℗ 2018 Panta Rei under exclusive license to BMG Rights Management (France)
| Released | September 14, 2018 |
| Duration | 52m 24s |
| Record Label | BMG Rights Mgmt France SARL |
| Genre | Pop |
Negative Capability
Marianne Faithfull
Available in MQA and 44.1 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Misunderstanding
Marianne Faithfull |
4:04 | |||
|
1.2
|
The Gypsy Faerie Queen
Marianne Faithfull |
3:40 | |||
|
1.3
|
As Tears Go By
Marianne Faithfull |
3:52 | |||
|
1.4
|
In My Own Particular Way
Marianne Faithfull |
4:21 | |||
|
1.5
|
Born to Live
Marianne Faithfull |
3:39 | |||
|
1.6
|
Witches Song
Marianne Faithfull |
4:57 | |||
|
1.7
|
It's All Over Now, Baby Blue (Re-Recorded)
Marianne Faithfull |
5:01 | |||
|
1.8
|
They Come at Night
Marianne Faithfull |
3:40 | |||
|
1.9
|
Don't Go EXPLICIT
Marianne Faithfull |
4:20 | |||
|
1.10
|
No Moon in Paris
Marianne Faithfull |
4:56 | |||
|
1.11
|
Loneliest Person
Marianne Faithfull |
2:52 | |||
|
1.12
|
No Moon in Paris (Radio Edit)
Marianne Faithfull |
3:26 | |||
|
1.13
|
They Come at Night (Alt. Version)
Marianne Faithfull |
3:36 |
"At the age of 71, the British singer who helped define rock-star redemption shares gorgeous and vulnerable self-portraits, shaped by an ace backing band that sometimes includes Nick Cave."
- Pitchfork
Negative Capability is the most emotionally powerful of her 54-year recording career. Facing down arthritis and bolstered by collaborators including Warren Ellis, Nick Cave, Rob Ellis, Ed Harcourt and Mark Lanegan, Negative Capability is charged with brutal honesty and autobiographical reflection as she addresses losing old friends, her loneliness living in her adopted city of Paris, and love.
Driven by her supernatural reinterpretative skills, florid lyricism, battle against the pain she lives with, and realised with her stellar group of musicians, Negative Capability is Marianne’s unflinchingly honest and relentlessly beautiful late-life masterpiece. The stark emotional heft, exquisitely framed by ornately sensitive musical backdrops can only be likened to the late-life works by Johnny Cash or Leonard Cohen.
44.1 kHz / 24-bit PCM – BMG Rights Mgmt France SARL Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.13 -0.40 to -0.10 | -12.80 -16.42 to -9.54 | -10.12 -13.30 to -7.00 | 8 6 to 11 | |
| 1 | Misunderstanding | -0.10 | -16.42 | -13.3 | 11 |
| 2 | The Gypsy Faerie Queen | -0.10 | -12.55 | -9.4 | 7 |
| 3 | As Tears Go By | -0.40 | -14.94 | -12.2 | 9 |
| 4 | In My Own Particular Way | -0.10 | -10.22 | -7.8 | 6 |
| 5 | Born to Live | -0.10 | -14.08 | -11.5 | 8 |
| 6 | Witches Song | -0.10 | -11.93 | -9.9 | 7 |
| 7 | It's All Over Now, Baby Blue (Re-Recorded) | -0.10 | -12.83 | -10.6 | 8 |
| 8 | They Come at Night | -0.10 | -10.38 | -7.7 | 6 |
| 9 | Don't Go | -0.10 | -14.53 | -11.8 | 8 |
| 10 | No Moon in Paris | -0.24 | -14.28 | -11.5 | 8 |
| 11 | Loneliest Person | -0.10 | -11.57 | -8.8 | 7 |
| 12 | No Moon in Paris (Radio Edit) | -0.10 | -13.07 | -10.1 | 7 |
| 13 | They Come at Night (Alt. Version) | -0.10 | -9.54 | -7.0 | 6 |