℗ 2020 Parlophone Records Limited, a Warner Music Group Company
| Released | December 20, 2019 |
| Duration | 1h 02m 49s |
| Record Label | Warner Classics |
| Genre | Classical |
Pesson, Abrahamsen & Strasnoy: Piano Concertos
Alexandre Tharaud, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin, Tito Ceccherini, hr-Sinfonieorchester Frankfurt, Les Violons du Roy, Mathieu Lussier
Available in MQA and 48 kHz / 24-bit AIFF, FLAC audio formats
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Left, alone
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1.1
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I. Very fast
Hans Abrahmansen; Alexandre Tharaud; Rotterdam Philharmonic Orchestra; Yannick Nézet-Séguin |
2:36 | |||
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1.2
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II. Slowly walking
Hans Abrahmansen; Alexandre Tharaud; Rotterdam Philharmonic Orchestra; Yannick Nézet-Séguin |
3:26 | |||
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1.3
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III. Presto fluente
Hans Abrahmansen; Alexandre Tharaud; Rotterdam Philharmonic Orchestra; Yannick Nézet-Séguin |
1:24 | |||
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1.4
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IV. Slowly
Hans Abrahmansen; Alexandre Tharaud; Rotterdam Philharmonic Orchestra; Yannick Nézet-Séguin |
0:52 | |||
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1.5
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V. Prestissimo tempestuoso
Hans Abrahmansen; Alexandre Tharaud; Rotterdam Philharmonic Orchestra; Yannick Nézet-Séguin |
1:57 | |||
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1.6
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VI. In a tempo from another time - In a time for a slow motion - Suddenly in flying time, "Fairy Tale Time"
Hans Abrahmansen; Alexandre Tharaud; Rotterdam Philharmonic Orchestra; Yannick Nézet-Séguin |
6:56 | |||
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1.7
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Future Is a Faded Song
Gerard Pesson; Alexandre Tharaud; Tito Ceccherini; hr-Sinfonieorchester Frankfurt |
23:37 | |||
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1.8
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Kuleshov
Oscar Strasnoy; Alexandre Tharaud; Les Violons du Roy; Mathieu Lussier |
22:01 | |||
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Digital Booklet
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This album brings together world premiere recordings of three aesthetically diverse piano concertos that were written for Alexandre Tharaud. They are Left, alone by the Dane Hans Abrahamsen (b. 1952), Future is a faded song by the Frenchman Gérard Pesson (b.1958) and Kuleshov by the Argentian-born Frenchman Oscar Strasnoy (b.1970). Strasnoy has said that his concerto was “inspired by Alexandre Tharaud’s unique and inimitable phrasing and clarity of playing.” No doubt those words could apply to all three works on the album.
48 kHz / 24-bit PCM – Warner Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -9.72 -30.76 to -0.11 | -34.37 -49.10 to -27.40 | -29.98 -45.30 to -24.20 | 15 9 to 19 | |
| 1 | I. Very fast | -3.74 | -27.40 | -24.2 | 15 |
| 2 | II. Slowly walking | -7.67 | -35.08 | -26.9 | 17 |
| 3 | III. Presto fluente | -16.22 | -36.46 | -32.9 | 14 |
| 4 | IV. Slowly | -30.76 | -49.10 | -45.3 | 9 |
| 5 | V. Prestissimo tempestuoso | -0.11 | -29.06 | -25.1 | 12 |
| 6 | VI. In a tempo from another time - In a time for a slow motion - Suddenly in flying time, "Fairy Tale Time" | -14.18 | -37.11 | -32.7 | 14 |
| 7 | Future Is a Faded Song | -3.66 | -30.69 | -26.7 | 18 |
| 8 | Kuleshov | -1.42 | -30.05 | -26.0 | 19 |