℗ 2017 Weezer under exclusive license to Crush Music / Atlantic Recording Corporation for the United States and Crush Music / WEA International Inc
| Released | October 27, 2017 |
| Duration | 34m 30s |
| Record Label | Crush Music/Atlantic |
| Genre | Alternative |
Pacific Daydream
Weezer
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Mexican Fender
Weezer |
3:09 | |||
|
1.2
|
Beach Boys
Weezer |
3:51 | |||
|
1.3
|
Feels Like Summer
Weezer |
3:16 | |||
|
1.4
|
Happy Hour
Weezer |
2:57 | |||
|
1.5
|
Weekend Woman
Weezer |
4:05 | |||
|
1.6
|
QB Blitz
Weezer |
3:17 | |||
|
1.7
|
Sweet Mary
Weezer |
3:42 | |||
|
1.8
|
Get Right
Weezer |
3:12 | |||
|
1.9
|
La Mancha Screwjob
Weezer |
3:27 | |||
|
1.10
|
Any Friend of Diane's
Weezer |
3:34 |
"If you ever wanted to hear Weezer at their professionally sharpest, this is surely it. It’s no surprise that Cuomo is a fan of pop smashes like Carly Rae Jepsen’s 'Call Me Maybe', as Pacific Daydream might be more Train than Ozma."
- Consequence of Sound
"Pacific Daydream is all carefree, expertly crafted pop, free of irony and all the better for it. Lock the doors, crack open a cold one, and enjoy an endless summer with Weezer."
- NME
Pacific Daydream is the eleventh studio album by American rock band Weezer. The album is their second release by Crush Management, is distributed by Atlantic Records, and is the most significant departure from their trademark sound to date.
Cuomo began filling a folder of songs intended for a darker project in 2016 (provisionally titled "The Black Album") but ultimately completed a second folder with songs that were of a different quality first, ultimately causing Pacific Daydream to be formed. Rivers describes it as "Beach Boys gone bad [...], tackling "more mature topics" and be "less summer day and more winter night". As frontman Rivers Cuomo began writing and recording, they found the songs to be more "like reveries from a beach at the end of the world [... as if] the Beach Boys and The Clash fell in love by the ocean and had one hell of an amazing baby".
96 kHz / 24-bit PCM – Crush Music/Atlantic Studio Masters
Tracks 1, 3 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 2, 4-7, 10 – contains material which utilizes a limited amount of the available bandwidth
Tracks 1, 3 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 2, 4-7, 10 – contains material which utilizes a limited amount of the available bandwidth
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.10 -0.10 to -0.10 | -10.54 -12.18 to -9.14 | -7.77 -9.30 to -7.00 | 6 4 to 8 | |
| 1 | Mexican Fender | -0.10 | -10.29 | -7.0 | 5 |
| 2 | Beach Boys | -0.10 | -9.14 | -7.7 | 4 |
| 3 | Feels Like Summer | -0.10 | -12.18 | -9.3 | 8 |
| 4 | Happy Hour | -0.10 | -10.28 | -7.6 | 6 |
| 5 | Weekend Woman | -0.10 | -10.41 | -7.4 | 6 |
| 6 | QB Blitz | -0.10 | -11.87 | -9.0 | 7 |
| 7 | Sweet Mary | -0.10 | -10.16 | -7.1 | 5 |
| 8 | Get Right | -0.10 | -10.80 | -7.7 | 6 |
| 9 | La Mancha Screwjob | -0.10 | -9.94 | -7.4 | 7 |
| 10 | Any Friend of Diane's | -0.10 | -10.30 | -7.5 | 6 |