℗ 2016 Weezer under exclusive license to Crush Music / Atlantic Recording Corporation for the United States and Crush Music / WEA International Inc
| Released | April 1, 2016 |
| Duration | 34m 05s |
| Record Label | Crush Music/Atlantic |
| Genre | Alternative |
Weezer (White Album)
Weezer
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
California Kids
Weezer |
3:25 | |||
|
1.2
|
Wind in Our Sail
Weezer |
2:53 | |||
|
1.3
|
Thank God for Girls
Weezer |
3:30 | |||
|
1.4
|
(Girl We Got A) Good Thing
Weezer |
3:25 | |||
|
1.5
|
Do You Wanna Get High?
Weezer |
3:27 | |||
|
1.6
|
King of the World
Weezer |
3:24 | |||
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1.7
|
Summer Elaine and Drunk Dori
Weezer |
3:25 | |||
|
1.8
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L.A. Girlz
Weezer |
3:29 | |||
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1.9
|
Jacked Up
Weezer |
2:53 | |||
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1.10
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Endless Bummer
Weezer |
4:14 |
"... feel free to call it a resurgence, a comeback, a resurrection or whatever else you will. All that really matters is that the White Album's songs are great, and not just great for the 2016 version of Weezer."
- Alternative Press
Weezer, also known as the White Album, is the tenth studio album and fourth self-titled album by American rock band Weezer. The album marks their first produced by Jake Sinclair. For the album, band frontman Rivers Cuomo explored new songwriting techniques, such as using a cut-up technique, adding potential lyrics to a spreadsheet and including them on songs, such as "Summer Elaine and Drunk Dori" and "L.A. Girlz", based on their syllable count and word stress. The album explores themes of gender dynamics, modern dating experiences and references to religious iconography. Musically, the album serves as a throwback to the band's first two albums, Weezer (1994) and Pinkerton (1996), while also serving as a tribute to the Beach Boys.
96 kHz / 24-bit PCM – Crush Music/Atlantic Studio Masters
Tracks 2, 9 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 6 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 2, 9 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 6 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.17 -1.18 to -1.14 | -12.88 -16.77 to -11.74 | -9.82 -13.60 to -8.50 | 7 6 to 8 | |
| 1 | California Kids | -1.16 | -12.34 | -8.9 | 6 |
| 2 | Wind in Our Sail | -1.14 | -12.59 | -9.5 | 7 |
| 3 | Thank God for Girls | -1.17 | -13.46 | -10.3 | 7 |
| 4 | (Girl We Got A) Good Thing | -1.18 | -13.09 | -10.2 | 7 |
| 5 | Do You Wanna Get High? | -1.17 | -12.05 | -9.1 | 6 |
| 6 | King of the World | -1.17 | -12.36 | -9.1 | 7 |
| 7 | Summer Elaine and Drunk Dori | -1.17 | -12.33 | -9.5 | 7 |
| 8 | L.A. Girlz | -1.17 | -11.74 | -8.5 | 6 |
| 9 | Jacked Up | -1.17 | -12.07 | -9.5 | 6 |
| 10 | Endless Bummer | -1.18 | -16.77 | -13.6 | 8 |