℗ 2019 Darkroom/Interscope Records
| Released | October 25, 2019 |
| Originated | March 29, 2019 |
| Duration | 42m 51s |
| Record Label | Darkroom/Interscope Records |
| Genre | Alternative |
WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
Billie Eilish
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
!!!!!!!
Billie Eilish |
0:13 | |||
|
1.2
|
bad guy
Billie Eilish |
3:14 | |||
|
1.3
|
xanny
Billie Eilish |
4:03 | |||
|
1.4
|
you should see me in a crown
Billie Eilish |
3:00 | |||
|
1.5
|
all the good girls go to hell
Billie Eilish |
2:48 | |||
|
1.6
|
wish you were gay
Billie Eilish |
3:41 | |||
|
1.7
|
when the party's over
Billie Eilish |
3:19 | |||
|
1.8
|
8
Billie Eilish |
2:53 | |||
|
1.9
|
my strange addiction
Billie Eilish |
3:00 | |||
|
1.10
|
bury a friend
Billie Eilish |
3:12 | |||
|
1.11
|
ilomilo
Billie Eilish |
2:36 | |||
|
1.12
|
listen before i go
Billie Eilish |
4:02 | |||
|
1.13
|
i love you
Billie Eilish |
4:51 | |||
|
1.14
|
goodbye
Billie Eilish |
1:59 |
Grammy Award – Record Of The Year, 2019 – BAD GUY (Finneas O'Connell, producer; Rob Kinelski & Finneas O'Connell, engineers/mixers; John Greenham, mastering engineer)
Grammy Award – Album of the Year, 2019
Grammy Award – Song Of The Year, 2019 – BAD GUY (Billie Eilish O'Connell & Finneas O'Connell, songwriters)
Grammy Award – Best New Artist, 2019
Grammy Award – Best Pop Vocal Album, 2019
Grammy Award Nomination – Best Pop Solo Performance, 2019 – BAD GUY
Grammy Award – Best Engineered Album, Non-Classical, 2019 – Rob Kinelski & Finneas O'Connell, engineers; John Greenham, mastering engineer
Grammy Award – Producer Of The Year, Non-Classical, 2019 – FINNEAS
"The debut album from the meteoric pop star lives in a world of its own: gothic, bass-heavy, at turns daring and quite beautiful."
- Pitchfork
WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? is the debut studio album by American singer-songwriter Billie Eilish. Eilish co-wrote most of the record alongside her brother Finneas O'Connell, who handled its production. Musically, the album has been characterized as a pop, avant-pop and art pop record, though it features several other genre influences, including hip hop and industrial music.
44.1 kHz / 24-bit PCM – Darkroom/Interscope Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.76 -4.40 to -0.40 | -12.46 -24.66 to -8.71 | -10.91 -19.20 to -8.00 | 5 3 to 10 | |
| 1 | !!!!!!! | -4.40 | -24.66 | -19.2 | 10 |
| 2 | bad guy | -0.48 | -8.95 | -8.0 | 4 |
| 3 | xanny | -0.49 | -10.85 | -9.6 | 3 |
| 4 | you should see me in a crown | -0.50 | -8.71 | -8.1 | 3 |
| 5 | all the good girls go to hell | -0.50 | -10.19 | -8.9 | 4 |
| 6 | wish you were gay | -0.48 | -11.30 | -10.0 | 4 |
| 7 | when the party's over | -0.40 | -12.89 | -10.1 | 4 |
| 8 | 8 | -0.49 | -12.10 | -10.7 | 7 |
| 9 | my strange addiction | -0.48 | -10.92 | -10.0 | 5 |
| 10 | bury a friend | -0.49 | -9.29 | -8.9 | 3 |
| 11 | ilomilo | -0.47 | -11.65 | -10.4 | 5 |
| 12 | listen before i go | -0.48 | -15.55 | -14.2 | 7 |
| 13 | i love you | -0.49 | -16.36 | -13.5 | 8 |
| 14 | goodbye | -0.49 | -11.06 | -11.2 | 6 |