℗ 2014 Cantaloupe Music
Released | March 25, 2014 |
Duration | 58m 16s |
Record Label | Cantaloupe Music |
Catalogue No. | CA-21098 |
Genre | Classical (Chamber Music) |
Glenn Kotche: Adventureland
Glenn Kotche, Kronos Quartet, Gamelan Galak Tika, eighth blackbird
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
Anomaly
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1.1
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I
Glenn Kotche; Glenn Kotche; Kronos Quartet |
2:34 | |||
The Haunted
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1.2
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V. Dance
Glenn Kotche; Glenn Kotche |
5:34 | |||
Anomaly
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1.3
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II
Glenn Kotche; Glenn Kotche; Kronos Quartet |
2:32 | |||
1.4
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The Travelling Turtle
Glenn Kotche; Glenn Kotche; Gamelan Galak Tika |
5:27 | |||
The Haunted
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1.5
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IV. Hive
Glenn Kotche; Glenn Kotche |
3:28 | |||
Anomaly
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1.6
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III
Glenn Kotche; Glenn Kotche; Kronos Quartet |
4:35 | |||
The Haunted
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1.7
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I. Furnace
Glenn Kotche; Glenn Kotche |
5:03 | |||
Anomaly
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1.8
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IV
Glenn Kotche; Glenn Kotche; Kronos Quartet |
4:03 | |||
1.9
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V
Glenn Kotche; Glenn Kotche; Kronos Quartet |
1:57 | |||
The Haunted
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1.10
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III. Viaduct
Glenn Kotche; Glenn Kotche |
5:50 | |||
1.11
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II. Treehouse
Glenn Kotche; Glenn Kotche |
4:03 | |||
1.12
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Triple Fantasy
Glenn Kotche; Glenn Kotche; Kronos Quartet; eighth blackbird |
5:42 | |||
Anomaly
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1.13
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VI
Glenn Kotche; Glenn Kotche; Kronos Quartet |
4:03 | |||
1.14
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VII
Glenn Kotche; Glenn Kotche; Kronos Quartet |
3:25 | |||
Digital Booklet
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"... a dynamic record front to back, one carefully orchestrated but then deconstructed and re-ordered in compelling ways. It’s another surprise from Kotche, a player and composer who refuses to repeat himself."
- PopMatters.com
This multihued album took form after Wilco drummer Glenn Kotche was inspired to write a string quartet, which eventually morphed into a kaleidoscopic amusement ride of strings, gamelan, electronics and Kotche’s vast arsenal of percussion instruments. Adventureland, which maps an intense and fertile period of growth in Kotche’s artistic vision, contains the suite Anomaly featuring the Kronos Quartet, intertwined with the chilling, at times even macabre five-part piece The Haunted for “two pianos vs. percussion."
"For the string quartet, I was banging my head against the wall for ideas and the solution didn’t really come to me until I sat down at the drums. I realized, ‘Hey, four voices, four limbs!’ So I made the cello my right foot, the viola my left foot and took it from there."
- Glenn Kotche
48 kHz / 24-bit PCM – Cantaloupe Music Studio Masters
Anomaly Recorded by Pat Burns at Ganz Hall at the Music Institute of Chicago. Mixed by Pat Burns and Glenn Kotche. Technical assistance by Pete Mathias, Kyle Vegter and Jen Richards. The Haunted Recorded by Pat Burns at Ganz Hall at the Music Institute of Chicago. Mixed by Pat Burns and Glenn Kotche. Technical assistance by Pete Mathias, Kyle Vegter and Jen Richards. The Travelling Turtle Recorded by Joel Gordon at the Endicott World Music Room, Massachusetts Institute of Technology, and Pat Burns at Trick Industries, with generous expert technical assistance provided by Ramon Castillo. Triple Fantasy Recorded by Pat Burns at Electrical Audio, Chicago. Additional recording by Pat Burns at the Loft. Mixed by Glenn Kotche and Pat Burns. Technical assistance by Jason Tobias, Larry Neff, Janet Cowperthwaite, Sidney Chen, Mark Greenberg and Tom Schick.
Anomaly Recorded by Pat Burns at Ganz Hall at the Music Institute of Chicago. Mixed by Pat Burns and Glenn Kotche. Technical assistance by Pete Mathias, Kyle Vegter and Jen Richards. The Haunted Recorded by Pat Burns at Ganz Hall at the Music Institute of Chicago. Mixed by Pat Burns and Glenn Kotche. Technical assistance by Pete Mathias, Kyle Vegter and Jen Richards. The Travelling Turtle Recorded by Joel Gordon at the Endicott World Music Room, Massachusetts Institute of Technology, and Pat Burns at Trick Industries, with generous expert technical assistance provided by Ramon Castillo. Triple Fantasy Recorded by Pat Burns at Electrical Audio, Chicago. Additional recording by Pat Burns at the Loft. Mixed by Glenn Kotche and Pat Burns. Technical assistance by Jason Tobias, Larry Neff, Janet Cowperthwaite, Sidney Chen, Mark Greenberg and Tom Schick.
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.87 -4.84 to -0.43 | -14.69 -21.03 to -11.39 | -12.28 -17.60 to -9.40 | 7 6 to 11 | |
1 | I | -0.66 | -14.01 | -12.5 | 8 |
2 | V. Dance | -0.59 | -18.45 | -15.0 | 11 |
3 | II | -0.43 | -11.87 | -10.3 | 7 |
4 | The Travelling Turtle | -0.58 | -12.37 | -10.5 | 6 |
5 | IV. Hive | -0.58 | -15.55 | -11.9 | 7 |
6 | III | -0.58 | -12.61 | -11.1 | 6 |
7 | I. Furnace | -0.59 | -11.39 | -9.4 | 6 |
8 | IV | -0.51 | -13.71 | -11.9 | 7 |
9 | V | -4.84 | -21.03 | -17.6 | 9 |
10 | III. Viaduct | -0.56 | -13.03 | -10.6 | 6 |
11 | II. Treehouse | -0.58 | -17.69 | -14.1 | 9 |
12 | Triple Fantasy | -0.59 | -12.72 | -10.5 | 6 |
13 | VI | -0.53 | -14.01 | -11.8 | 7 |
14 | VII | -0.52 | -17.21 | -14.7 | 9 |