℗ 2019 Rhino Entertainment Company, a Warner Music Group Company
Released September 20, 2019
Duration 31m 50s
Record Label Rhino/Warner Records
Genre Pop
 

Sweet Baby James (2019 Remaster)

James Taylor

Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • AIFF 192 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
    • FLAC 192 kHz | 24-bit
    • MQA 192 kHz | 24-bit (source)
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1.1
Sweet Baby James (2019 Remaster)
James Taylor
2:53
1.2
Lo and Behold (2019 Remaster)
James Taylor
2:38
1.3
Sunny Skies (2019 Remaster)
James Taylor
2:21
1.4
Steamroller Blues (2019 Remaster)
James Taylor
2:57
1.5
Country Road (2019 Remaster)
James Taylor
3:22
1.6
Oh, Susannah (2019 Remaster)
James Taylor
2:01
1.7
Fire and Rain (2019 Remaster)
James Taylor
3:23
1.8
Blossom (2019 Remaster)
James Taylor
2:13
1.9
Anywhere like Heaven (2019 Remaster)
James Taylor
3:27
1.10
Oh Baby, Don't You Loose Your Lip on Me (2019 Remaster)
James Taylor
1:49
1.11
Suite for 20 G (2019 Remaster)
James Taylor
4:46
Sweet Baby James is the second album by American singer-songwriter James Taylor, and his first release on Warner Bros. Records. Released in February 1970, the album includes one of Taylor's earliest successful singles: "Fire and Rain", which reached #3 on the Billboard Hot 100. Sweet Baby James made Taylor one of the main forces of the ascendant singer-songwriter movement. The album was nominated to a Grammy Award for Album of the Year, in 1971. The album was listed at #104 on Rolling Stone Magazine's 500 Greatest Albums of All Time. The album, produced by Peter Asher, was recorded at Sunset Sound, Los Angeles, between 8 and 17 December 1969 at a cost of only $7,600 (US$51,924 in 2018 dollars) out of a budget of $20,000. Taylor was "essentially homeless" at the time the album was recorded, either staying in Asher's home or crashing on a couch at the house of guitarist Danny Kortchmar or anyone else who would have him. This 2019 remaster from Rhino Entertainment was overseen by Peter Asher, who signed Taylor to the Beatles’ Apple Records label in 1968, worked as his manager for 25 years, and originally produced several of these albums. In the collection’s liner notes Asher writes: “Revisiting these albums several decades later has been revelatory, nostalgic, and exciting. I have heard bits and pieces frequently over the years, of course, but listening with concentration and in detail to each of the original tapes without interruption has been a thrilling luxury.”
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Rhino/Warner Records Studio Masters

Tracks 1-11 – contains high-resolution digital transfers of material originating from an analogue master source
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-2.12
-3.73 to -0.28
-20.54
-23.58 to -18.02
-17.72
-20.40 to -15.20
12
11 to 13
1
Sweet Baby James (2019 Remaster)
-3.25-21.49-19.113
2
Lo and Behold (2019 Remaster)
-3.56-22.95-19.912
3
Sunny Skies (2019 Remaster)
-3.59-22.89-20.313
4
Steamroller Blues (2019 Remaster)
-1.99-20.00-16.611
5
Country Road (2019 Remaster)
-0.28-19.79-17.013
6
Oh, Susannah (2019 Remaster)
-3.73-20.81-18.311
7
Fire and Rain (2019 Remaster)
0.00-19.05-16.213
8
Blossom (2019 Remaster)
-0.56-19.01-16.712
9
Anywhere like Heaven (2019 Remaster)
-0.78-18.02-15.212
10
Oh Baby, Don't You Loose Your Lip on Me (2019 Remaster)
-1.34-23.58-20.413
11
Suite for 20 G (2019 Remaster)
0.00-18.38-15.212

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