℗ 2018 Parlophone Records Limited, a Warner Music Group Company.
| Released | August 3, 2018 |
| Duration | 1h 05m 39s |
| Record Label | Warner Classics |
| Genre | Classical |
Debussy: Préludes, Book 1 - Satie: 3 Gymnopédies & 6 Gnossiennes
Fazil Say
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Preludes, Book 1, L. 117
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1.1
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I. Danseuses de Delphes
Claude Debussy; Fazil Say |
2:40 | |||
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1.2
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II. Voiles
Claude Debussy; Fazil Say |
4:06 | |||
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1.3
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III. Le Vent dans la plaine
Claude Debussy; Fazil Say |
2:21 | |||
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1.4
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IV. Les Sons et les parfums tournent dans l'air du soir
Claude Debussy; Fazil Say |
3:20 | |||
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1.5
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V. Les Collines d'Anacapri
Claude Debussy; Fazil Say |
2:35 | |||
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1.6
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VI. Des pas sur la neige
Claude Debussy; Fazil Say |
3:51 | |||
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1.7
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VII. Ce qu'a vu le vent d'ouest
Claude Debussy; Fazil Say |
3:52 | |||
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1.8
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VIII. La Fille aux cheveux de lin
Claude Debussy; Fazil Say |
2:50 | |||
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1.9
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IX. La Sérénade interrompue
Claude Debussy; Fazil Say |
2:22 | |||
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1.10
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X. La Cathédrale engloutie
Claude Debussy; Fazil Say |
6:39 | |||
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1.11
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XI. La Danse de Puck
Claude Debussy; Fazil Say |
2:43 | |||
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1.12
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XII. Minstrels
Claude Debussy; Fazil Say |
2:57 | |||
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6 Gnossiennes
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1.13
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I. Lent
Erik Satie; Fazil Say |
3:38 | |||
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1.14
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II. Avec étonnement
Erik Satie; Fazil Say |
1:35 | |||
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1.15
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III. Lent
Erik Satie; Fazil Say |
2:26 | |||
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1.16
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IV. No. 4
Erik Satie; Fazil Say |
2:28 | |||
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1.17
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V. No. 5
Erik Satie; Fazil Say |
3:04 | |||
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1.18
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VI. No. 6
Erik Satie; Fazil Say |
2:22 | |||
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3 Gymnopédies
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1.19
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I. Lent et douloureux
Erik Satie; Fazil Say |
3:55 | |||
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1.20
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II. Lent et triste
Erik Satie; Fazil Say |
3:07 | |||
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1.21
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III. Lent et grave
Erik Satie; Fazil Say |
2:48 | |||
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Digital Booklet
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"Given Fazil Say’s proclivities for interpretative monkeyshines, I’m happy to report that the pianist largely exhibits good behaviour throughout this recital. To be sure, unorthodox touches abound…Say does not try to oversell his deliberate, statuesque conceptions, which are further enhanced by the roomy and resonant acoustic."
- Gramophone
Perhaps because their piano music was so different, Satie and Debussy were close friends from the time of the Gymnopédies onwards and whereas Satie’s titles here look back to ancient Greek civilisation, Debussy derived the individual preludes in his first collection from more contemporary literature, art or nature. But, like Satie, he wanted to make them look different in publication and placed their titles at the end, although he must have realised that once played, their titles would never be forgotten.
96 kHz / 24-bit PCM – Warner Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.04 -14.71 to -0.10 | -29.31 -37.36 to -20.22 | -25.62 -34.00 to -16.60 | 13 12 to 17 | |
| 1 | I. Danseuses de Delphes | -8.01 | -30.59 | -26.1 | 13 |
| 2 | II. Voiles | -1.54 | -31.18 | -26.9 | 16 |
| 3 | III. Le Vent dans la plaine | -2.49 | -25.61 | -22.5 | 14 |
| 4 | IV. Les Sons et les parfums tournent dans l'air du soir | -4.68 | -28.16 | -24.0 | 14 |
| 5 | V. Les Collines d'Anacapri | -1.07 | -22.79 | -19.2 | 12 |
| 6 | VI. Des pas sur la neige | -11.33 | -37.36 | -33.3 | 17 |
| 7 | VII. Ce qu'a vu le vent d'ouest | -0.10 | -20.22 | -16.6 | 13 |
| 8 | VIII. La Fille aux cheveux de lin | -5.92 | -30.63 | -26.5 | 12 |
| 9 | IX. La Sérénade interrompue | -0.12 | -23.14 | -19.5 | 12 |
| 10 | X. La Cathédrale engloutie | -0.11 | -24.10 | -17.6 | 13 |
| 11 | XI. La Danse de Puck | -1.64 | -24.97 | -21.5 | 13 |
| 12 | XII. Minstrels | -1.18 | -25.00 | -20.8 | 14 |
| 13 | I. Lent | -10.52 | -31.56 | -28.5 | 13 |
| 14 | II. Avec étonnement | -6.76 | -29.10 | -25.3 | 12 |
| 15 | III. Lent | -4.54 | -28.19 | -24.3 | 13 |
| 16 | IV. No. 4 | -8.61 | -31.14 | -28.3 | 14 |
| 17 | V. No. 5 | -10.59 | -34.33 | -31.1 | 16 |
| 18 | VI. No. 6 | -6.97 | -28.10 | -25.1 | 12 |
| 19 | I. Lent et douloureux | -11.64 | -36.74 | -34.0 | 14 |
| 20 | II. Lent et triste | -14.24 | -36.33 | -33.5 | 13 |
| 21 | III. Lent et grave | -14.71 | -36.31 | -33.4 | 13 |