℗ 2014 OnClassical
Released February 1, 2014
Duration 59m 39s
Record Label OnClassical
Catalogue No. OC74B
Genre Classical (Instrumental)
 

Georg Böhm: Complete Organ Works, Vol. 1

Simone Stella

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1.1
Prelude and Fugue in C Major
Georg Böhm; Simone Stella
4:54
Ach wie nichtig, ach wie fluchtig  
1.2
Partita No. 1
Georg Böhm; Simone Stella
1:04
1.3
Partita No. 2
Georg Böhm; Simone Stella
1:04
1.4
Partita No. 3
Georg Böhm; Simone Stella
0:53
1.5
Partita No. 4
Georg Böhm; Simone Stella
0:53
1.6
Partita No. 5
Georg Böhm; Simone Stella
0:54
1.7
Partita No. 6
Georg Böhm; Simone Stella
0:53
1.8
Partita No. 7
Georg Böhm; Simone Stella
1:36
1.9
Partita No. 8
Georg Böhm; Simone Stella
1:26
1.10
Allein gott in der hoh sei ehr
Georg Böhm; Simone Stella
3:06
Auf meinen lieben Gott  
1.11
Versus 1
Georg Böhm; Simone Stella
2:35
1.12
Versus 2
Georg Böhm; Simone Stella
3:02
1.13
Versus 3
Georg Böhm; Simone Stella
1:37
1.14
Versus 4
Georg Böhm; Simone Stella
1:44
Aus tiefer Not schrei ich zu dir  
1.15
Verse 1
Georg Böhm; Simone Stella
2:48
1.16
Verse 2
Georg Böhm; Simone Stella
2:07
Christe der du bist Tag und Licht  
1.17
Versus 1
Georg Böhm; Simone Stella
1:32
1.18
Versus 2
Georg Böhm; Simone Stella
5:23
1.19
Versus 3
Georg Böhm; Simone Stella
1:32
1.20
Christ lag in Todesbanden (version 1)
Georg Böhm; Simone Stella
5:28
1.21
Christ lag in Todesbanden (version 2)
Georg Böhm; Simone Stella
4:15
1.22
Christum wir sollen loben schon
Georg Böhm; Simone Stella
2:19
1.23
Praeludium in A Minor
Georg Böhm; Simone Stella
2:16
1.24
Erhalt uns, Herr, bei deinem Wort
Georg Böhm; Simone Stella
2:50
1.25
Prelude and Fugue in A Minor
Georg Böhm; Simone Stella
3:28
Italian musician Simone Stella continues his survey of Pre-Bachian German keyboard music with this first volume of the complete organ works of Georg Böhm, considered one of the most important German organists and composers from the turn of the 18th century and a major influence on J.S. Bach. This compilation focuses on the main nucleus of Böhm’s output, his works for organ, abounding in inventive detail. His most important contribution to North German keyboard music, that of the chorale partita, comes to the fore.
88.2 kHz / 24-bit PCM – OnClassical Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-6.94
-15.20 to 0.00
-23.68
-28.95 to -17.43
-21.02
-26.70 to -14.60
10
9 to 14
1
Prelude and Fugue in C Major
0.00-17.43-14.610
2
Partita No. 1
-15.20-28.95-26.79
3
Partita No. 2
-12.95-28.74-26.010
4
Partita No. 3
-10.89-26.82-24.110
5
Partita No. 4
-6.92-24.22-21.99
6
Partita No. 5
-11.50-27.75-24.910
7
Partita No. 6
-8.88-24.74-22.110
8
Partita No. 7
-11.05-28.36-25.511
9
Partita No. 8
-5.37-22.66-19.210
10
Allein gott in der hoh sei ehr
-2.58-17.89-15.010
11
Versus 1
-11.58-28.66-25.79
12
Versus 2
-6.45-23.58-21.010
13
Versus 3
-12.70-28.94-26.59
14
Versus 4
-4.04-20.45-17.99
15
Verse 1
-3.39-19.52-16.910
16
Verse 2
-7.75-22.89-20.910
17
Versus 1
-11.65-27.99-24.911
18
Versus 2
-4.38-21.28-18.710
19
Versus 3
-8.93-23.56-20.69
20
Christ lag in Todesbanden (version 1)
-2.29-23.82-21.314
21
Christ lag in Todesbanden (version 2)
-6.61-22.45-20.99
22
Christum wir sollen loben schon
-6.15-21.63-19.99
23
Praeludium in A Minor
-0.26-20.36-16.911
24
Erhalt uns, Herr, bei deinem Wort
-1.99-20.19-17.410
25
Prelude and Fugue in A Minor
0.00-19.03-16.010

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