℗ 2009 Atlantic Recording Corporation
| Released | November 24, 2014 |
| Duration | 41m 42s |
| Record Label | Rhino Atlantic |
| Genre | Rock (Pop) |
|
1.1
|
Marrakesh Express (1969 Demo)
Crosby, Stills & Nash |
2:22 | |||
|
1.2
|
Almost Cut My Hair (1969 Demo)
David Crosby |
5:25 | |||
|
1.3
|
You Don't Have To Cry (1968 Demo)
Stephen Stills |
1:20 | |||
|
1.4
|
Déjà Vu (1969 Demo)
David Crosby |
6:37 | |||
|
1.5
|
Sleep Song (1969 Demo)
Graham Nash |
2:58 | |||
|
1.6
|
My Love Is A Gentle Thing (1968 Demo)
Stephen Stills |
2:07 | |||
|
1.7
|
Be Yourself (1971 Demo)
Graham Nash |
3:00 | |||
|
1.8
|
Music Is Love (1970 Demo)
David Crosby, Neil Young & Graham Nash |
4:15 | |||
|
1.9
|
Singing Call (1970 Demo)
Stephen Stills |
3:02 | |||
|
1.10
|
Long Time Gone (1968 Demo)
David Crosby & Stephen Stills |
4:33 | |||
|
1.11
|
Chicago (1970 Demo)
Graham Nash |
2:51 | |||
|
1.12
|
Love The One You're With (1970 Demo)
Stephen Stills |
3:12 |
Demos is the seventeenth album by Crosby, Stills & Nash, released in 2009 on Rhino Records.
A compilation album, it consists of demo versions of solo and group songs recorded between 1968 and 1971. One recording, "Music Is Love," includes their some-time partner Neil Young. Most of the tracks feature solo vocals rather than the group's standard three-part harmony. Recordings took place at The Record Plant in New York City, and Wally Heider Studios in San Francisco and Los Angeles.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Rhino Atlantic Studio Masters
Tracks 1, 5-7, 9-12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 1-12 – contains high-resolution digital transfers of material originating from an analogue master source Tracks 1, 5, 6, 9-12 – 44.1 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit Tracks 2, 4, 7 – 96 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit
Tracks 1, 5-7, 9-12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 1-12 – contains high-resolution digital transfers of material originating from an analogue master source Tracks 1, 5, 6, 9-12 – 44.1 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit Tracks 2, 4, 7 – 96 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.75 -5.11 to -0.23 | -17.80 -19.85 to -15.79 | -15.23 -17.40 to -13.30 | 10 7 to 12 | |
| 1 | Marrakesh Express (1969 Demo) | -1.00 | -18.70 | -16.3 | 12 |
| 2 | Almost Cut My Hair (1969 Demo) | -3.89 | -19.85 | -16.3 | 9 |
| 3 | You Don't Have To Cry (1968 Demo) | -3.22 | -17.97 | -15.4 | 8 |
| 4 | Déjà Vu (1969 Demo) | -3.59 | -18.60 | -15.6 | 9 |
| 5 | Sleep Song (1969 Demo) | -3.30 | -18.68 | -16.4 | 9 |
| 6 | My Love Is A Gentle Thing (1968 Demo) | -5.11 | -16.83 | -14.5 | 7 |
| 7 | Be Yourself (1971 Demo) | -1.87 | -15.79 | -13.3 | 9 |
| 8 | Music Is Love (1970 Demo) | -0.23 | -17.47 | -14.6 | 11 |
| 9 | Singing Call (1970 Demo) | -3.82 | -19.79 | -17.4 | 10 |
| 10 | Long Time Gone (1968 Demo) | -1.16 | -16.79 | -15.0 | 11 |
| 11 | Chicago (1970 Demo) | -2.50 | -16.80 | -14.0 | 10 |
| 12 | Love The One You're With (1970 Demo) | -3.34 | -16.34 | -13.9 | 9 |