℗ 1990 Atlantic Records
Released | August 9, 2014 |
Duration | 57m 31s |
Record Label | Rhino Atlantic |
Genre | Metal (Heavy) |
Cowboys from Hell
Pantera
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Cowboys from Hell EXPLICIT
Pantera |
4:06 | |||
1.2
|
Primal Concrete Sledge EXPLICIT
Pantera |
2:13 | |||
1.3
|
Psycho Holiday EXPLICIT
Pantera |
5:19 | |||
1.4
|
Heresy EXPLICIT
Pantera |
4:45 | |||
1.5
|
Cemetery Gates EXPLICIT
Pantera |
7:03 | |||
1.6
|
Domination EXPLICIT
Pantera |
5:02 | |||
1.7
|
Shattered EXPLICIT
Pantera |
3:21 | |||
1.8
|
Clash with Reality EXPLICIT
Pantera |
5:15 | |||
1.9
|
Medicine Man EXPLICIT
Pantera |
5:15 | |||
1.10
|
Message in Blood EXPLICIT
Pantera |
5:09 | |||
1.11
|
The Sleep EXPLICIT
Pantera |
5:47 | |||
1.12
|
The Art of Shredding EXPLICIT
Pantera |
4:16 |
Cowboys from Hell is the fifth studio album and major label debut by American heavy metal band Pantera, released on July 24, 1990 by Atco Records.
After being turned down "28 times by every major label on the face of the Earth", Atco Records representative Mark Ross was asked by his boss, Derek Shulman (who was interested in signing them), to see the band perform after Hurricane Hugo stranded him in Texas. Ross was so impressed by the band's performance that he called his boss that night, suggesting that Pantera be signed to the label.
"By the end of the first song, my jaw was on the floor. The sonic power of it all — the attitude and the musicianship — blew me away. Basically, you had to be an idiot to not think they're amazing. I mean, how could you see these guys and not think, 'Holy s**t!'?"
- Mark Ross
Atco Records accepted but the band had to wait a six month period before they commenced recording. They began recording at Pantego Sound Studio in Pantego, Texas starting in February 1990 and finishing the record two months later. The band adopted a new sound and attitude, and the writing of what would become Cowboys from Hell saw the band exploring darker subject matters, while the guitar would be notably heavier, despite occasionally reverting to the hair metal formula.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Rhino Atlantic Studio Masters
Tracks 1-12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; 44.1 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit
Tracks 1-12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; 44.1 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.53 -1.15 to -0.05 | -16.73 -17.61 to -16.10 | -13.30 -14.20 to -12.40 | 11 11 to 12 | |
1 | Cowboys from Hell | -0.38 | -16.21 | -13.0 | 11 |
2 | Primal Concrete Sledge | -0.79 | -16.23 | -13.7 | 11 |
3 | Psycho Holiday | -0.44 | -16.10 | -12.4 | 11 |
4 | Heresy | -0.68 | -17.28 | -14.2 | 11 |
5 | Cemetery Gates | -1.15 | -17.61 | -13.9 | 11 |
6 | Domination | -0.63 | -16.55 | -13.2 | 11 |
7 | Shattered | -0.07 | -16.24 | -12.9 | 12 |
8 | Clash with Reality | -0.05 | -16.51 | -12.6 | 12 |
9 | Medicine Man | -0.59 | -17.10 | -13.4 | 11 |
10 | Message in Blood | -0.65 | -17.15 | -13.8 | 12 |
11 | The Sleep | -0.56 | -17.31 | -13.1 | 11 |
12 | The Art of Shredding | -0.37 | -16.49 | -13.4 | 12 |