℗ 2019 Jones/Tintoretto Entertainment Company under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company
Released | November 15, 2019 |
Duration | 48m 45s |
Record Label | Parlophone UK |
Genre | Pop |
Space Oddity (Tony Visconti 2019 Mix)
David Bowie
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Space Oddity (Single Edit / 2019 Mix)
David Bowie |
5:20 | |||
1.2
|
Unwashed and Somewhat Slightly Dazed (2019 Mix)
David Bowie |
6:19 | |||
1.3
|
Letter To Hermione (2019 Mix)
David Bowie |
2:33 | |||
1.4
|
Cygnet Committee (2019 Tony Visconti Mix)
David Bowie |
9:37 | |||
1.5
|
Janine (2019 Mix)
David Bowie |
3:21 | |||
1.6
|
An Occasional Dream (2019 Mix)
David Bowie |
2:57 | |||
1.7
|
Wild Eyed Boy From Freecloud (2019 Mix)
David Bowie |
4:50 | |||
1.8
|
Conversation Piece (2019 Mix)
David Bowie |
3:11 | |||
1.9
|
God Knows I'm Good (2019 Mix)
David Bowie |
3:17 | |||
1.10
|
Memory of a Free Festival (2019 Mix)
David Bowie |
7:20 |
"1969's Space Oddity is fledgling Bowie - not a feather boa in sight - but a spider’s web of influences. It shows a Bowie, not so much casting his own image, but in the shadow of others. Originally turned down by George Martin, this kaleidoscopic album is an amalgamation of Dave’s obsessions - directors, musicians, poets and spirituality of a distinctly late-60s hue."
- BBC Music
David Bowie is the second studio album by the English musician David Bowie, released under that title by Philips in the UK, and as Man of Words/Man of Music by Mercury in the US, on 14 November 1969. It was reissued in 1972 by RCA Records as Space Oddity (the title of the opening track, which had reached No. 5 in the UK Singles Chart).
The album came about after Bowie had made the transition from a cabaret/avant-garde-inspired musician to a hippie/folk-based sound and as such the album is a major turning point from his 1967 debut. It also introduced the character of Major Tom.
This 50th anniversary edition features a brand new mix by the album's original producer, Tony Visconti.
96 kHz / 24-bit PCM – Parlophone UK Studio Masters
Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.86 -2.21 to -0.50 | -14.99 -17.77 to -13.71 | -11.90 -15.30 to -10.30 | 9 8 to 11 | |
1 | Space Oddity (Single Edit / 2019 Mix) | -0.50 | -13.92 | -10.3 | 9 |
2 | Unwashed and Somewhat Slightly Dazed (2019 Mix) | -0.50 | -13.71 | -10.6 | 9 |
3 | Letter To Hermione (2019 Mix) | -2.21 | -17.77 | -15.3 | 11 |
4 | Cygnet Committee (2019 Tony Visconti Mix) | -1.47 | -15.47 | -12.4 | 9 |
5 | Janine (2019 Mix) | -0.57 | -14.08 | -11.0 | 9 |
6 | An Occasional Dream (2019 Mix) | -0.85 | -14.32 | -11.6 | 8 |
7 | Wild Eyed Boy From Freecloud (2019 Mix) | -0.50 | -14.79 | -11.7 | 8 |
8 | Conversation Piece (2019 Mix) | -0.61 | -14.82 | -11.8 | 9 |
9 | God Knows I'm Good (2019 Mix) | -0.50 | -14.85 | -11.6 | 9 |
10 | Memory of a Free Festival (2019 Mix) | -0.89 | -16.20 | -12.7 | 9 |