℗ 2015 Fuga Libera
| Released | May 26, 2015 |
| Duration | 58m 43s |
| Record Label | Fuga Libera |
| Catalogue No. | FUG723 |
| Genre | Classical (Instrumental) |
Bartók: Sonata for Solo Violin - J.S. Bach: Violin Partita No. 2
Jean-Frédéric Molard
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sonata for Solo Violin, Sz. 117
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1.1
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I. Tempo di ciaccona
Béla Bartók; Jean-Frédéric Molard |
10:35 | |||
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1.2
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II. Fuga. Risoluto, non troppo vivo
Béla Bartók; Jean-Frédéric Molard |
5:17 | |||
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1.3
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III. Melodia. Adagio
Béla Bartók; Jean-Frédéric Molard |
7:00 | |||
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1.4
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IV. Presto
Béla Bartók; Jean-Frédéric Molard |
5:35 | |||
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Violin Partita No. 2 in D Minor, BWV 1004
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1.5
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I. Allemande
Johann Sebastian Bach; Jean-Frédéric Molard |
4:29 | |||
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1.6
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II. Courante
Johann Sebastian Bach; Jean-Frédéric Molard |
2:36 | |||
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1.7
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III. Sarabande
Johann Sebastian Bach; Jean-Frédéric Molard |
4:34 | |||
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1.8
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IV. Gigue
Johann Sebastian Bach; Jean-Frédéric Molard |
4:15 | |||
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1.9
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V. Ciaccona
Johann Sebastian Bach; Jean-Frédéric Molard |
14:22 | |||
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Digital Booklet
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The genesis of this digital-only release is a story of connections and relationships. Violinist Jean-Frédéric Molard’s professor was himself a student of Andre Gertler, a friend of Bartók. Consequently, the interpretation Molard presents here is a mixture of this oral heritage and of personal research on the various editions of the score, enriched by the study of the correspondence between the composer and Yehudi Menuhin, to whom the work is dedicated. Another connection exists between the two composers featured on this programme. Bartók, by beginning his sonata with a Tempo di ciaccona, creates a parallel with Bach’s very famous Chaconne, the last movement of his monumental Partita No. 2, demonstrating to what degree Bach influenced the history of writing for solo violin.
88.2 kHz / 24-bit PCM – Fuga Libera Studio Masters
Recording: 17-19 September 2012, Mont-Saint-Guibert Church (Belgium). Recording, mixing, mastering: Bastien Gilson Cover: © dd - Fotolia.com Design: Mpointproduction Producer: Jean- Frédéric Molard Editing, executive producer: Aliénor Mahy
Recording: 17-19 September 2012, Mont-Saint-Guibert Church (Belgium). Recording, mixing, mastering: Bastien Gilson Cover: © dd - Fotolia.com Design: Mpointproduction Producer: Jean- Frédéric Molard Editing, executive producer: Aliénor Mahy
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.80 -4.52 to -0.60 | -23.29 -27.40 to -19.35 | -19.57 -22.90 to -15.80 | 14 13 to 16 | |
| 1 | I. Tempo di ciaccona | -0.60 | -22.43 | -18.1 | 14 |
| 2 | II. Fuga. Risoluto, non troppo vivo | -0.60 | -19.35 | -15.8 | 13 |
| 3 | III. Melodia. Adagio | -2.01 | -27.40 | -22.9 | 15 |
| 4 | IV. Presto | -0.60 | -22.28 | -17.7 | 14 |
| 5 | I. Allemande | -1.60 | -22.46 | -19.2 | 14 |
| 6 | II. Courante | -1.94 | -23.93 | -20.7 | 15 |
| 7 | III. Sarabande | -4.52 | -25.29 | -21.8 | 13 |
| 8 | IV. Gigue | -3.70 | -23.17 | -19.9 | 13 |
| 9 | V. Ciaccona | -0.60 | -23.26 | -20.0 | 16 |