℗ 2019 Tangram - Achim Reichel Musikproduktion under exclusive licence to BMG Rights Management
Released | October 25, 2019 |
Duration | 1h 02m 28s |
Record Label | BMG Rights Management |
Genre | Pop (German Pop) |
Blues in Blond (Bonus Track Edition 2019)
Achim Reichel
Available in MQA and 44.1 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
Der Spieler
Achim Reichel |
5:24 | |||
1.2
|
Ich hab von dir geträumt
Achim Reichel |
3:28 | |||
1.3
|
Mama Stadt
Achim Reichel |
5:56 | |||
1.4
|
Eckenliegerblues
Achim Reichel |
3:33 | |||
1.5
|
Der Schatten an der Wand
Achim Reichel |
4:49 | |||
1.6
|
In einer fremden Stadt
Achim Reichel |
5:30 | |||
1.7
|
Kettchen am Fuß
Achim Reichel |
3:12 | |||
1.8
|
Komm in die Falle, Marie
Achim Reichel |
3:29 | |||
1.9
|
Apokalypso Ball
Achim Reichel |
2:13 | |||
1.10
|
Die stärkste Sonne sieht man nicht
Achim Reichel |
3:51 | |||
1.11
|
Blues in Blond
Achim Reichel |
4:35 | |||
1.12
|
Der Spieler (Live / Bonus)
Achim Reichel |
6:44 | |||
1.13
|
Das Atoll (Bonus)
Achim Reichel |
3:14 | |||
1.14
|
Im Ghetto (Bonus)
Achim Reichel |
2:50 | |||
1.15
|
Der Midsommernachtstanz (Bonus)
Achim Reichel |
3:40 |
In conjunction with BMG, Achim Reichel releases a 2019 series of his classic albums with bonus tracks.
Achim Reichel is a musician, producer, and songwriter from Hamburg, Germany. He is known for his 1991 single "Aloha Heja He", and serving as the frontman for the 1960s beat group The Rattles, who, among other achievements, were selected to open for The Beatles on their last-ever tour of Europe in 1966.
In 1968, he co-founded the psychedelic pop group Wonderland, which also included English ex-patriate Les Humphries who would soon start his own Les Humphries Singers. In 1971, Reichel left the group for his own progressive Krautrock solo project, A. R. & Machines, of which the first album Die grüne Reise ("The Green Journey") was critically acclaimed and likened to bands such as Kraftwerk and Tangerine Dream.
Since 1975, Reichel has taken a keen interest in recording traditional German songs and classic poetry as modern-style music.
44.1 kHz / 24-bit PCM – BMG Rights Management Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.23 -0.99 to -0.06 | -12.06 -13.17 to -10.73 | -9.30 -10.80 to -7.60 | 7 7 to 8 | |
1 | Der Spieler | -0.10 | -11.71 | -8.9 | 7 |
2 | Ich hab von dir geträumt | -0.10 | -10.73 | -7.6 | 7 |
3 | Mama Stadt | -0.10 | -11.57 | -8.7 | 7 |
4 | Eckenliegerblues | -0.10 | -12.05 | -9.3 | 8 |
5 | Der Schatten an der Wand | -0.99 | -13.10 | -10.4 | 7 |
6 | In einer fremden Stadt | -0.10 | -11.43 | -8.5 | 7 |
7 | Kettchen am Fuß | -0.10 | -12.06 | -9.1 | 8 |
8 | Komm in die Falle, Marie | -0.10 | -12.62 | -9.7 | 8 |
9 | Apokalypso Ball | -0.62 | -12.95 | -10.4 | 8 |
10 | Die stärkste Sonne sieht man nicht | -0.10 | -12.04 | -9.2 | 7 |
11 | Blues in Blond | -0.60 | -12.49 | -9.5 | 7 |
12 | Der Spieler (Live / Bonus) | -0.06 | -11.19 | -8.8 | 7 |
13 | Das Atoll (Bonus) | -0.07 | -13.17 | -10.8 | 8 |
14 | Im Ghetto (Bonus) | 0.00 | -11.73 | -9.2 | 8 |
15 | Der Midsommernachtstanz (Bonus) | -0.10 | -11.99 | -9.4 | 8 |