℗ 2015 Parlophone Records Limited, A Warner Music Group Company.
Released | September 25, 2015 |
Duration | 51m 11s |
Record Label | Warner Classics |
Genre | Classical |
Vieuxtemps: Violin Concertos Nos 4 & 5
Itzhak Perlman, Orchestre De Paris, Daniel Barenboim
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Violin Concerto No. 4 in D Minor, Op. 31
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1.1
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I. Andante
Henri Vieuxtemps; Itzhak Perlman; Orchestre De Paris; Daniel Barenboim |
9:57 | |||
1.2
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II. Adagio religioso
Henri Vieuxtemps; Itzhak Perlman; Orchestre De Paris; Daniel Barenboim |
6:58 | |||
1.3
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III. Scherzo & Trio
Henri Vieuxtemps; Itzhak Perlman; Orchestre De Paris; Daniel Barenboim |
4:49 | |||
1.4
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IV. Finale marciale
Henri Vieuxtemps; Itzhak Perlman; Orchestre De Paris; Daniel Barenboim |
8:33 | |||
Violin Concerto No. 5 in A Minor, Op. 37
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1.5
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I. Allegro non troppo
Henri Vieuxtemps; Itzhak Perlman; Orchestre De Paris; Daniel Barenboim |
14:53 | |||
1.6
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II. Adagio
Henri Vieuxtemps; Itzhak Perlman; Orchestre De Paris; Daniel Barenboim |
4:47 | |||
1.7
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III. Allegro con fuoco
Henri Vieuxtemps; Itzhak Perlman; Orchestre De Paris; Daniel Barenboim |
1:14 | |||
Digital Booklet
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An intrepid violin virtuoso, Henri Vieuxtemps (1820–1881) was praised for his compositional flair by Hector Berlioz and numbered Eugène Ysaÿe among his pupils. Perlman plays the most popular of his seven violin concertos, No.5, and the ambitious No.4, a work admired by Tchaikovsky
This edition was released through Itzhak Perlman: The Complete Warner Recordings box set, which represents a journey through one of the most outstanding recorded legacies of the second half of the twentieth century.
Itzhak Perlman’s discography is dizzying in its exceptional quality and in the sheer variety of riches it has to offer. In terms of volume, it exceeds those of the most productive violinists of the last century — performers such as Yehudi Menuhin, David Oistrakh and even Jascha Heifetz — Perlman approaching every branch of the repertoire with equal delight, assurance, charm and sincerity.
The number of works in Perlman’s discography is staggering in itself: 550 pieces of all shapes and sizes, written by 110 different composers. He has recorded a vast range of concertos — most of the Classical, Romantic and twentieth-century works in the genre, working with 25 orchestras under 20 different conductors.
96 kHz / 24-bit PCM – Warner Classics Studio Masters
Tracks 1-7 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-7 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.51 -1.87 to -0.89 | -22.55 -25.39 to -19.47 | -18.47 -21.50 to -16.00 | 12 10 to 14 | |
1 | I. Andante | -1.41 | -24.60 | -20.4 | 13 |
2 | II. Adagio religioso | -1.87 | -25.39 | -21.5 | 14 |
3 | III. Scherzo & Trio | -1.73 | -21.91 | -18.0 | 11 |
4 | IV. Finale marciale | -1.48 | -21.51 | -17.6 | 11 |
5 | I. Allegro non troppo | -0.89 | -21.71 | -17.5 | 12 |
6 | II. Adagio | -1.71 | -23.25 | -18.3 | 12 |
7 | III. Allegro con fuoco | -1.44 | -19.47 | -16.0 | 10 |