℗ 1974 Grateful Dead Productions
Released | October 20, 2016 |
Duration | 38m 24s |
Record Label | Grateful Dead/Rhino |
Genre | Rock (Pop) |
From The Mars Hotel
Grateful Dead
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
U.S. Blues
Grateful Dead |
4:37 | |||
1.2
|
China Doll
Grateful Dead |
5:21 | |||
1.3
|
Unbroken Chain
Grateful Dead |
6:45 | |||
1.4
|
Loose Lucy
Grateful Dead |
3:23 | |||
1.5
|
Scarlet Begonias
Grateful Dead |
4:19 | |||
1.6
|
Pride of Cucamonga
Grateful Dead |
4:16 | |||
1.7
|
Money Money
Grateful Dead |
4:21 | |||
1.8
|
Ship of Fools
Grateful Dead |
5:22 |
From the Mars Hotel is the seventh studio album by rock band the Grateful Dead. It was mainly recorded in April 1974, and originally released June 27, 1974. It was the second album by the band on their own Grateful Dead Records label. From the Mars Hotel came less than one year after their previous album, Wake of the Flood, and was the last before the band's then-indefinite hiatus from live touring, begun in October 1974.
The Grateful Dead returned to the studio at the end of March 1974, having readied another batch of songs. The majority were again composed by lead guitarist Jerry Garcia and lyricist Robert Hunter and featured Garcia's lead vocals. However, "Pride of Cucamonga" and "Unbroken Chain" were both written and sung by bassist Phil Lesh with the assistance of poet Bobby Petersen. This was the only time he would sing two songs on a Dead studio album, and they would be his final lead vocal work for the band until 1985. Rhythm guitarist Bob Weir contributed "Money Money" with writing partner John Perry Barlow.
The band chose to return to Coast Recorders on Folsom Street in San Francisco, where they had recorded "The Golden Road (To Unlimited Devotion)" as a single for their first album, in 1967. The studio had since been purchased by CBS Studios and refurbished. They produced the album themselves with engineer Roy Segal. According to Segal, Garcia liked the room because it had a more "live" sound than the Record Plant, where the band had recorded their previous album. Garcia had played in CBS Studios earlier in the year with Art Garfunkel during the sessions for Angel Clare.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Grateful Dead/Rhino Studio Masters
Tracks 1-8 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-8 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.18 -0.53 to -0.01 | -17.03 -19.31 to -15.54 | -14.53 -17.00 to -12.70 | 12 11 to 12 | |
1 | U.S. Blues | -0.07 | -16.18 | -13.5 | 11 |
2 | China Doll | -0.01 | -19.31 | -17.0 | 12 |
3 | Unbroken Chain | 0.00 | -17.76 | -15.6 | 11 |
4 | Loose Lucy | -0.05 | -16.37 | -13.6 | 11 |
5 | Scarlet Begonias | -0.53 | -17.11 | -14.5 | 12 |
6 | Pride of Cucamonga | -0.19 | -16.41 | -14.1 | 12 |
7 | Money Money | -0.21 | -15.54 | -12.7 | 11 |
8 | Ship of Fools | -0.20 | -17.53 | -15.2 | 12 |