℗ 1960 2015 Countdown Media, a division of BMG Rights Management (US)
Released | January 20, 2019 |
Duration | 39m 28s |
Record Label | Everest |
Genre | Classical |
Brahms: Symphony No. 4 in E Minor, Op. 98
Pittsburgh Symphony Orchestra & William Steinberg, Pittsburgh Symphony Orchestra
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Symphony No. 4 in E Minor, Op. 98
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1.1
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I. Allegro non troppo
Johannes Brahms; Pittsburgh Symphony Orchestra & William Steinberg; Pittsburgh Symphony Orchestra; William Steinberg |
11:35 | |||
1.2
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II. Andante moderato
Johannes Brahms; Pittsburgh Symphony Orchestra & William Steinberg; Pittsburgh Symphony Orchestra; William Steinberg |
11:48 | |||
1.3
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III. Allegro giocoso - poco meno presto
Johannes Brahms; Pittsburgh Symphony Orchestra & William Steinberg; Pittsburgh Symphony Orchestra; William Steinberg |
6:05 | |||
1.4
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IV. Allegro energico e passionato - piu allegro
Johannes Brahms; Pittsburgh Symphony Orchestra & William Steinberg; Pittsburgh Symphony Orchestra; William Steinberg |
10:00 | |||
Digital Booklet
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The Pittsburgh Symphony Orchestra under the direction of William Steinberg brilliantly tackle the last of Brahm's symponies in this stunning legacy recording. Mastered from the original Everest Master Tapes, this series of releases from Countdown Media have been given new light and clarity through high-resolution digital transfer.
"The Everest catalog is one of the truly historic and ground-breaking music catalogs of the past half century. Everest created a number of historical sonic and music benchmarks during its early history in the 1950’s and 60’s. Everest was one of only two labels (arguably the first, with the historic Mercury Living Presence to follow) to record in 3-channel stereo, mostly with the London Symphony, London Philharmonic, and New York Philharmonic (in the guise of the 'Stadium Symphony Orchestra' due to contractual obligations). Some of the famed conductors active during the middle of the century, including Leopold Stokowski, Sir Malcom Sargent and Sir Adrian Boult, were responsible for these ground-breaking recordings on 35mm video tape (also a landmark accomplishment which would hearken the arrival a decade later of the usage of 2” master tape for studio recording)."
- Lutz Rippe (Countdown Media)
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Everest Studio Masters
Tracks 1-4 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-4 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.94 -1.21 to -0.60 | -20.31 -21.60 to -19.50 | -16.15 -17.40 to -15.40 | 12 11 to 12 | |
1 | I. Allegro non troppo | -0.60 | -19.66 | -15.6 | 12 |
2 | II. Andante moderato | -1.21 | -21.60 | -17.4 | 12 |
3 | III. Allegro giocoso - poco meno presto | -0.94 | -19.50 | -15.4 | 11 |
4 | IV. Allegro energico e passionato - piu allegro | -1.02 | -20.49 | -16.2 | 12 |