℗ 2018 Parlophone Records Limited, a Warner Music Group Company
Released July 6, 2018
Duration 1h 52m 33s
Record Label Warner Classics
Genre Classical
 

Bernstein: Symphonies Nos 1-3, Prelude, Fugue & Riffs

Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia

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Symphony No. 1 "Jeremiah"  
1.1
I. Prophecy (Largamente)
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
7:13
1.2
II. Profanation (Vivace con brio)
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
7:14
1.3
III. Lamentation (Lento)
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
11:04
Symphony No. 2, "The Age of Anxiety"  
1.4
Pt. 1. The Prologue (Lento moderato)
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
2:25
1.5
Pt. 1. The Seven Ages - Variation 1 (L' istesso tempo)
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
1:03
1.6
Pt. 1. The Seven Ages - Variation 2 (Poco più mosso)
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
1:44
1.7
Pt 1. The Seven Ages - Variation 3 (Largamente, ma mosso)
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
1:21
1.8
Pt. 1. The Seven Ages - Variation 4 (Più mosso)
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
0:53
1.9
Pt. 1. The Seven Ages - Variation 5 (Agitato)
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
0:47
1.10
Pt. 1. The Seven Ages - Variation 6 (Poco meno mosso)
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
1:19
1.11
Pt. 1. The Seven Ages - Variation 7 (L'istesso tempo)
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
1:55
1.12
Pt 1. The Seven Stages - Variation 8 (Molto moderato, ma movendo).
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
1:55
1.13
Pt 1. The Seven Stages - Variation 9 (Più mosso - Tempo di valse)
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
1:21
1.14
Pt. 1. The Seven Stages - Variation 10 (Più mosso)
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
0:28
1.15
Pt. 1. The Seven Stages - Variation 11 (L' istesso tempo)
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
0:51
1.16
Pt. 1. The Seven Stages - Variation 12 (Poco più vivace)
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
0:13
1.17
Pt 1. The Seven Stages - Variation 13 (L' istesso tempo)
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
0:38
1.18
Part 1. The Seven Stages - Variation 14 (L'istesso tempo)
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
0:34
1.19
Pt 2. The Dirge (Largo)
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
7:17
1.20
Pt. 2. The Masque (Extremely fast)
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
4:50
1.21
Pt. 2. The Epilogue (L´istesso tempo)
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
8:38
Symphony No. 3 "Kaddish"  
1.22
Ia. Invocation (Adagio)
Leonard Bernstein; Antonio Pappano; Coro e Voci Bianche dell'Accademia Nazionale di Santa Cecilia; Dame Josephine Barstow; Orchestra dell'Accademia Nazionale di Santa Cecilia
3:01
1.23
Ib. Kaddish 1 (L' istesso tempo - Allegro molto)
Leonard Bernstein; Antonio Pappano; Coro e Voci Bianche dell'Accademia Nazionale di Santa Cecilia; Dame Josephine Barstow; Orchestra dell'Accademia Nazionale di Santa Cecilia
5:29
1.24
IIa. Din - Torah - Di nuovo adagio
Leonard Bernstein; Antonio Pappano; Coro e Voci Bianche dell'Accademia Nazionale di Santa Cecilia; Dame Josephine Barstow; Orchestra dell'Accademia Nazionale di Santa Cecilia
6:51
1.25
IIb. Kaddish 2 - Andante con tenerezza
Leonard Bernstein; Antonio Pappano; Coro e Voci Bianche dell'Accademia Nazionale di Santa Cecilia; Dame Josephine Barstow; Orchestra dell'Accademia Nazionale di Santa Cecilia
7:31
1.26
IIIa. Scherzo - Presto scherzando, sempre pianissimo
Leonard Bernstein; Antonio Pappano; Dame Josephine Barstow; Orchestra dell'Accademia Nazionale di Santa Cecilia
5:03
1.27
IIIb. Kaddish 3
Leonard Bernstein; Antonio Pappano; Coro e Voci Bianche dell'Accademia Nazionale di Santa Cecilia; Dame Josephine Barstow; Orchestra dell'Accademia Nazionale di Santa Cecilia
2:54
1.28
IIIc. Finale - Adagio come nel Din-Torah
Leonard Bernstein; Antonio Pappano; Dame Josephine Barstow; Orchestra dell'Accademia Nazionale di Santa Cecilia
5:32
1.29
Fuga - Allegro vivo con gioia
Leonard Bernstein; Antonio Pappano; Coro e Voci Bianche dell'Accademia Nazionale di Santa Cecilia; Orchestra dell'Accademia Nazionale di Santa Cecilia
4:31
Prelude, Fugue & Riffs  
1.30
I. Prelude for the Brass
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
1:48
1.31
II. Fugue for the Saxes
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
1:46
1.32
III. Riffs for Everyone
Leonard Bernstein; Antonio Pappano; Orchestra dell'Accademia Nazionale di Santa Cecilia
4:24
Digital Booklet
"There’s something of Bernstein’s dynamism and eclectic, all-embracing nature in the person of Antonio Pappano whose penchant for, and love of, jazz for starters ticks one of the many boxes that this music demands." - Gramophone (Recording Of The Month) Warner Classics is honouring Bernstein with live recordings, made in Rome in February 2018, of his three symphonies and his Prelude, Fugue and Riffs. Sir Antonio Pappano conducts the Orchestra dell’Accademia Nazionale di Santa Cecilia and the soloists are pianist Beatrice Rana, mezzo-soprano Marie-Nicole Lemieux, soprano Nadine Sierra and narrator Dame Josephine Barstow. Bernstein, who died in 1990, was one of the defining forces in 20th-century music, not only as the first great American-born conductor and as a charismatic communicator, but as a composer who represents the cultural ‘melting pot’ of the USA. His three symphonies are: No 1, ‘Jeremiah’, premiered in 1944; No 2, ‘The Age of Anxiety’ (1949) and No 3, ‘Kaddish’ (1963). They show Bernstein assimilating a diversity of influences, such as the composers Mahler, Shostakovich and Aaron Copland (Bernstein’s American-born mentor), jazz and Latin music (idioms which are driving forces in West Side Story, his all-conquering Broadway musical of 1961), his Jewish heritage. Bernstein had a long association with the Orchestra dell’Accademia Nazionale di Santa Cecilia. He first conducted the orchestra in 1948 and from 1983 to 1990 served as its Honorary President. Sir Antonio Pappano, who has been music director of the Roman ensemble since 2005, was born in England but spent his formative years in the USA. At the Tanglewood Music Center in Massachusetts he watched Bernstein teaching young conductors and later, in the mid-1980s, met the great maestro, who was interviewing potential musical assistants for a recording project with the Accademia di Santa Cecilia.
96 kHz / 24-bit PCM – Warner Classics Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-3.59
-18.55 to -0.14
-24.41
-41.18 to -15.91
-19.81
-38.10 to -11.20
12
9 to 16
1
I. Prophecy (Largamente)
-0.14-21.20-15.912
2
II. Profanation (Vivace con brio)
-0.14-18.41-14.211
3
III. Lamentation (Lento)
-0.14-22.44-15.713
4
Pt. 1. The Prologue (Lento moderato)
-18.43-40.65-38.111
5
Pt. 1. The Seven Ages - Variation 1 (L' istesso tempo)
-18.55-41.18-36.810
6
Pt. 1. The Seven Ages - Variation 2 (Poco più mosso)
-2.07-23.77-18.711
7
Pt 1. The Seven Ages - Variation 3 (Largamente, ma mosso)
-7.75-26.33-23.311
8
Pt. 1. The Seven Ages - Variation 4 (Più mosso)
-1.07-21.28-17.312
9
Pt. 1. The Seven Ages - Variation 5 (Agitato)
-1.65-19.48-15.811
10
Pt. 1. The Seven Ages - Variation 6 (Poco meno mosso)
-9.84-35.12-28.615
11
Pt. 1. The Seven Ages - Variation 7 (L'istesso tempo)
-12.33-37.81-35.012
12
Pt 1. The Seven Stages - Variation 8 (Molto moderato, ma movendo).
-6.26-27.52-24.112
13
Pt 1. The Seven Stages - Variation 9 (Più mosso - Tempo di valse)
-1.55-20.31-16.112
14
Pt. 1. The Seven Stages - Variation 10 (Più mosso)
-4.83-22.92-19.411
15
Pt. 1. The Seven Stages - Variation 11 (L' istesso tempo)
-1.54-21.41-18.312
16
Pt. 1. The Seven Stages - Variation 12 (Poco più vivace)
-10.42-31.06-28.213
17
Pt 1. The Seven Stages - Variation 13 (L' istesso tempo)
-0.14-15.91-12.39
18
Part 1. The Seven Stages - Variation 14 (L'istesso tempo)
-0.14-16.90-11.29
19
Pt 2. The Dirge (Largo)
-0.14-21.67-16.913
20
Pt. 2. The Masque (Extremely fast)
-1.10-24.05-20.413
21
Pt. 2. The Epilogue (L´istesso tempo)
-0.14-20.86-14.512
22
Ia. Invocation (Adagio)
-3.44-29.68-24.314
23
Ib. Kaddish 1 (L' istesso tempo - Allegro molto)
-0.83-18.82-13.510
24
IIa. Din - Torah - Di nuovo adagio
-0.83-20.78-15.612
25
IIb. Kaddish 2 - Andante con tenerezza
-0.83-24.35-19.615
26
IIIa. Scherzo - Presto scherzando, sempre pianissimo
-0.83-25.00-19.916
27
IIIb. Kaddish 3
-0.83-20.42-14.011
28
IIIc. Finale - Adagio come nel Din-Torah
-0.89-26.81-20.116
29
Fuga - Allegro vivo con gioia
-0.83-18.33-13.310
30
I. Prelude for the Brass
-0.63-20.35-14.512
31
II. Fugue for the Saxes
-5.96-28.60-25.514
32
III. Riffs for Everyone
-0.63-17.65-12.710

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