℗ 2015 Decca Music Group Limited
| Released | May 15, 2015 |
| Duration | 49m 34s |
| Record Label | Decca/London |
| Genre | Classical |
Balalaika Favourites
Osipov State Russian Folk Orchestra, Vitaly Gnutov
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Fantasy On Two Folk Songs
Nikolaj Pavlov Budashkin; Rudolf Belov; Osipov State Russian Folk Orchestra; Vitaly Gnutov |
7:07 | |||
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1.2
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At Sunrise
Anonymous; Osipov State Russian Folk Orchestra; Vitaly Gnutov |
4:26 | |||
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1.3
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The Linden Tree
Pavel Kulikov; Osipov State Russian Folk Orchestra; Vitaly Gnutov |
4:20 | |||
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1.4
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Kamarinskaya
Nikolay vasilevich Osipov; Osipov State Russian Folk Orchestra; Vitaly Gnutov |
2:44 | |||
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1.5
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Fantasy On Volga Melodies
Mikhailov-Shalayev; Osipov State Russian Folk Orchestra; Vitaly Gnutov |
4:47 | |||
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1.6
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In The Moonlight
Vasily Andreyev; Osipov State Russian Folk Orchestra; Vitaly Gnutov |
3:06 | |||
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1.7
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Midnight In Moscow
Vasily Pavlovich Solovyov-Sedoi; Osipov State Russian Folk Orchestra; Vitaly Gnutov |
2:31 | |||
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1.8
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Under The Apple Tree
Vasily Andreyev; Osipov State Russian Folk Orchestra; Vitaly Gnutov |
2:13 | |||
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The Snow Maiden
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1.9
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Dance Of The Comedians
Peter Ilyich Tchaikovsky; Osipov State Russian Folk Orchestra; Vitaly Gnutov |
4:32 | |||
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1.10
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The Living Room
Jurij N. Shishakov; Osipov State Russian Folk Orchestra; Vitaly Gnutov |
1:27 | |||
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1.11
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Evening Bells
Anonymous; Osipov State Russian Folk Orchestra; Vitaly Gnutov |
4:18 | |||
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1.12
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My Dear Old Friend, Please Visit Me
Anonymous; Osipov State Russian Folk Orchestra; Vitaly Gnutov |
2:26 | |||
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1.13
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Waltz Of The Faun
Vasily Andreyev; Osipov State Russian Folk Orchestra; Vitaly Gnutov |
4:21 | |||
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The Tale of Tsar Saltan
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1.14
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The Flight Of The Bumble-Bee
Nicolai Rimsky-Korsakov; Osipov State Russian Folk Orchestra; Vitaly Gnutov |
1:16 | |||
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Digital Booklet
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This historic album from the Osipov State Russian Folk Orchestra under Vitaly Gnutov dates back to June 1962 and contains the first recordings ever made in the Soviet Union by American musical and technical staff and equipment.
96 kHz / 24-bit PCM – Decca/London Studio Masters
This title is a high-resolution digital transfer of material originating from an analogue recording. It may be limited in bandwidth and dynamic range by the technology available at the time of its original creation, and is offered as a high-quality documentation of a historical release. Recorded: Bolshoi Hall, Tchaikovsky Conservatory, Moscow, 13 and 16 June 1962 Recording equipment: 3-track 35mm magnetic film and half-inch tape / three Telefunken 201 microphones Recording director: Wilma Cozart Musical supervisor: Harold Lawrence Chief engineer & Technical supervisor: C. Robert Fine Associate engineer: Robert Eberenz Analogue to digital transfer: Andrew Wedman Editing & 2-channel conversion: Mark Bücker assisted by Andreas Brüning Original liner note editor: Sedgwick Clark Publishers: Hans Sikorski Musikverlag (1, 2, 11, 12; EMI Music Publishing Ltd/ Copyright Control (4); Mezhdunarodnaya Kniga (5, 7); Copyright Control (3) Cover photo: Brice Somers; taken in the Bolshoi Hall of the Tchaikovsky Conservatory in Moscow
This title is a high-resolution digital transfer of material originating from an analogue recording. It may be limited in bandwidth and dynamic range by the technology available at the time of its original creation, and is offered as a high-quality documentation of a historical release. Recorded: Bolshoi Hall, Tchaikovsky Conservatory, Moscow, 13 and 16 June 1962 Recording equipment: 3-track 35mm magnetic film and half-inch tape / three Telefunken 201 microphones Recording director: Wilma Cozart Musical supervisor: Harold Lawrence Chief engineer & Technical supervisor: C. Robert Fine Associate engineer: Robert Eberenz Analogue to digital transfer: Andrew Wedman Editing & 2-channel conversion: Mark Bücker assisted by Andreas Brüning Original liner note editor: Sedgwick Clark Publishers: Hans Sikorski Musikverlag (1, 2, 11, 12; EMI Music Publishing Ltd/ Copyright Control (4); Mezhdunarodnaya Kniga (5, 7); Copyright Control (3) Cover photo: Brice Somers; taken in the Bolshoi Hall of the Tchaikovsky Conservatory in Moscow
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.15 -3.91 to -0.31 | -23.01 -25.66 to -19.37 | -19.22 -21.80 to -14.90 | 12 11 to 14 | |
| 1 | Fantasy On Two Folk Songs | -3.17 | -25.66 | -21.4 | 13 |
| 2 | At Sunrise | -0.46 | -21.48 | -17.6 | 12 |
| 3 | The Linden Tree | -3.42 | -25.10 | -21.5 | 12 |
| 4 | Kamarinskaya | -2.67 | -23.22 | -19.3 | 13 |
| 5 | Fantasy On Volga Melodies | -2.25 | -22.84 | -19.4 | 13 |
| 6 | In The Moonlight | -0.31 | -20.62 | -17.0 | 12 |
| 7 | Midnight In Moscow | -3.91 | -23.77 | -20.7 | 11 |
| 8 | Under The Apple Tree | -1.41 | -21.22 | -17.6 | 12 |
| 9 | Dance Of The Comedians | -0.79 | -19.37 | -14.9 | 11 |
| 10 | The Living Room | -1.90 | -23.79 | -20.0 | 13 |
| 11 | Evening Bells | -2.64 | -24.54 | -18.8 | 11 |
| 12 | My Dear Old Friend, Please Visit Me | -1.75 | -23.34 | -20.2 | 14 |
| 13 | Waltz Of The Faun | -2.06 | -21.84 | -18.9 | 12 |
| 14 | The Flight Of The Bumble-Bee | -3.41 | -25.32 | -21.8 | 13 |