℗ 2015 Signum Records
Released | March 9, 2015 |
Duration | 56m 08s |
Record Label | Signum Records |
Catalogue No. | SIGCD413 |
Genre | Classical (Chamber Music) |
The Twenty-Fifth Hour: The Chamber Music of Thomas Adès
Calder Quartet, Thomas Adès
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Piano Quintet
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1.1
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I
Thomas Adès; Calder Quartet; Thomas Adès |
11:42 | |||
1.2
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II
Thomas Adès; Calder Quartet; Thomas Adès |
4:35 | |||
1.3
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III
Thomas Adès; Calder Quartet; Thomas Adès |
3:00 | |||
The Four Quarters
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1.4
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I. Nightfalls
Thomas Adès; Calder Quartet; Thomas Adès |
7:05 | |||
1.5
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II. Serenade - Morning Dew
Thomas Adès; Calder Quartet; Thomas Adès |
3:12 | |||
1.6
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III. Days
Thomas Adès; Calder Quartet; Thomas Adès |
3:49 | |||
1.7
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IV. The Twenty-Fifth Hour
Thomas Adès; Calder Quartet; Thomas Adès |
3:51 | |||
Arcadiana
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1.8
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I. Venezia notturno
Thomas Adès; Calder Quartet; Thomas Adès |
2:38 | |||
1.9
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II. Das klinget so herrlich, das klinget so schön
Thomas Adès; Calder Quartet; Thomas Adès |
1:22 | |||
1.10
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III. Auf dem Wasser zu singen
Thomas Adès; Calder Quartet; Thomas Adès |
2:35 | |||
1.11
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IV. Et... (tango mortale)
Thomas Adès; Calder Quartet; Thomas Adès |
3:53 | |||
1.12
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V. L'Embarquement
Thomas Adès; Calder Quartet; Thomas Adès |
2:34 | |||
1.13
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VI. O Albion
Thomas Adès; Calder Quartet; Thomas Adès |
3:26 | |||
1.14
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VII. Lethe
Thomas Adès; Calder Quartet; Thomas Adès |
2:26 | |||
Digital Booklet
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"... the most insightful and moving performance of Arcadiana I have ever heard."
- The Guardian
"Five Stars. Intricate and endlessly complex, Adès's chamber music retains all its glitter several decades on. It’s difficult to see how the performances themselves could be better. Adès himself is a wonderful pianist, able to deliver supple precision and beautiful tone while navigating every kind of technical difficulty; the Calder Quartet’s playing too is superbly accomplished and there’s lovely recorded sound to match."
- Sinfini Music
Los Angeles-based string ensemble the Calder Quartet devotes this album to British composer Thomas Adès, including the world premiere recording of The Four Quarters and his first-ever work for string quartet, Arcadiana. The programme also includes the single-movement, three-part Piano Quintet with the composer himself at the piano.
96 kHz / 24-bit PCM – Signum Records Studio Masters
Recorded in All Saints Church, East Finchley, London, from 28th – 30th April 2014 Gasparo da Salo viola “ex-Adam” c.1590 on generous loan from the Stradivari Society of Chicago Producer & Editor: Tim Oldham Recording Engineer: Andrew Mellor Recording Assistant: Robin Hawkins Cover & Tray Images © Mark Hagen Session Photography © Andrew Mellor Design and Artwork: Woven Design
Recorded in All Saints Church, East Finchley, London, from 28th – 30th April 2014 Gasparo da Salo viola “ex-Adam” c.1590 on generous loan from the Stradivari Society of Chicago Producer & Editor: Tim Oldham Recording Engineer: Andrew Mellor Recording Assistant: Robin Hawkins Cover & Tray Images © Mark Hagen Session Photography © Andrew Mellor Design and Artwork: Woven Design
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.34 -23.42 to -0.40 | -31.35 -44.88 to -24.97 | -27.56 -41.30 to -19.10 | 14 10 to 17 | |
1 | I | -4.33 | -29.55 | -25.7 | 16 |
2 | II | -0.40 | -24.97 | -19.1 | 13 |
3 | III | -0.81 | -28.12 | -23.9 | 16 |
4 | I. Nightfalls | -9.28 | -33.37 | -29.5 | 14 |
5 | II. Serenade - Morning Dew | -4.42 | -27.42 | -24.5 | 17 |
6 | III. Days | -2.30 | -27.26 | -22.5 | 14 |
7 | IV. The Twenty-Fifth Hour | -6.97 | -28.53 | -24.4 | 13 |
8 | I. Venezia notturno | -6.82 | -33.82 | -31.0 | 13 |
9 | II. Das klinget so herrlich, das klinget so schön | -3.57 | -29.35 | -25.4 | 15 |
10 | III. Auf dem Wasser zu singen | -5.80 | -27.43 | -23.8 | 13 |
11 | IV. Et... (tango mortale) | -3.98 | -27.92 | -23.9 | 16 |
12 | V. L'Embarquement | -11.65 | -34.99 | -31.7 | 15 |
13 | VI. O Albion | -23.42 | -41.31 | -39.2 | 10 |
14 | VII. Lethe | -19.02 | -44.88 | -41.3 | 14 |