℗ 1987 Grateful Dead Productions
Released | October 21, 2016 |
Duration | 40m 37s |
Record Label | Grateful Dead/Rhino |
Genre | Rock (Pop) |
In The Dark
Grateful Dead
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Touch of Grey
Grateful Dead |
5:47 | |||
1.2
|
Hell in a Bucket
Grateful Dead |
5:35 | |||
1.3
|
When Push Comes to Shove
Grateful Dead |
4:05 | |||
1.4
|
West L.A. Fadeaway
Grateful Dead |
6:39 | |||
1.5
|
Tons of Steel
Grateful Dead |
5:15 | |||
1.6
|
Throwing Stones
Grateful Dead |
7:18 | |||
1.7
|
Black Muddy River
Grateful Dead |
5:58 |
In the Dark is the twelfth studio album by the Grateful Dead. It was recorded in one week in January 1987, and originally released on July 6, 1987.
Most of the songs had been played by the Dead since 1982 or 1983, which gave them a five-year edge on perfecting them for the album. After the critically panned Go to Heaven, which contained songs that were mostly under a year old, the maturity of In the Dark was significantly more appreciated.
Since the band had been playing the songs for some time, they decided to record the baseline tracks for the album in a darkened theater ("In the Dark") that was empty (no audience), on a stage with the same lighting as they would use on tour (just to have the band perform in a more comfortable, familiar setting). The idea was to capture the "feel" they had for the songs as if they were playing them to a live audience. This was done at Marin Veterans Memorial Auditorium in San Rafael, California.
They then brought these recorded tracks to the studio and, if needed, "cleaned" them up, overdubbing them or redoing a guitar, vocal, keyboard, or drum track in the studio using the same riffs they used on the stage recording.
"We ran all the electric instruments through amplifiers in the basement, in isolation rooms, and kept the drums bright and loud on stage. Everything was fed to a recording truck parked outside the venue. Everybody played their parts in real time, together. When we took breaks, we'd go into the wings by the stage door and sit there and talk about what we'd just done. Talking about the music, then going right out to play the music, then talking about it some more was something that we really should've done more often — the analysis served the songs and the camaraderie served the band. It really put us in a good spot."
- Bill Kreutzmann (Drums)
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Grateful Dead/Rhino Studio Masters
Track 1 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; 44.1 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit Tracks 1-7 – contains high-resolution digital transfers of material originating from an analogue master source
Track 1 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; 44.1 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit Tracks 1-7 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.05 -0.10 to 0.00 | -18.45 -19.58 to -17.04 | -15.73 -16.80 to -14.30 | 14 13 to 15 | |
1 | Touch of Grey | 0.00 | -17.04 | -14.5 | 13 |
2 | Hell in a Bucket | -0.07 | -17.34 | -14.3 | 13 |
3 | When Push Comes to Shove | 0.00 | -19.14 | -16.5 | 14 |
4 | West L.A. Fadeaway | 0.00 | -18.98 | -16.5 | 14 |
5 | Tons of Steel | -0.05 | -18.47 | -15.4 | 14 |
6 | Throwing Stones | -0.10 | -19.58 | -16.8 | 15 |
7 | Black Muddy River | 0.00 | -18.62 | -16.1 | 14 |