07 | |||
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1.6
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II. Adagio
Hilarion Alfeyev; Tatiana Porshneva; Maxim Khokholkov; Sergei Dubov; Alexander Gotgelf; Russian National Orchestra; Hilarion Alfeyev |
4:37 | |||
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1.7
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III. Finale
Hilarion Alfeyev; Tatiana Porshneva; Maxim Khokholkov; Sergei Dubov; Alexander Gotgelf; Russian National Orchestra; Hilarion Alfeyev |
2:47 | |||
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Fugue on the B-A-C-H Motif
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1.8
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Adagio molto
Hilarion Alfeyev; Russian National Orchestra; Hilarion Alfeyev |
6:17 | |||
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Canciones de la muerte
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1.9
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I. Candil
Hilarion Alfeyev; Svetlana Kasyan; Russian National Orchestra; Artyom Dervoed; Hilarion Alfeyev |
2:05 | |||
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1.10
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II. Canción de la muerte pequeña
Hilarion Alfeyev; Svetlana Kasyan; Russian National Orchestra; Artyom Dervoed; Hilarion Alfeyev |
2:12 | |||
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1.11
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III. Falseta
Hilarion Alfeyev; Svetlana Kasyan; Russian National Orchestra; Artyom Dervoed; Hilarion Alfeyev |
1:51 | |||
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1.12
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IV. Gasela de la muerte oscura
Hilarion Alfeyev; Svetlana Kasyan; Russian National Orchestra; Artyom Dervoed; Hilarion Alfeyev |
2:54 | |||
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De profundis
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1.13
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I. De profundis (Psalmus 129/130)
Hilarion Alfeyev; Moscow Synodal Choir; Russian National Orchestra; Hilarion Alfeyev |
5:11 | |||
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1.14
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II. Levavi oculos meos in montes (Psalmus 120/121)
Hilarion Alfeyev; Moscow Synodal Choir; Russian National Orchestra; Hilarion Alfeyev |
5:26 | |||
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1.15
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III. Super Flumina Babylonis (Psalmus 136/137)
Hilarion Alfeyev; Moscow Synodal Choir; Russian National Orchestra; Hilarion Alfeyev |
3:52 | |||
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1.16
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IV. Laudate nomen Domini (Psalmus 134/135)
Hilarion Alfeyev; Unknown Artist; Moscow Synodal Choir; Russian National Orchestra; Hilarion Alfeyev |
4:28 | |||
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1.17
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V. Alleluia (Psalmus 148-150)
Hilarion Alfeyev; Moscow Synodal Choir; Russian National Orchestra; Norbert Gembaczka; Hilarion Alfeyev |
5:07 | |||
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Digital Booklet
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This album features five works by Metropolitan Hilarion Alfeyev, one of the most widely performed of all living Russian composers; each of his new compositions constitutes a milestone in contemporary musical history. The works on this recording were produced over a 30 year period and are performed by the Moscow Synodal Choir and the excellent Russian National Orchestra, the first Russian orchestra to ever win a Grammy.
96 kHz / 24-bit PCM and 2.8224 MHz DSD – PentaTone Studio Masters
Executive producers: Oleg Poltevsky & Rick Walker Balance engineer: Erdo Groot Recording engineer: Roger de Schot Editing: Erdo Groot Audio Recording & Postproduction: Polyhymnia International B.V. Recording producer: Erdo Groot German translation: Franz Steiger Cover photo: Metropolitan Hilarion Alfeyev © S. Titov Design: Joost de Boo Product manager: Angelina Jambrekovic
Executive producers: Oleg Poltevsky & Rick Walker Balance engineer: Erdo Groot Recording engineer: Roger de Schot Editing: Erdo Groot Audio Recording & Postproduction: Polyhymnia International B.V. Recording producer: Erdo Groot German translation: Franz Steiger Cover photo: Metropolitan Hilarion Alfeyev © S. Titov Design: Joost de Boo Product manager: Angelina Jambrekovic
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.83 -8.76 to -0.30 | -24.19 -28.71 to -20.28 | -20.92 -26.10 to -16.60 | 12 10 to 13 | |
| 1 | I. Stabat Mater | -1.41 | -22.75 | -19.4 | 12 |
| 2 | II. Virgo virginum | -1.68 | -23.17 | -18.6 | 12 |
| 3 | III. Sancta Mater | -6.80 | -28.71 | -26.1 | 13 |
| 4 | IV. Paradisi gloria | -1.02 | -22.15 | -17.8 | 12 |
| 5 | I. Adagio molto. Allegro | -3.73 | -22.81 | -20.2 | 11 |
| 6 | II. Adagio | -4.52 | -25.99 | -23.3 | 13 |
| 7 | III. Finale | -3.45 | -23.36 | -20.7 | 11 |
| 8 | Adagio molto | -0.30 | -20.74 | -17.6 | 12 |
| 9 | I. Candil | -4.13 | -25.64 | -22.0 | 11 |
| 10 | II. Canción de la muerte pequeña | -4.75 | -25.90 | -22.6 | 12 |
| 11 | III. Falseta | -3.38 | -20.52 | -17.3 | 10 |
| 12 | IV. Gasela de la muerte oscura | -3.53 | -23.45 | -20.2 | 11 |
| 13 | I. De profundis (Psalmus 129/130) | -3.00 | -24.00 | -20.4 | 12 |
| 14 | II. Levavi oculos meos in montes (Psalmus 120/121) | -7.74 | -28.33 | -25.5 | 12 |
| 15 | III. Super Flumina Babylonis (Psalmus 136/137) | -8.76 | -28.03 | -25.3 | 12 |
| 16 | IV. Laudate nomen Domini (Psalmus 134/135) | -5.86 | -25.42 | -22.1 | 12 |
| 17 | V. Alleluia (Psalmus 148-150) | -1.10 | -20.28 | -16.6 | 11 |