℗ 2015 Opus Arte
| Released | April 28, 2015 |
| Duration | 1h 32m 14s |
| Record Label | Opus Arte |
| Catalogue No. | OACD9037D |
| Genre | Classical (Instrumental) |
Johann Sebastian Bach: The Trio Sonatas, BWV 525-530
David Newsholme
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
|
Trio Sonata No. 5 in C Major, BWV 529
|
|||||
|
1.1
|
I. Allegro
Johann Sebastian Bach; David Newsholme |
6:04 | |||
|
1.2
|
II. Largo
Johann Sebastian Bach; David Newsholme |
5:13 | |||
|
1.3
|
III. Allegro
Johann Sebastian Bach; David Newsholme |
4:51 | |||
|
Trio Sonata No. 3 in D Minor, BWV 527
|
|||||
|
1.4
|
I. Andante
Johann Sebastian Bach; David Newsholme |
5:47 | |||
|
1.5
|
II. Adagio e dolce
Johann Sebastian Bach; David Newsholme |
6:14 | |||
|
1.6
|
III. Vivace
Johann Sebastian Bach; David Newsholme |
4:49 | |||
|
Organ Sonata No. 4 in E Minor, BWV 528
|
|||||
|
1.7
|
I. Adagio - Vivace
Johann Sebastian Bach; David Newsholme |
3:26 | |||
|
1.8
|
II. Andante
Johann Sebastian Bach; David Newsholme |
5:21 | |||
|
1.9
|
III. Un poco allegro
Johann Sebastian Bach; David Newsholme |
2:55 | |||
|
Trio Sonata No. 2 in C Minor, BWV 526
|
|||||
|
2.1
|
I. Vivace
Johann Sebastian Bach; David Newsholme |
4:26 | |||
|
2.2
|
II. Largo
Johann Sebastian Bach; David Newsholme |
3:58 | |||
|
2.3
|
III. Allegro
Johann Sebastian Bach; David Newsholme |
5:16 | |||
|
Trio Sonata No. 1 in E-Flat Major, BWV 525
|
|||||
|
2.4
|
I. —
Johann Sebastian Bach; David Newsholme |
2:48 | |||
|
2.5
|
II. Adagio
Johann Sebastian Bach; David Newsholme |
8:17 | |||
|
2.6
|
III. Allegro
Johann Sebastian Bach; David Newsholme |
4:35 | |||
|
Trio Sonata No. 6 in G Major, BWV 530
|
|||||
|
2.7
|
I. Vivace
Johann Sebastian Bach; David Newsholme |
4:42 | |||
|
2.8
|
II. Lento
Johann Sebastian Bach; David Newsholme |
8:54 | |||
|
2.9
|
III. Allegro
Johann Sebastian Bach; David Newsholme |
4:38 | |||
One of the most acclaimed organists of his generation, David Newsholme offers a fresh perspective on J.S. Bach’s six Trio Sonatas which occupy a treasured place in the organ repertoire. Newsholme reorders the sequence of these seminal and demanding works and draws on the unique qualities of the Metzler organ of Trinity College in Cambridge to create dynamic, spacious performances that highlight Bach’s mastery of melody and supreme use of counterpoint.
48 kHz / 24-bit PCM – Opus Arte Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.15 -11.94 to -0.46 | -20.60 -26.29 to -16.56 | -17.81 -24.00 to -12.70 | 10 9 to 11 | |
| 1.1 | I. Allegro | -1.20 | -17.43 | -14.5 | 11 |
| 1.2 | II. Largo | -11.94 | -26.29 | -24.0 | 9 |
| 1.3 | III. Allegro | -0.46 | -16.56 | -12.7 | 11 |
| 1.4 | I. Andante | -4.95 | -20.46 | -18.1 | 10 |
| 1.5 | II. Adagio e dolce | -8.33 | -23.51 | -21.1 | 9 |
| 1.6 | III. Vivace | -3.11 | -19.33 | -16.4 | 10 |
| 1.7 | I. Adagio - Vivace | -4.23 | -19.33 | -16.6 | 10 |
| 1.8 | II. Andante | -5.97 | -21.12 | -18.6 | 10 |
| 1.9 | III. Un poco allegro | -4.26 | -19.24 | -16.3 | 10 |
| 2.1 | I. Vivace | -3.87 | -19.32 | -16.5 | 10 |
| 2.2 | II. Largo | -10.16 | -24.79 | -22.5 | 9 |
| 2.3 | III. Allegro | -1.29 | -17.03 | -14.0 | 11 |
| 2.4 | I. — | -3.38 | -18.73 | -15.9 | 11 |
| 2.5 | II. Adagio | -8.84 | -24.46 | -21.5 | 10 |
| 2.6 | III. Allegro | -3.44 | -19.08 | -16.1 | 10 |
| 2.7 | I. Vivace | -3.67 | -19.83 | -17.0 | 10 |
| 2.8 | II. Lento | -11.46 | -25.92 | -23.4 | 9 |
| 2.9 | III. Allegro | -2.22 | -18.45 | -15.4 | 11 |