℗ 1959 2018 Countdown Media, a division of BMG Rights Management (US)
Released | January 20, 2019 |
Duration | 44m 33s |
Record Label | Everest |
Genre | Classical |
Vaughan Williams: Job, A Masque for Dancing
London Philharmonic Orchestra, Sir Adrian Boult
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Job, A Masque for Dancing, Scene I
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1.1
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I. Introduction
Ralph Vaughan Williams; London Philharmonic Orchestra; Sir Adrian Boult |
5:33 | |||
1.2
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II. Saraband of the Sons of God
Ralph Vaughan Williams; London Philharmonic Orchestra; Sir Adrian Boult |
3:58 | |||
Job, A Masque for Dancing, Scene II
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1.3
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III. Satan's Dance of Triumph
Ralph Vaughan Williams; London Philharmonic Orchestra; Sir Adrian Boult |
3:35 | |||
Job, A Masque for Dancing, Scene III
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1.4
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IV. Minuet of the Sons and Their Wives
Ralph Vaughan Williams; London Philharmonic Orchestra; Sir Adrian Boult |
4:03 | |||
Job, A Masque for Dancing, Scene IV
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1.5
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V. Job's Dream
Ralph Vaughan Williams; London Philharmonic Orchestra; Sir Adrian Boult |
4:13 | |||
Job, A Masque for Dancing, Scene V
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1.6
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VI. Dance of the Three Messengers
Ralph Vaughan Williams; London Philharmonic Orchestra; Sir Adrian Boult |
4:59 | |||
Job, A Masque for Dancing, Scene VI
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1.7
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VII. Dance of Job's Comforters
Ralph Vaughan Williams; London Philharmonic Orchestra; Sir Adrian Boult |
4:44 | |||
Job, A Masque for Dancing, Scene VII
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1.8
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VIII. Elihu's Dance of Youth and Beauty
Ralph Vaughan Williams; London Philharmonic Orchestra; Sir Adrian Boult |
3:21 | |||
1.9
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IX. Pavane of the Sons of the Morning
Ralph Vaughan Williams; London Philharmonic Orchestra; Sir Adrian Boult |
2:06 | |||
Job, A Masque for Dancing, Scene VIII
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1.10
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X. Gaillard of the Sons of the Morning
Ralph Vaughan Williams; London Philharmonic Orchestra; Sir Adrian Boult |
2:21 | |||
1.11
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XI. Altar Dance and Heavenly Pavane
Ralph Vaughan Williams; London Philharmonic Orchestra; Sir Adrian Boult |
2:32 | |||
Job, A Masque for Dancing, Scene IX
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1.12
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XII. Epilogue
Ralph Vaughan Williams; London Philharmonic Orchestra; Sir Adrian Boult |
3:08 |
Sir Adrian Boult heads the London Philharmonic Orchestra in this rousing legacy recording of Vaughan Williams' seminal ballet work!
Job: A Masque for Dancing is a one act ballet produced for the Vic-Wells Ballet in 1931. Regarded as a crucial work in the development of British ballet, Job was the first ballet to be produced by an entirely British creative team. The original concept and libretto for the ballet was proposed by the scholar Geoffrey Keynes, with choreography by Ninette de Valois, music by Ralph Vaughan Williams, orchestrations by Constant Lambert and designs by Gwendolen Raverat. The ballet is based on the Book of Job from the Hebrew Bible and was inspired by the illustrated edition by William Blake, published in 1826.
Mastered from the original Everest Master Tapes, this series of releases from Countdown Media have been given new light and clarity through high-resolution digital transfer.
"The Everest catalog is one of the truly historic and ground-breaking music catalogs of the past half century. Everest created a number of historical sonic and music benchmarks during its early history in the 1950’s and 60’s. Everest was one of only two labels (arguably the first, with the historic Mercury Living Presence to follow) to record in 3-channel stereo, mostly with the London Symphony, London Philharmonic, and New York Philharmonic (in the guise of the 'Stadium Symphony Orchestra' due to contractual obligations). Some of the famed conductors active during the middle of the century, including Leopold Stokowski, Sir Malcom Sargent and Sir Adrian Boult, were responsible for these ground-breaking recordings on 35mm video tape (also a landmark accomplishment which would hearken the arrival a decade later of the usage of 2” master tape for studio recording)."
- Lutz Rippe (Countdown Media)
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Everest Studio Masters
Tracks 1-12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; 44.1 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit
Tracks 1-12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; 44.1 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.59 -16.55 to -0.50 | -26.61 -38.20 to -19.35 | -21.88 -34.60 to -14.70 | 13 11 to 17 | |
1 | I. Introduction | -1.13 | -26.54 | -19.8 | 14 |
2 | II. Saraband of the Sons of God | -1.25 | -20.36 | -15.6 | 11 |
3 | III. Satan's Dance of Triumph | -0.99 | -19.35 | -14.7 | 12 |
4 | IV. Minuet of the Sons and Their Wives | -2.69 | -25.43 | -19.3 | 13 |
5 | V. Job's Dream | -0.50 | -23.50 | -16.1 | 14 |
6 | VI. Dance of the Three Messengers | -16.55 | -36.22 | -33.2 | 12 |
7 | VII. Dance of Job's Comforters | -1.24 | -22.46 | -16.9 | 13 |
8 | VIII. Elihu's Dance of Youth and Beauty | -11.51 | -38.20 | -34.6 | 17 |
9 | IX. Pavane of the Sons of the Morning | -1.10 | -22.63 | -18.8 | 11 |
10 | X. Gaillard of the Sons of the Morning | -2.21 | -21.94 | -17.9 | 12 |
11 | XI. Altar Dance and Heavenly Pavane | -1.97 | -26.00 | -22.3 | 14 |
12 | XII. Epilogue | -13.90 | -36.65 | -33.3 | 13 |