℗ 1970 Rhino Entertainment, a Warner Music Group Company.
| Released | August 9, 2014 |
| Duration | 31m 04s |
| Record Label | Rhino |
| Genre | Pop |
Changes
The Monkees
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Oh My My
The Monkees |
2:57 | |||
|
1.2
|
Ticket on a Ferry Ride
The Monkees |
3:25 | |||
|
1.3
|
You're so Good to Me
The Monkees |
2:29 | |||
|
1.4
|
It's Got to Be Love
The Monkees |
2:20 | |||
|
1.5
|
Acapulco Sun
The Monkees |
2:46 | |||
|
1.6
|
99 Pounds
The Monkees |
2:29 | |||
|
1.7
|
Tell Me Love
The Monkees |
2:32 | |||
|
1.8
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Do You Feel It Too?
The Monkees |
2:28 | |||
|
1.9
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I Love You Better
The Monkees |
2:26 | |||
|
1.10
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All Alone in the Dark
The Monkees |
2:47 | |||
|
1.11
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Midnight Train
The Monkees |
2:05 | |||
|
1.12
|
I Never Thought It Peculiar
The Monkees |
2:20 |
Changes is the ninth studio album by the Monkees. The album was issued after Michael Nesmith's exit from the band, leaving only Micky Dolenz and Davy Jones to fulfill the recording contract they had signed in the mid-1960s. Changes was their last new album for Colgems Records and the group's last album of all new material until 1987's Pool It.
The album's title had originally been considered for the Monkees' movie (released in 1968), and a song with that title (cowritten by Jones with Steve Pitts) had been recorded.
Changes reunited Jones and Dolenz with producer Jeff Barry, who now had his own successful record label, Steed Records. As with the earliest Monkees recordings, Jones and Dolenz provided only their vocals, despite the album cover featuring them playing percussion, while the backing tracks were provided by session musicians. Several of the songs selected for the album were outtakes from previous album sessions.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Rhino Studio Masters
Tracks 1-12 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-12 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.16 -4.46 to -0.54 | -19.06 -23.37 to -15.37 | -15.59 -19.80 to -10.80 | 11 10 to 13 | |
| 1 | Oh My My | -2.49 | -21.87 | -18.0 | 13 |
| 2 | Ticket on a Ferry Ride | -2.34 | -18.93 | -16.2 | 10 |
| 3 | You're so Good to Me | -2.54 | -19.04 | -15.5 | 10 |
| 4 | It's Got to Be Love | -1.46 | -16.76 | -13.0 | 10 |
| 5 | Acapulco Sun | -1.00 | -19.17 | -15.9 | 11 |
| 6 | 99 Pounds | -1.31 | -15.37 | -10.8 | 10 |
| 7 | Tell Me Love | -2.05 | -23.37 | -19.8 | 12 |
| 8 | Do You Feel It Too? | -1.90 | -19.25 | -16.0 | 11 |
| 9 | I Love You Better | -0.54 | -17.39 | -13.7 | 12 |
| 10 | All Alone in the Dark | -1.51 | -17.38 | -14.4 | 10 |
| 11 | Midnight Train | -4.34 | -19.97 | -16.8 | 10 |
| 12 | I Never Thought It Peculiar | -4.46 | -20.20 | -17.0 | 11 |