℗ 2019 Tangram - Achim Reichel Musikproduktion under exclusive licence to BMG Rights Management
Released | October 25, 2019 |
Duration | 54m 44s |
Record Label | BMG Rights Management |
Genre | Pop (German Pop) |
Wilder Wassermann - Balladen & Mythen (Bonus Track Edition 2019)
Achim Reichel
Available in MQA and 44.1 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
Am blassen Meeresstrande
Achim Reichel |
0:53 | |||
1.2
|
Vineta
Achim Reichel |
4:01 | |||
1.3
|
Belsazar
Achim Reichel |
4:00 | |||
1.4
|
Der Erlkönig
Achim Reichel |
4:54 | |||
1.5
|
Die Geister vom See
Achim Reichel |
5:38 | |||
1.6
|
Lars Jessen
Achim Reichel |
6:28 | |||
1.7
|
Die Ballade von der Loreley
Achim Reichel |
4:10 | |||
1.8
|
Der wilde Wassermann
Achim Reichel |
3:53 | |||
1.9
|
Der Reichtum und die Not
Achim Reichel |
2:47 | |||
1.10
|
Walpurgisnacht
Achim Reichel |
3:27 | |||
1.11
|
Der Nöck
Achim Reichel |
4:42 | |||
1.12
|
Im schwarzen Walfisch zu Askalon
Achim Reichel |
1:49 | |||
1.13
|
Ein Nachmittag am Hofe der Nibelungen (Bonus)
Achim Reichel |
3:57 | |||
1.14
|
Glück auf (Live;Bonus)
Achim Reichel |
2:18 | |||
1.15
|
Scharf ist die Säge (Live;Bonus)
Achim Reichel |
1:47 |
In conjunction with BMG, Achim Reichel releases a 2019 series of his classic albums with bonus tracks.
Achim Reichel is a musician, producer, and songwriter from Hamburg, Germany. He is known for his 1991 single "Aloha Heja He", and serving as the frontman for the 1960s beat group The Rattles, who, among other achievements, were selected to open for The Beatles on their last-ever tour of Europe in 1966.
In 1968, he co-founded the psychedelic pop group Wonderland, which also included English ex-patriate Les Humphries who would soon start his own Les Humphries Singers. In 1971, Reichel left the group for his own progressive Krautrock solo project, A. R. & Machines, of which the first album Die grüne Reise ("The Green Journey") was critically acclaimed and likened to bands such as Kraftwerk and Tangerine Dream.
Since 1975, Reichel has taken a keen interest in recording traditional German songs and classic poetry as modern-style music.
44.1 kHz / 24-bit PCM – BMG Rights Management Studio Masters
Tracks 6, 11, 13 – contains material which has been processed by a perceptual audio coding algorithm
Tracks 6, 11, 13 – contains material which has been processed by a perceptual audio coding algorithm
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.13 -0.50 to -0.08 | -12.60 -22.69 to -10.78 | -9.99 -19.60 to -7.80 | 8 7 to 16 | |
1 | Am blassen Meeresstrande | -0.10 | -22.69 | -19.6 | 16 |
2 | Vineta | -0.10 | -11.48 | -9.0 | 7 |
3 | Belsazar | -0.10 | -11.34 | -8.6 | 7 |
4 | Der Erlkönig | -0.10 | -12.64 | -10.1 | 8 |
5 | Die Geister vom See | -0.10 | -11.14 | -8.7 | 7 |
6 | Lars Jessen | -0.10 | -11.53 | -8.7 | 7 |
7 | Die Ballade von der Loreley | -0.10 | -11.74 | -9.0 | 7 |
8 | Der wilde Wassermann | -0.10 | -10.78 | -7.8 | 7 |
9 | Der Reichtum und die Not | -0.11 | -14.25 | -12.3 | 9 |
10 | Walpurgisnacht | -0.50 | -11.79 | -9.1 | 7 |
11 | Der Nöck | -0.08 | -11.54 | -9.8 | 7 |
12 | Im schwarzen Walfisch zu Askalon | -0.10 | -11.94 | -9.6 | 8 |
13 | Ein Nachmittag am Hofe der Nibelungen (Bonus) | -0.10 | -11.59 | -9.3 | 7 |
14 | Glück auf (Live;Bonus) | -0.10 | -12.16 | -8.8 | 8 |
15 | Scharf ist die Säge (Live;Bonus) | -0.10 | -12.38 | -9.4 | 8 |