℗ 2017 Parlophone Records Limited, a Warner Music Group Company
Released | September 15, 2017 |
Duration | 1h 11m 45s |
Record Label | Warner Classics |
Genre | Classical |
The Handel Album
Philippe Jaroussky, Artaserse ensemble
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Imeneo, HWV 41, Act 1
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1.1
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"Se potessero i sospir' miei" (Tirinto)
George Frideric Handel; Philippe Jaroussky; Artaserse ensemble |
6:45 | |||
Riccardo I, ré d'Inghilterra, HWV 23, Act 1
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1.2
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"Agitato da fiere tempeste" (Riccardo)
George Frideric Handel; Philippe Jaroussky; Artaserse ensemble |
4:18 | |||
Siroe, re di Persia, HWV 24, Act 3
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1.3
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"Son stanco, ingiusti Numi ... " (Siroe)
George Frideric Handel; Philippe Jaroussky; Artaserse ensemble |
1:17 | |||
1.4
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"Deggio morire, o stelle" (Siroe)
George Frideric Handel; Philippe Jaroussky; Artaserse ensemble |
6:24 | |||
Serse, HWV 40, Act 2
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1.5
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"Sì, la voglio e l'otterrò" (Arsamene)
George Frideric Handel; Philippe Jaroussky; Artaserse ensemble |
2:52 | |||
Radamisto, HWV 12, Act 2
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1.6
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"Ombra cara" (Radamisto)
George Frideric Handel; Philippe Jaroussky; Artaserse ensemble |
8:13 | |||
Radamisto, HWV 12, Act 3
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1.7
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"Vieni, d'empietà mostro crudele ... " (Radamisto)
George Frideric Handel; Philippe Jaroussky; Artaserse ensemble |
1:01 | |||
1.8
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"Vile, se mi dai vita" (Radamisto)
George Frideric Handel; Philippe Jaroussky; Artaserse ensemble |
3:37 | |||
1.9
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"Qual nave smarrita" (Radamisto)
George Frideric Handel; Philippe Jaroussky; Artaserse ensemble |
6:09 | |||
Flavio, re de' Longobardi, HWV 16, Act 2
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1.10
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"Privarmi ancora dell'amata beltà? ... " (Guido)
George Frideric Handel; Philippe Jaroussky; Artaserse ensemble |
0:23 | |||
1.11
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"Rompo i lacci" (Guido)
George Frideric Handel; Philippe Jaroussky; Artaserse ensemble |
5:18 | |||
Amadigi di Gaula, HWV 11, Act 2
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1.12
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"Sussurrate, onde vezzose" (Amadigi)
George Frideric Handel; Philippe Jaroussky; Artaserse ensemble |
3:49 | |||
Tolomeo, re d'Egitto, HWV 25, Act 3
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1.13
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"Che più si tarda omai ... Inumano fratel ... " (Tolomeo)
George Frideric Handel; Philippe Jaroussky; Artaserse ensemble |
2:12 | |||
1.14
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"Stille amare" (Tolomeo)
George Frideric Handel; Philippe Jaroussky; Artaserse ensemble |
4:20 | |||
Giustino, HWV 37, Act 1
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1.15
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"Chi mi chiama alla gloria? ... " (Giustino)
George Frideric Handel; Philippe Jaroussky; Artaserse ensemble |
1:06 | |||
1.16
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"Se parla nel mio cor" (Giustino)
George Frideric Handel; Philippe Jaroussky; Artaserse ensemble |
4:44 | |||
Ezio, HWV 29, Act 1
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1.17
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"Pensa a serbarmi, o cara" (Ezio)
George Frideric Handel; Philippe Jaroussky; Artaserse ensemble |
3:38 | |||
Flavio, re de' Longobardi, HWV 16, Act 1
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1.18
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"Son pur felice al fine ... " (Guido)
George Frideric Handel; Philippe Jaroussky; Artaserse ensemble |
0:27 | |||
1.19
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"Bel contento" (Guido)
George Frideric Handel; Philippe Jaroussky; Artaserse ensemble |
5:12 | |||
Digital Booklet
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"Recording an album entirely devoted to Händel is an unmissable opportunity for any singer who loves Baroque music, but especially for a countertenor. In fact the sheer choice of arias, each more wonderful than the one before, is staggering, but does mean that every singer can find the numbers best suited to his or her voice and personality. Although it’s only in the last few years that I’ve been able to play the big Händel roles on stage – Sesto in Giulio Cesare, for example, or Ruggiero in Alcina – for this recital I wanted to choose a selection of arias from less well-known operas. I’ve been performing some of them for many years now and I felt ready to record them with my ensemble, Artaserse, a group of players who have gained further maturity from the experience of performing around the world over the years.
This recording also stems from observations about the repertoire, and the castrato repertoire in particular. Today, we singers almost always sing arias that weren’t written for us, and so have to adapt to play roles that are more ‘off-the-peg’ than ‘bespoke’. When Händel revived an opera with a different cast, however, he had no hesitation in transposing entire roles to adapt them to his new singers. I therefore decided to do the same with some of the arias on this album, in order to be able to perform them as comfortably as possible. I very much hope you will enjoy listening to the album as much as we all enjoyed making it!"
- Philippe Jaroussky
96 kHz / 24-bit PCM – Warner Classics Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.33 -5.80 to -0.28 | -20.93 -24.82 to -18.45 | -17.41 -21.00 to -15.30 | 12 10 to 13 | |
1 | "Se potessero i sospir' miei" (Tirinto) | -2.95 | -21.57 | -18.0 | 12 |
2 | "Agitato da fiere tempeste" (Riccardo) | -0.44 | -19.18 | -15.9 | 12 |
3 | "Son stanco, ingiusti Numi ... " (Siroe) | -2.82 | -21.91 | -17.5 | 11 |
4 | "Deggio morire, o stelle" (Siroe) | -3.07 | -21.58 | -18.1 | 12 |
5 | "Sì, la voglio e l'otterrò" (Arsamene) | -1.31 | -18.63 | -15.3 | 11 |
6 | "Ombra cara" (Radamisto) | -0.30 | -20.60 | -16.9 | 12 |
7 | "Vieni, d'empietà mostro crudele ... " (Radamisto) | -0.66 | -19.41 | -16.0 | 13 |
8 | "Vile, se mi dai vita" (Radamisto) | -0.72 | -18.45 | -15.3 | 12 |
9 | "Qual nave smarrita" (Radamisto) | -2.85 | -22.45 | -19.0 | 12 |
10 | "Privarmi ancora dell'amata beltà? ... " (Guido) | -2.43 | -20.65 | -17.0 | 10 |
11 | "Rompo i lacci" (Guido) | -0.28 | -18.98 | -15.6 | 12 |
12 | "Sussurrate, onde vezzose" (Amadigi) | -5.74 | -22.89 | -19.9 | 11 |
13 | "Che più si tarda omai ... Inumano fratel ... " (Tolomeo) | -1.17 | -21.61 | -17.3 | 12 |
14 | "Stille amare" (Tolomeo) | -4.99 | -24.82 | -21.0 | 13 |
15 | "Chi mi chiama alla gloria? ... " (Giustino) | -1.66 | -20.36 | -16.6 | 11 |
16 | "Se parla nel mio cor" (Giustino) | -0.96 | -19.80 | -16.6 | 12 |
17 | "Pensa a serbarmi, o cara" (Ezio) | -2.80 | -22.17 | -18.7 | 12 |
18 | "Son pur felice al fine ... " (Guido) | -5.80 | -22.22 | -18.7 | 11 |
19 | "Bel contento" (Guido) | -3.30 | -20.39 | -17.4 | 11 |