℗ 1975 Atlantic Recording Corporation, a Warner Music Group Company
| Released | February 24, 2015 |
| Duration | 1h 22m 35s |
| Record Label | Atlantic Records |
| Genre | Rock (Classic Rock) |
Physical Graffiti (Remastered)
Led Zeppelin
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Custard Pie (2012 Remaster)
Led Zeppelin |
4:13 | |||
|
1.2
|
The Rover (2012 Remaster)
Led Zeppelin |
5:36 | |||
|
1.3
|
In My Time of Dying (2012 Remaster)
Led Zeppelin |
11:06 | |||
|
1.4
|
Houses of the Holy (2012 Remaster)
Led Zeppelin |
4:02 | |||
|
1.5
|
Trampled Under Foot (2012 Remaster)
Led Zeppelin |
5:36 | |||
|
1.6
|
Kashmir (2012 Remaster)
Led Zeppelin |
8:28 | |||
|
2.1
|
In the Light (2012 Remaster)
Led Zeppelin |
8:46 | |||
|
2.2
|
Bron-Yr-Aur
Led Zeppelin |
2:06 | |||
|
2.3
|
Down by the Seaside (2012 Remaster)
Led Zeppelin |
5:16 | |||
|
2.4
|
Ten Years Gone (2012 Remaster)
Led Zeppelin |
6:33 | |||
|
2.5
|
Night Flight (2012 Remaster)
Led Zeppelin |
3:36 | |||
|
2.6
|
The Wanton Song (2012 Remaster)
Led Zeppelin |
4:09 | |||
|
2.7
|
Boogie with Stu (2012 Remaster)
Led Zeppelin |
3:53 | |||
|
2.8
|
Black Country Woman (2012 Remaster)
Led Zeppelin |
4:32 | |||
|
2.9
|
Sick Again (2012 Remaster)
Led Zeppelin |
4:43 |
Physical Graffiti is the sixth studio album by the English rock band Led Zeppelin. It was released as a double album on 24 February 1975 by the group's new record label, Swan Song Records.
The band wrote and recorded eight new songs for the album in early 1974 at Headley Grange, a country house in Hampshire, which gave them ample time to improvise arrangements and experiment with recording. The total playing time covered slightly over two sides of an LP (52 minutes) so they decided to expand it into a double by including previously unreleased tracks from the sessions for the earlier albums Led Zeppelin III, Led Zeppelin IV and Houses of the Holy. The album covered a range of styles including hard rock, progressive rock, rock 'n' roll and folk. The album was then mixed over summer 1974 and planned for an end-of year release. It was delayed because of the sleeve, which was designed by Peter Corriston and featured a theme around a tenement block in Manhattan, New York.
96 kHz / 24-bit PCM – Atlantic Records Studio Masters
Disc 1, Tracks 1-6; Disc 2, Tracks 1-9 – contains high-resolution digital transfers of material originating from an analogue master source; 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Disc 1, Tracks 1-6; Disc 2, Tracks 1-9 – contains high-resolution digital transfers of material originating from an analogue master source; 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.28 -2.29 to -0.01 | -16.14 -20.96 to -13.60 | -12.55 -17.70 to -10.00 | 10 9 to 12 | |
| 1.1 | Custard Pie (2012 Remaster) | -0.01 | -14.81 | -11.2 | 10 |
| 1.2 | The Rover (2012 Remaster) | -0.06 | -14.96 | -11.4 | 10 |
| 1.3 | In My Time of Dying (2012 Remaster) | -0.01 | -15.40 | -11.5 | 10 |
| 1.4 | Houses of the Holy (2012 Remaster) | -0.12 | -15.81 | -12.2 | 10 |
| 1.5 | Trampled Under Foot (2012 Remaster) | -0.01 | -13.60 | -10.0 | 9 |
| 1.6 | Kashmir (2012 Remaster) | -0.01 | -15.36 | -11.6 | 10 |
| 2.1 | In the Light (2012 Remaster) | -0.06 | -17.11 | -13.1 | 10 |
| 2.2 | Bron-Yr-Aur | -2.29 | -20.96 | -17.7 | 12 |
| 2.3 | Down by the Seaside (2012 Remaster) | -0.41 | -16.78 | -13.7 | 11 |
| 2.4 | Ten Years Gone (2012 Remaster) | -0.43 | -18.62 | -14.1 | 11 |
| 2.5 | Night Flight (2012 Remaster) | -0.03 | -15.26 | -11.8 | 10 |
| 2.6 | The Wanton Song (2012 Remaster) | -0.01 | -15.09 | -11.7 | 10 |
| 2.7 | Boogie with Stu (2012 Remaster) | -0.63 | -15.55 | -12.5 | 10 |
| 2.8 | Black Country Woman (2012 Remaster) | -0.14 | -18.02 | -14.4 | 11 |
| 2.9 | Sick Again (2012 Remaster) | -0.01 | -14.73 | -11.4 | 10 |