℗ 2013 Groupe Analekta, Inc.
| Released | October 22, 2013 |
| Duration | 56m 03s |
| Record Label | Groupe Analekta, Inc. |
| Catalogue No. | AN 2 9848 |
| Genre | Classical (Baroque) |
Adagio: A Consideration of a Serious Matter
Ensemble Caprice, Matthias Maute
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Miserere in C Minor, ZWV 57
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1.1
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I. Adagio
Jan Dismas Zelenka; Ensemble Caprice; Matthias Maute |
2:21 | |||
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1.2
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Adagio in G Minor
Tomaso Albinoni; Remo Giazotti; Ensemble Caprice; Matthias Maute |
5:29 | |||
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1.3
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Agnus Dei
Samuel Barber; Ensemble Caprice; Matthias Maute |
6:09 | |||
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1.4
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Prélude
Matthias Maute; Ensemble Caprice; Matthias Maute |
2:06 | |||
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1.5
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Gymnopédie No. 1
Erik Satie; Ensemble Caprice; Matthias Maute |
2:52 | |||
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Ich Habe Genug, BWV 82a
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1.6
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I. Aria
Johann Sebastian Bach; Ensemble Caprice; Matthias Maute |
6:48 | |||
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Jephte
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1.7
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Plorate Israel (Coro)
Giacomo Carissimi; Ensemble Caprice; Matthias Maute |
3:48 | |||
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1.8
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Prélude, Op. 28, No. 4
Frédéric Chopin; Ensemble Caprice; Matthias Maute |
2:05 | |||
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1.9
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Miserere
Gregorio Allegri; Ensemble Caprice; Matthias Maute |
11:19 | |||
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1.10
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Da Pacem Domine
Arvo Pärt; Ensemble Caprice; Matthias Maute |
5:13 | |||
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1.11
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Sepulto Dominum
Jan Dismas Zelenka; Ensemble Caprice; Matthias Maute |
2:53 | |||
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1.12
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The Unanswered Question
Charles Ives; Ensemble Caprice; Matthias Maute |
5:00 | |||
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Digital Booklet
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Baroque flute and recorder player Matthias Maute leads his early music group the Ensemble Caprice on this performance of Charles Ives's most famous composition, which was given two different titles by the composer. The piece generally known as The Unanswered Question, featuring a trumpet call repeating the same earnest question seven times, was also listed by Ives under the title A Consideration of a Serious Matter. That wonderful title soon became the programmatic idea behind this recording of adagios throughout the centuries. Centered around Bach’s sad yet mysteriously joyful aria Ich Habe Genug, a colourful array of choral and orchestral pieces emerges, all meditations on the fundamental questions of life and death.
96 kHz / 24-bit PCM – Groupe Analekta, Inc. Studio Masters
Cet enregistrement a été réalisé à l’église de St-Mathieu-de-Beloeil, Québec, en avril 2013 / This recording was made in the Church of St-Mathieu-de-Beloeil, Quebec, Canada in April 2013. Nous tenons à remercier pour leur soutien inestimable / We wish to thank for their inestimable support: Joan & Peter Faber, Stanley Epstein, Pamela Stewart, John Ferth et/and Louise Nadeau. Réalisateur, Preneur de son; Mixage et mastérisation / Producer, Sound Engineer; Mix and Mastering: Carl Talbot, Productions Musicom Assistant preneur de son / Assistant Sound Engineer: Jeremy Tusz Producteur, Directeur artistique / Executive Producer, Artistic Director: François Mario Labbé Directrice de production / Production Manager: Julie M. Fournier Assistante de production / Production Assistant: Kathleen Désilets Photo Ensemble Caprice: © Ragnar Müller Wille Photo Matthias Maute: © Bill Blackstone Photo Shannon Mercer : © Helen Tansey Traduction et révision / Translation and proofreading: Rédaction LYRE, Eric Philips-Oxford Conception et production graphique / Graphic Design and Production: Pyrograf
Cet enregistrement a été réalisé à l’église de St-Mathieu-de-Beloeil, Québec, en avril 2013 / This recording was made in the Church of St-Mathieu-de-Beloeil, Quebec, Canada in April 2013. Nous tenons à remercier pour leur soutien inestimable / We wish to thank for their inestimable support: Joan & Peter Faber, Stanley Epstein, Pamela Stewart, John Ferth et/and Louise Nadeau. Réalisateur, Preneur de son; Mixage et mastérisation / Producer, Sound Engineer; Mix and Mastering: Carl Talbot, Productions Musicom Assistant preneur de son / Assistant Sound Engineer: Jeremy Tusz Producteur, Directeur artistique / Executive Producer, Artistic Director: François Mario Labbé Directrice de production / Production Manager: Julie M. Fournier Assistante de production / Production Assistant: Kathleen Désilets Photo Ensemble Caprice: © Ragnar Müller Wille Photo Matthias Maute: © Bill Blackstone Photo Shannon Mercer : © Helen Tansey Traduction et révision / Translation and proofreading: Rédaction LYRE, Eric Philips-Oxford Conception et production graphique / Graphic Design and Production: Pyrograf
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.60 -12.69 to -0.09 | -26.95 -31.81 to -18.71 | -23.43 -28.80 to -15.20 | 13 11 to 15 | |
| 1 | I. Adagio | -0.34 | -18.71 | -15.2 | 11 |
| 2 | Adagio in G Minor | -10.31 | -29.78 | -27.0 | 13 |
| 3 | Agnus Dei | -0.62 | -24.11 | -19.4 | 13 |
| 4 | Prélude | -7.22 | -27.71 | -23.8 | 11 |
| 5 | Gymnopédie No. 1 | -12.69 | -31.81 | -28.7 | 11 |
| 6 | I. Aria | -0.09 | -23.28 | -20.3 | 14 |
| 7 | Plorate Israel (Coro) | -2.42 | -23.95 | -20.6 | 13 |
| 8 | Prélude, Op. 28, No. 4 | -4.88 | -26.37 | -22.2 | 11 |
| 9 | Miserere | -4.20 | -28.54 | -24.3 | 15 |
| 10 | Da Pacem Domine | -4.73 | -29.19 | -26.1 | 14 |
| 11 | Sepulto Dominum | -9.47 | -28.27 | -24.8 | 11 |
| 12 | The Unanswered Question | -10.16 | -31.69 | -28.8 | 13 |