℗ 2015 BMG Rights Management (US) d/b/a S-Curve Records
| Released | October 18, 2019 |
| Duration | 42m 08s |
| Record Label | S-Curve Records |
| Genre | Pop |
Long Lost Suitcase
Tom Jones
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Opportunity To Cry
Tom Jones |
2:43 | |||
|
1.2
|
Honey, Honey
Tom Jones; Imelda May |
2:23 | |||
|
1.3
|
Take My Love (I Want to Give It)
Tom Jones |
3:02 | |||
|
1.4
|
Bring It On Home
Tom Jones |
3:15 | |||
|
1.5
|
Everybody Loves A Train
Tom Jones |
4:28 | |||
|
1.6
|
Elvis Presley Blues
Tom Jones |
3:14 | |||
|
1.7
|
He Was A Friend Of Mine
Tom Jones |
3:18 | |||
|
1.8
|
Factory Girl
Tom Jones |
2:32 | |||
|
1.9
|
I Wish You Would
Tom Jones |
4:12 | |||
|
1.10
|
'Till My Back Ain't Got No Bone
Tom Jones |
4:51 | |||
|
1.11
|
Why Don't You Love Me Like You Used To Do?
Tom Jones |
1:49 | |||
|
1.12
|
Tomorrow Night
Tom Jones |
3:06 | |||
|
1.13
|
Raise A Ruckus
Tom Jones |
3:15 |
"Tom Jones’s 2010 album, Praise and Blame, kickstarted the veteran’s late-career transition from hip-swivelling lothario to sombre, gravitas-laden balladeer via a series of stripped-down confessionals. There are plenty more of those here, as Pontypridd’s finest, now 75, takes on songs by the likes of Willie Nelson and Hank Williams."
- The Guardian
2015 release from the Welsh vocalist, the third in a trilogy of albums which visit his musical roots. Long Lost Suitcase weaves yet another distinctive path via a catalog of tracks that have impacted on Tom throughout his career. The title seemed apt with Tom having trawled through memories, recalling stories and anecdotes for his first and only biography Over The Top And Back and the tracks comprise another outstanding collection.
The album becomes ever more pertinent with track titles interwoven into the chapters of a book that resonate with reality over what has been a truly groundbreaking and unpredictable journey. Long Lost Suitcase is the heart and soul of a performer who is still willing to push the boundaries.
96 kHz / 24-bit PCM – S-Curve Records Studio Masters
Tracks 1-5, 9-13 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-5, 9-13 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.16 -0.34 to -0.13 | -12.91 -18.10 to -9.01 | -9.81 -14.00 to -5.60 | 8 5 to 11 | |
| 1 | Opportunity To Cry | -0.15 | -16.40 | -13.7 | 11 |
| 2 | Honey, Honey | -0.14 | -10.96 | -8.0 | 6 |
| 3 | Take My Love (I Want to Give It) | -0.14 | -9.73 | -6.7 | 6 |
| 4 | Bring It On Home | -0.13 | -16.34 | -14.0 | 11 |
| 5 | Everybody Loves A Train | -0.14 | -12.32 | -8.8 | 7 |
| 6 | Elvis Presley Blues | -0.14 | -12.19 | -10.4 | 7 |
| 7 | He Was A Friend Of Mine | -0.34 | -18.10 | -12.8 | 10 |
| 8 | Factory Girl | -0.14 | -11.49 | -7.6 | 6 |
| 9 | I Wish You Would | -0.13 | -9.01 | -5.6 | 5 |
| 10 | 'Till My Back Ain't Got No Bone | -0.14 | -11.48 | -8.6 | 6 |
| 11 | Why Don't You Love Me Like You Used To Do? | -0.14 | -13.01 | -9.8 | 8 |
| 12 | Tomorrow Night | -0.15 | -14.50 | -12.0 | 9 |
| 13 | Raise A Ruckus | -0.14 | -12.33 | -9.5 | 7 |