℗ 2020 San Francisco Symphony
Released | January 10, 2020 |
Duration | 1h 26m 30s |
Record Label | SFS Media |
Genre | Classical |
Mahler: Symphony No. 6
San Francisco Symphony, Michael Tilson Thomas
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Symphony No. 6 in A Minor
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1.1
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I. Allegro energico, ma non troppo. Heftig, aber markig
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas |
24:37 | |||
1.2
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II. Scherzo (Wuchtig)
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas |
13:32 | |||
1.3
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III. Andante moderato
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas |
16:19 | |||
1.4
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IV. Finale. Allegro moderato - Allegro energico
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas |
32:02 |
Michael Tilson Thomas leads the San Francisco Symphony in this rousing performance of Mahler's Symphony No. 6.
Symphony No. 6 in A minor by Gustav Mahler is a symphony in four movements, composed in 1903 and 1904. Mahler conducted the work's first performance at the Saalbau concert hall in Essen on May 27, 1906. It is sometimes referred to by the nickname Tragische ("Tragic"). Mahler composed the symphony at what was apparently an exceptionally happy time in his life, as he had married Alma Schindler in 1902, and during the course of the work's composition his second daughter was born. This contrasts with the tragic, even nihilistic, ending of No. 6. Both Alban Berg and Anton Webern praised the work when they first heard it.
Joseph Haydn's Concerto No. 2 in D Major for cello and orchestra was composed in 1783 for Antonín Kraft, a cellist of Prince Nikolaus's Esterházy Orchestra. The piece's authenticity was doubted for some time, and at one stage it was suggested that Kraft himself had written it, but most experts now believe that the work is indeed authentic after Haydn's autograph score was discovered in 1951. Although the concerto sounds more relaxed and lyrical than its C major predecessor it is more technically difficult for the soloist.
Michael Tilson Thomas assumed his post as the San Francisco Symphony’s 11th Music Director in 1995, consolidating a relationship with the Orchestra that began with his debut here in 1974. In what is widely considered one of the most dynamic and productive partnerships in the orchestral world, Tilson Thomas and the SF Symphony have been praised for their innovative programming, enhancing the orchestral concert experience with multimedia and creative staging, showcasing the works of American composers, and attracting new audiences to orchestral music, both at home at Davies Symphony Hall and through the Orchestra’s extensive media projects. A Los Angeles native, he studied with John Crown and Ingolf Dahl at the University of Southern California, becoming Music Director of the Young Musicians Foundation Debut Orchestra at nineteen. Most recently, he was named a 2019 recipient of the Kennedy Center Honors.
96 kHz / 24-bit PCM – SFS Media Studio Masters
Tracks 1-4 – contains material which utilizes a limited amount of the available bandwidth
Tracks 1-4 – contains material which utilizes a limited amount of the available bandwidth
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.17 -3.70 to -2.98 | -26.31 -29.12 to -24.62 | -22.85 -25.80 to -20.90 | 15 14 to 15 | |
1 | I. Allegro energico, ma non troppo. Heftig, aber markig | -3.00 | -24.63 | -21.2 | 14 |
2 | II. Scherzo (Wuchtig) | -3.01 | -26.87 | -23.5 | 15 |
3 | III. Andante moderato | -3.70 | -29.12 | -25.8 | 15 |
4 | IV. Finale. Allegro moderato - Allegro energico | -2.98 | -24.62 | -20.9 | 14 |